https://www.griffinartprojects.ca/current-residents daily 0.75 2026-02-26 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1772136811328-4631LLWK0M6P22ZDZ18Y/Claudia+Studio_Griffin.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1772138902569-N9QIZNFFW39791F218HR/Sylvie-Curator-Talk_6.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c1e9da0e-ee6d-4655-86cd-51b681455a25/simartres+log+house.webp https://www.griffinartprojects.ca/current-residents/category/Residency monthly 0.5 https://www.griffinartprojects.ca/current-residents/category/2023 monthly 0.5 https://www.griffinartprojects.ca/current-residents/category/2022 monthly 0.5 https://www.griffinartprojects.ca/current-residents/category/2021 monthly 0.5 https://www.griffinartprojects.ca/events daily 0.75 2026-03-13 https://www.griffinartprojects.ca/events/rrlle0t290xvociex7k546nldx6ueu monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/52064e58-685b-4963-818e-aec58ce344f6/06_dec8_carson.jpg Events - Youth Hub Exhibition Opening Reception | Hands That Hold - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/capture-festival-x-griffin-art-projects-featured-tour monthly 0.5 2026-03-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/33a5befa-6ad4-4198-91c1-55b088a6eac9/Shirin+Neshat++Passage+Series%2C+2001+%281%29.jpg Events - Capture Festival X Griffin Art Projects: Featured Tour - Make it stand out Shirin Neshat, Passage series, 2001. Cibachrome print mounted on aluminum; 34 7/8 x 75 1/8 in. Lillian and Billy Mauer Collection. © Shirin Neshat. Courtesy of the artist and Gladstone. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/074b2a0f-68ad-4e72-9617-12d451bd9a9c/2021+Capture+Logo+Full+%28white-background%29.png Events - Capture Festival X Griffin Art Projects: Featured Tour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6dcce53a-6186-4a36-813f-c6697dc5a49e/GRR_headshot_NGC.jpg Events - Capture Festival X Griffin Art Projects: Featured Tour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1772919242356-2JERMFR89BNYYC930AS8/Candida+Ho%CC%88fer_VG+BildKunst+Bonn+2025.JPG Events - Capture Festival X Griffin Art Projects: Featured Tour - Candida Höfer Palais Garnier Paris VII 2004, 2004. Chromogenic print; 47 1/4 x 47 1/4 in. Lillian and Billy Mauer Collection. © Candida Höfer/VG BildKunst Bonn 2025. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1772919287759-QW66E4254WIHTNUNNX00/OGrady_Troupe_Front_1983_2009.jpg Events - Capture Festival X Griffin Art Projects: Featured Tour - Lorraine O’Grady (b.1934 - d. 2024) Art is...(Women in Crowd Framed), 1983/2009. C-Print; 16 x 20 in. Lillian and Billy Mauer Collection. © Lorraine O’Grady / Artists Rights Society (ARS), New York / CARCC Ottawa 2026. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1772919256202-YASGEGIJEXMDV7224R7L/AG.les_invalides-LetterSize+%28RESIZED%29.jpg Events - Capture Festival X Griffin Art Projects: Featured Tour - Angela Grauerholz Les Invalides, 1989. Azo dye print / Épreuve au colorant azoïque; 47 x 63 1/4 in. Lillian and Billy Mauer Collection. © Angela Grauerholz, Courtesy the artist. https://www.griffinartprojects.ca/events/embodied-conversations-listening-sessions monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f0d31461-2d7e-4f6e-8191-98917d40b741/Purvis+Young_Untitled+%28Figures%29+1980-85+%281%29.jpg Events - Embodied Conversations Listening Sessions - Make it stand out Purvis Young, Untitled (Figures), (1980-85). Mixed media on found wood, 121.9 x 241.3 cm / 48 x 95 in., Lillian and Billy Mauer Collection. © 1987, Purvis Young / Artists Rights Society (ARS), New York / CARCC Ottawa 2026 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a3523307-3406-430d-88bb-63b3db6546d1/Jefferson+Alade_Headshot_Listening+Session.JPG Events - Embodied Conversations Listening Sessions - Make it stand out Jefferson Aladé delivering “Tide Places” Listening Workshop, Shumka Centre | ECUAD Vancouver, B.C. Photo: Alison Boulier. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/9aa5aaab-6f98-4ea7-a9cf-989178527f8f/Lorainne+O%27Grady+02.jpg Events - Embodied Conversations Listening Sessions - Make it stand out Lorraine O’Grady, Art is...(Framing Cop) (1983/2009) C-Print; 16 x 20 in; Lillian and Billy Mauer Collection ©2026 Lorraine O’Grady / Copyright Visual Arts-Droits d'auteur Arts visuels (COVA-DAAV) https://www.griffinartprojects.ca/events/conversations-on-collecting-embodied-conversations-exhibition-tour monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1765655731697-9LG2GP05XWLG9BLCRNFP/Lorainne+O%27Grady+01.jpg Events - Conversations on Collecting: Embodied Conversations Exhibition Tour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1765656890697-7GULJJA41RHU573XMPR2/Camnitzer_Tratado_sobre_el_paisaje_1996_installation.jpg Events - Conversations on Collecting: Embodied Conversations Exhibition Tour - Tratado sobre el paisaje, 1996 Mixed Media, Dimensions variable, Lillian and Billy Mauer Collection ©Luis Camnitzer / Artists Rights Society (ARS), New York / CARCC Ottawa 2026 Photo: Eduardo Ortega https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1765669099983-Y5BNHOPASNG34EUXGURB/A+Scientific+Profile+%28Quad%29_b_DOWNSIZED.jpg Events - Conversations on Collecting: Embodied Conversations Exhibition Tour - A Negroid Type/You Became a Scientific Profile/An Anthropological Debate/& A Photographic Subject, 1995-96 C-print with sandblasted text on glass, 26 1/2 x 22 3/4 in.: each work, Lillian and Billy Mauer Collection © Carrie Mae Weems Courtesy of the artist and Gladstone, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1765669111677-UIDT0KSFBCRTWZ8PXVSK/Shechet%2C+The+Next+Day%2C+2023_07_DOWNSIZED.jpg Events - Conversations on Collecting: Embodied Conversations Exhibition Tour - The Next Day (2023) Glazed ceramic, painted and dyed hardwood, steel, 17 x 10 x 9 in., Lillian and Billy Mauer Collection Arlene Shechet, Courtesy of the Artist and Pace Gallery Photo by David Schulze https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1765669109150-2G175HJTKC57COJFGYTX/Purvis+Young.jpg Events - Conversations on Collecting: Embodied Conversations Exhibition Tour - Untitled (Figures) (1980-85) Mixed media on found wood, 121.9 x 241.3 cm / 48 x 95 in., Lillian and Billy Mauer Collection © 1987, Purvis Young / Artists Rights Society (ARS), New York / CARCC Ottawa 2026 https://www.griffinartprojects.ca/events/opening-reception-embodied-conversations-the-lillian-and-billy-mauer-collection monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e6c21485-c933-4a39-ae49-5c16174865c6/Lorainne+O%27Grady+01.jpg Events - Opening Reception | Embodied Conversations: The Lillian and Billy Mauer Collection - Make it stand out Lorraine O’Grady, Art is...(Women in Crowd Framed) (1983/2009). C-Print; 16 x 20 in; Lillian and Billy Mauer Collection. ©2026 Lorraine O’Grady / Copyright Visual Arts-Droits d'auteur Arts visuels (COVA-DAAV) https://www.griffinartprojects.ca/events/conversations-on-collecting-indigenous-approaches-to-collecting monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/79e76544-9f5c-4d37-ba0c-9475eb97054b/CoC+Indigi+Approches+IG+poster+FINAL.jpg Events - Conversations on Collecting - Indigenous Approaches to Collecting - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ed4a8a8b-712e-415e-ba10-fba5e5a31f74/Copy+of+30+Ravens+Tail.jpg Events - Conversations on Collecting - Indigenous Approaches to Collecting - Make it stand out Christos Dikeakos, Raven’s Tail, 2014. Archival pigment inks printed on Epson lustre paper; 60 x 70 inches; Collection of Vancouver Art Gallery, Gift of the Artist https://www.griffinartprojects.ca/events/north-shore-art-crawl monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1759084061842-C99RPKLGSGC778OXMO2F/NSAC+2025+Instagram+1080+x+1350.jpg Events - 15th Annual North Shore Art Crawl - Make it stand out Image Credit: Courtesy of North Van Arts https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4b9a9498-261c-4f5a-ad87-ff59334536c4/Griffin+Art+Projects.jpg Events - 15th Annual North Shore Art Crawl - Make it stand out Image Credit: Christos Dikeakos, Uno Langmann Limited Fine Art (detailed view), 2019, inkjet print, 60 x 110 cm. Courtesy of Uno Langmann Limited https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/96a39de3-3dd8-409b-8743-6ac4abb790c0/Griffin+Art+Projects_CGB_downsampled_graphic.png Events - 15th Annual North Shore Art Crawl - Make it stand out Image Credit: Claudia Goulet-Blais, Hidden Daughter series from mère-fille: an archive of care (detailed view), 2025. Courtesy of Artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - 15th Annual North Shore Art Crawl - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/claudia-goulet-blais-open-studios monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1762718086505-6ME9AMNMRTHSOA4RH6HK/Claudia_+Studio_Griffin.jpg Events - Open Studio with Claudia Goulet-Blais - Make it stand out Image Courtesy of Claudia Goulet-Blais https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/836ccfe5-1f34-4f15-9e8a-08c874f5f2dc/AceraInsurance_rgb+%281%29.png Events - Open Studio with Claudia Goulet-Blais - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - Open Studio with Claudia Goulet-Blais - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - Open Studio with Claudia Goulet-Blais - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/artist-in-residence-talk-with-griffin-x-ecu-fellowship-studio-award-winner-claudia-goulet-blais monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/92c8f94e-3374-4621-80ce-10715e452b41/Claudia+Griffin+Artist+Portrait.jpg Events - Artist in Residence Talk with GRIFFIN X ECU Fellowship Studio Award Winner Claudia Goulet-Blais. - Make it stand out Image Courtesy of Claudia Goulet-Blais https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/77c11768-879d-4021-bb98-72144879f5fc/Claudia+Griffin+Studio+Portrait+02.jpg Events - Artist in Residence Talk with GRIFFIN X ECU Fellowship Studio Award Winner Claudia Goulet-Blais. - Make it stand out Inside Claudia’s Griffin Art Projects Residency Studio; Image courtesy of Claudia Goulet-Blais https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fa6660a3-02d0-4d74-b592-c31490917116/AceraInsurance_rgb+%281%29.png Events - Artist in Residence Talk with GRIFFIN X ECU Fellowship Studio Award Winner Claudia Goulet-Blais. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - Artist in Residence Talk with GRIFFIN X ECU Fellowship Studio Award Winner Claudia Goulet-Blais. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - Artist in Residence Talk with GRIFFIN X ECU Fellowship Studio Award Winner Claudia Goulet-Blais. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/5wg3f93ib7tlpc8hq1krnrxbp77zw5 monthly 0.5 2025-09-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07189922-1a98-4e0e-b643-75113c167cca/Copy+of+Copy+of+Boya+Liang_profile-1+%281%29.jpg Events - Artist in Residence Talk with GRIFFIN X ECU Similkameen Studio Award Recipient Boya Liang - Make it stand out Image: Boya Liang Photo: Image courtesy of Boya Liang https://www.griffinartprojects.ca/events/conversations-on-collecting-candice-hopkins-forge-project monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/18f97108-4493-45b4-83a7-a00c06b445a9/Candice+Hopkins_credit+Thatcher+Keats.jpg Events - Conversations on Collecting International: Candice Hopkins, Forge Project Candice Hopkins by Thatcher Keats https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6d0d7bba-935a-4e93-acc4-a8934e1b2b42/DSCF0975.jpg Events - Conversations on Collecting International: Candice Hopkins, Forge Project - Make it stand out Photo by Alekz Pacheco https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fa6660a3-02d0-4d74-b592-c31490917116/AceraInsurance_rgb+%281%29.png Events - Conversations on Collecting International: Candice Hopkins, Forge Project - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - Conversations on Collecting International: Candice Hopkins, Forge Project - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - Conversations on Collecting International: Candice Hopkins, Forge Project - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - Conversations on Collecting International: Candice Hopkins, Forge Project - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/conversations-on-collecting-maria-sukkar-iself-collection monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c120c30b-09c0-463a-b896-a72bfefefb5e/image0+%281%29.jpeg Events - Conversations on Collecting International: Maria Sukkar, ISelf Collection Courtesy of Maria Sukkar https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3fd3c884-de52-4620-bf0d-24449b976b39/Whitechapel+Gallery-iSelf+Collection+Dinner_Dan+Weill+Photography-113.jpeg Events - Conversations on Collecting International: Maria Sukkar, ISelf Collection - Make it stand out Louise Bourgeois, Three Horizontals, Courtesy of Maria Sukkar | ISelf Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e371bc3a-a373-4fed-9ba1-e122589d2d77/AceraInsurance_rgb+%281%29.png Events - Conversations on Collecting International: Maria Sukkar, ISelf Collection - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - Conversations on Collecting International: Maria Sukkar, ISelf Collection - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - Conversations on Collecting International: Maria Sukkar, ISelf Collection - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - Conversations on Collecting International: Maria Sukkar, ISelf Collection - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/curator-in-residence-talk-with-sylvie-fortin monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b831a8a1-6b1c-4272-9a72-7fc2e697d767/_DSC0420+2+%281%29.jpeg Events - Curator in Residence Talk with Sylvie Fortin - Make it stand out Photo credit: C. Daniel Dawson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fa6660a3-02d0-4d74-b592-c31490917116/AceraInsurance_rgb+%281%29.png Events - Curator in Residence Talk with Sylvie Fortin - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - Curator in Residence Talk with Sylvie Fortin - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - Curator in Residence Talk with Sylvie Fortin - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - Curator in Residence Talk with Sylvie Fortin - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/film-screening-the-melt-goes-on-forever-the-art-and-times-of-david-hammons monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6f6670fc-6846-45b7-af75-f4121ec7258a/MeltGoesOn-1.jpg Events - The Collectors Film Series: Film screening | The Melt Goes On Forever | The Art and Times of David Hammons - Make it stand out Courtesy of The Cinematheque. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1757461645602-YEOU8060RZ4Z34KZICOK/MeltGoesOn-4.jpg Events - The Collectors Film Series: Film screening | The Melt Goes On Forever | The Art and Times of David Hammons - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fa6660a3-02d0-4d74-b592-c31490917116/AceraInsurance_rgb+%281%29.png Events - The Collectors Film Series: Film screening | The Melt Goes On Forever | The Art and Times of David Hammons - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - The Collectors Film Series: Film screening | The Melt Goes On Forever | The Art and Times of David Hammons - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - The Collectors Film Series: Film screening | The Melt Goes On Forever | The Art and Times of David Hammons - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - The Collectors Film Series: Film screening | The Melt Goes On Forever | The Art and Times of David Hammons - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/film-screening-the-proposal monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ea2aa16f-7837-4b4b-a962-39c44fba6dd1/PROPOSAL+Still+2.jpg Events - The Collectors Film Series: Film screening | The Proposal - Make it stand out Courtesy of The Cinematheque https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fa6660a3-02d0-4d74-b592-c31490917116/AceraInsurance_rgb+%281%29.png Events - The Collectors Film Series: Film screening | The Proposal - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - The Collectors Film Series: Film screening | The Proposal - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - The Collectors Film Series: Film screening | The Proposal - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - The Collectors Film Series: Film screening | The Proposal - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/artist-exhibition-tour-the-collectors monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5d0fac10-8d8b-4589-ae01-5c91b3954eb0/Dikeakos%2CChristos.jpg Events - Artist Exhibition Tour: Christos Dikeakos - Make it stand out Courtesy of Christos Dikeakos https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c42ca51b-e689-4afe-8d84-5459774fe308/AceraInsurance_rgb.png Events - Artist Exhibition Tour: Christos Dikeakos - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c749bbf8-ce88-4374-bfb5-cc081a71fafb/north-vancouver-recreation-culture-logo.png Events - Artist Exhibition Tour: Christos Dikeakos - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png Events - Artist Exhibition Tour: Christos Dikeakos - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - Artist Exhibition Tour: Christos Dikeakos - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/film-screening-russian-ark monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e08325d5-7d10-4acf-9e05-dc8c7d19ea9d/RussianArk-3.jpg Events - The Collectors Film Series: Film screening | Russian Ark - Make it stand out Courtesy of The Cinematheque https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - The Collectors Film Series: Film screening | Russian Ark - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/opening-reception-the-collectors monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b4f370d9-017d-49ea-ae5b-0b84561f6666/16Uno+Langman.jpg Events - Opening reception: The Collectors - Make it stand out Christos Dikeakos, Uno Langmann (detailed view), 2019, inkjet print, 60 x 110 cm https://www.griffinartprojects.ca/events/curator-in-residence-talk-sven-christian monthly 0.5 2025-08-17 https://www.griffinartprojects.ca/events/conversations-on-collecting-nurturing-the-artistic-talent-of-tomorrow monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/9273c955-c96a-4d9d-81f8-7208758132a6/Miriam+Cahn+%282%29.jpg Events - Conversations on Collecting: Nurturing the Artistic Talent of Tomorrow - Make it stand out Miriam Cahn, Flüchtlinge. 2014, Oil on canvas, Collection of Jane Irwin and Ross Hill, Image courtesy of Jörg Lohse https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1749325706214-KRGSNORCXJLSV4AZLKAZ/Jane%2BIrwin%2BHeadshot%2B%25281%2529.jpg Events - Conversations on Collecting: Nurturing the Artistic Talent of Tomorrow https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1749325797905-JBB29LUH693P5YG3KXBJ/Inna%2BO%2527Brian.jpg Events - Conversations on Collecting: Nurturing the Artistic Talent of Tomorrow https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1749325810091-CCS4O4QD5YPM6QNWHNXM/Bruce%2BMunro%2BWright%252C%2BPortrait%2Btaken%2Bat%2BChoklit.jpg Events - Conversations on Collecting: Nurturing the Artistic Talent of Tomorrow https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1749325863766-TN3DFXQY85BI7UHD0TNL/Shawn%252BHunt%252B1.jpg Events - Conversations on Collecting: Nurturing the Artistic Talent of Tomorrow https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c50dd71a-9eaf-40f4-b23f-6544c680f485/AceraInsurance_cream.png Events - Conversations on Collecting: Nurturing the Artistic Talent of Tomorrow - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/conversations-on-collecting-collecting-to-build-community monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4491157f-fc94-44ec-94d7-324a8e38ce47/Portrait+of+group+of+Chinese+women+%282%29.jpg Events - Conversations on Collecting: Collecting to Build Community - Make it stand out Yucho Chow, Portrait of group of Chinese women, circa 1930, Photograph, Wallace B. Chung and Madeline H. Chung Collection, Rare Books and Special Collections, University of British Columbia Library, CC-PH-00200 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1cc787a9-7d5d-4d87-95f2-9695c37dbd1b/AceraInsurance_cream.png Events - Conversations on Collecting: Collecting to Build Community - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/conversations-on-collecting-transformational-legacies monthly 0.5 2026-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/58a0a489-c845-493a-b53f-8b1e7ef77b16/Web+splash+page+v8.jpg Events - Conversations on Collecting: Transformational Legacies - Make it stand out Panelists for Conversation ( Clockwise from Top Left) - Claudia Beck (Courtesy of Claudia Beck), Eva Respini (Courtesy of Eva Respini), Anouchka Freybe (Courtesy of Anouchka Freybe), Henning and Brigitte Freybe (Courtesy of artist Christos Dikeakos, Henning and Brigitte Freybe standing on Carl Andre (detailed view). https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d1c1ce27-dcf9-4fdf-8eb3-9bf8f451bcb1/BAShirtsLogo-01-01+%281%29.png Events - Conversations on Collecting: Transformational Legacies - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8e14e44e-471b-45b0-a8f2-c33e86cfa5c3/AceraInsurance_cream.png Events - Conversations on Collecting: Transformational Legacies - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/68127aff-9489-47d3-9d6e-51d282bd3bd2/16Uno+Langman+%286%29.jpg Events - Conversations on Collecting: Transformational Legacies - Make it stand out From September 20 - December 14, 2025 https://www.griffinartprojects.ca/events/conversations-on-collecting-film-screening-via-zoom monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e19b3515-c9a3-43af-8901-38ab72b379c9/Ruiz.Still002-2.jpg Events - Conversations on Collecting: Film Screening (via Zoom) - Make it stand out Image courtesy of Edward Tyndall https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4901bf7d-cb80-4b46-a118-39477d98b94c/rs_dsc_0634.jpg Events - Conversations on Collecting: Film Screening (via Zoom) - Edward Tyndall is an accomplished filmmaker and writer whose award-winning films have been featured at over one hundred film festivals, including the Tribeca and the BFI London Film Festivals. His documentaries have aired on PBS and received international distribution. Tyndall's fiction has been published in anthologies and literary journals. He is the creator of Outpost Zulu: Interviews from the Fringe, a forthcoming podcast that explores unique and unconventional stories of the dispossessed. A passionate educator, Edward serves as a faculty member at the University of Colorado Denver, where he teaches writing for the screen. Image courtesy of Edward Tyndall https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b5bde8d8-4635-468b-85c1-563054f73058/2024TBA-5685.jpg Events - Conversations on Collecting: Film Screening (via Zoom) - Make it stand out Photo credit: Rebecca Tisdelle-Macias https://www.griffinartprojects.ca/events/x711x2kqave2ktd2ovxwu2wcn8iys2 monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e7639fe4-23ad-4485-8f15-b75895bd9801/image0.jpeg Events - Seriously? An Evening of Comedy with Keith Nahanee and Friends - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/seriously-artist-panel-discussion-live-at-bill-reid-gallery monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7259ef9f-b902-4076-9390-a59412222ef0/image001.jpg Events - Seriously? Artist Panel Discussion (live at Bill Reid Gallery) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/a-dissection-and-autopsy-with-adrian-norvid-curator-talk-with-melissa-e-feldman monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/df7c2d70-f6f0-4b6e-a060-117639e6f654/GLV07334-Enhanced-NR_Photo+Guy+LHeureux+copy+2.jpg Events - A Dissection and Autopsy with Adrian Norvid + Curator Talk with Melissa E. Feldman - Make it stand out Adrian Norvid performing Adrian’s Awetopsy. Image courtesy of the Artist https://www.griffinartprojects.ca/events/join-grenville-fille-bruce-grenville-and-alice-mackenzie-for-an-open-studio-event-sharing-their-research-on-ann-newdigate monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/38d96636-b2a8-41e5-835d-555097fa2d74/Grenville+%2B+Fille+Joint+Headshot.jpg Events - Open Studio: Grenville + Fille (Bruce Grenville and Alice Mackenzie) - Make it stand out Image courtesy of Grenville + Fille. https://www.griffinartprojects.ca/events/live-from-the-studio-with-grenvillefille monthly 0.5 2025-08-17 https://www.griffinartprojects.ca/events/future-worldings-opening-reception monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e96e95cc-7b46-43c2-b014-b9892858c480/unnamed.png Events - Future Worldings Opening Reception - Make it stand out Xwalacktun, Osieum (A gesture of thanks), 2024. Old-growth Red Cedar, 90 cm (d) https://www.griffinartprojects.ca/events/conversations-on-collection-with-lucy-mcgarry-co-founder-of-rmb-latitudes-art-fair-johannesburg-south-africa-via-zoom monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/95f583eb-54d9-4aba-96a5-17d0718e7b3d/Lucy+MacGarry.png Events - Conversations on Collection with Lucy McGarry, Co-Founder of RMB Latitudes Art Fair, Johannesburg, South Africa (Via Zoom) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/biomaterial-futures-part-1-of-2-xefth monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d4bf81cc-f60a-4e53-a413-7d5772ec5937/Sun+Forest+Headshot.jpeg Events - Bio)Material Futures Part 2 of 2 - Make it stand out Sun Forest, Courtesy of Sun Forest https://www.griffinartprojects.ca/events/live-from-the-studio-with-ecu-fellowship-award-winner-faria-firoz-and-north-shore-studio-award-winners-karl-mata-hipol-and-khim-mata-hipol-via-zoom-8rp2l monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/bb670afc-7185-40b7-976c-a6857aee214c/3-Faria+Firoz_Biborton+2.jpg Events - Open Studios with ECU Fellowship Award Winner Faria Firoz and North Shore Studio Award Winners Karl Mata Hipol and Khim Mata Hipol - Make it stand out Faria Firoz, Biborton: Shift of Being, 2023. Wax, beads, threads and hair on saree. https://www.griffinartprojects.ca/events/biomaterial-futures-part-1-of-2 monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d4bf81cc-f60a-4e53-a413-7d5772ec5937/Sun+Forest+Headshot.jpeg Events - Bio)Material Futures Part 1 of 2 - Make it stand out Sun Forest, Courtesy of Sun Forest https://www.griffinartprojects.ca/events/live-from-the-studio-with-curator-in-residence-melissa-feldman-via-zoom monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/273a0721-7a21-4be9-9d52-caa6d583b03c/Feldman.headshot+-+Melissa+Feldman.JPG Events - Live from the studio with Curator-in-Residence Melissa Feldman (Via Zoom) - Make it stand out Melissa Feldman, 2016. Image courtesy of Winnie Westergard https://www.griffinartprojects.ca/events/live-from-the-studio-with-ecu-fellowship-award-winner-faria-firoz-and-north-shore-studio-award-winners-karl-mata-hipol-and-khim-mata-hipol-via-zoom monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7b311535-471e-411e-9263-7f904c504139/19_Alaala+nila+Lola+%28+2023+%29_.png Events - Live from the Studio with ECU Fellowship Award Winner Faria Firoz and North Shore Studio Award Winners Karl Mata Hipol and Khim Mata Hipol (Via Zoom) - Make it stand out Khim Mata Hipol. Alaala nila Lola, 2022. Archival Inkjet Print, Vinyl. https://www.griffinartprojects.ca/events/glkgt3flq13grpwtp45q8wlf0yqu83 monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ae3f09cd-97f3-44af-a9fc-807e8c0e7264/Screenshot+2024-09-05+at+9.51.13%E2%80%AFAM.png Events - Future Worldings Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/open-studios-with-future-worldings-artists monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2f8f1bc3-afe7-4f5e-b976-1961143ed747/FWHEADER.jpg Events - Open Studios with Future Worldings Artists - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-curator-in-residence-wayne-baerwaldt monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/86946b4c-786e-45b3-8208-93f795fc7990/WB+Portrait+%282%29.jpg Events - Live From the Studio with Curator-in-Residence: Wayne Baerwaldt - Make it stand out Image: Wayne Baerwaldt, courtesy of Dallas Loken https://www.griffinartprojects.ca/events/artist-talk-with-charlene-vickers monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/040e64d2-8945-4e9b-a796-3d0e53f28815/18+Final+Wall+Char.jpg Events - Artist Talk with Charlene Vickers - Make it stand out Image: Charlene Vickers with her Ovoid Installation in "Your Old Way Kind of Vision" exhibition at The Libby Leshgold Gallery from June 1 - 30, 2024. Photo courtesy of the Artist. https://www.griffinartprojects.ca/events/mount-pleasant-furniture-tours-with-indigenous-curatorial-assistant-emmett-hanly-and-exhibition-curators-in-person-at-mount-pleasant-furniture-38-e-4th-ave-vancouver-bc-pms45 monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/157470c0-da17-46c6-a41b-1eeee703b899/The+Prop+House_006.jpg Events - Mount Pleasant Furniture Tours with Indigenous Curatorial Assistant Emm Hanly and Exhibition Curators (in-person at Mount Pleasant Furniture, 38 E 4th Ave, Vancouver, BC) - Make it stand out Image: Jason Payne/Vancouver Sun https://www.griffinartprojects.ca/events/the-prop-house-a-collection-of-one-million-objects-exhibition-tour-in-farsi monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1716057088088-QO8NHJSXEWAO5PZ5RRY3/The+Prop+House_004.jpg Events - The Prop House: A Collection of One Million Objects Exhibition Tour in Farsi https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1721586116433-51X8BUVWSSO0FY9601XD/DSCF1486.jpg Events - The Prop House: A Collection of One Million Objects Exhibition Tour in Farsi https://www.griffinartprojects.ca/events/conversations-on-collection-leslie-madsen-via-zoom-in-person monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/79c75f00-07a1-4aef-8f85-c275ca70775f/The+Prop+House_003.jpg Events - Conversations on Collection, Leslie Madsen (Via Zoom & in person) - Make it stand out Image: Jason Payne/Vancouver Sun https://www.griffinartprojects.ca/events/mount-pleasant-furniture-tours-with-indigenous-curatorial-assistant-emmett-hanly-and-exhibition-curators-in-person-at-mount-pleasant-furniture-38-e-4th-ave-vancouver-bc monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/157470c0-da17-46c6-a41b-1eeee703b899/The+Prop+House_006.jpg Events - Mount Pleasant Furniture Tours with Indigenous Curatorial Assistant Emm Hanly and Exhibition Curators (in-person at Mount Pleasant Furniture, 38 E 4th Ave, Vancouver, BC) - Make it stand out Image: Jason Payne/Vancouver Sun https://www.griffinartprojects.ca/events/open-studios-with-homa-khosravi-bipoc-studio-art-award-winner-and-griffin-x-ecu-studio-award-winner-aiden-kirkegaard-in-person monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1716055470623-ZIPAG1OTEZ7XRLZ1DA6O/Headshot_Kirkegaard+-+Aiden+Kirkegaard.JPG Events - Open Studios with Homa Khosravi, BIPOC Studio Art Award Winner and Griffin x ECU Studio Award Winner, Aiden Kirkegaard (in-person) https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1716055471947-APLWG180X0G7DST5KPLP/Homa+Khosravi+-+Headshot.JPG Events - Open Studios with Homa Khosravi, BIPOC Studio Art Award Winner and Griffin x ECU Studio Award Winner, Aiden Kirkegaard (in-person) https://www.griffinartprojects.ca/events/otujh73vbc39lt05d6ursw64z5xdu9 monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1716054697869-8MWNSZK9D4AORJOPRKVZ/Homa+Khosravi+-+Headshot.JPG Events - Live from the Studio with Griffin x ECU Studio Award Winner, Aiden Kirkegaard and Homa Khosravi, BIPOC Studio Art Award Winner (via Zoom) https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1716054708855-Z1ED59Y7BBZHBOSBB8PL/Headshot_Kirkegaard+-+Aiden+Kirkegaard.JPG Events - Live from the Studio with Griffin x ECU Studio Award Winner, Aiden Kirkegaard and Homa Khosravi, BIPOC Studio Art Award Winner (via Zoom) https://www.griffinartprojects.ca/events/40d7occp0as5m6f2fafazpmqp9s89q monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d50b9db9-8e19-49a5-9377-d5e1ea265d4f/PNG+0726N+prophouse+441.jpg Events - The Prop House: A Collection of One Million Objects Tour with Curators Lisa Baldissera and Paul Wong and Exhibition Artists (hybrid in-person and online via Zoom) - Make it stand out Image: Jason Payne/Vancouver Sun https://www.griffinartprojects.ca/events/z2qfs0yf8ddid59iyyysh4aao2hnuh monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3ed9cde6-bad4-4158-913b-c1ab205cc9d7/PNG+0726N+prophouse+445.jpg Events - The Prop House: Collection of One Million Objects Opening Reception (in-person) - Make it stand out Image: Jason Payne/Vancouver Sun https://www.griffinartprojects.ca/events/conversations-on-collecting-with-denis-walz monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/545eaeed-ddac-401f-82fe-89815c2fccbd/2009.002.1+-+Joan+Balzar%2C+Electra+II.jpg Events - Conversations on Collecting with Denis Walz - Make it stand out Image: Joan Balzar, Electra II, 1967/2009, Acrylic paint on canvas with neon tubing, 152 x 323 cm. Gift of the Artist. Collection of West Vancouver Art Museum. https://www.griffinartprojects.ca/events/conference-arcs-and-orbits monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b96c00d7-a283-4bbe-97f3-caaa852f0cf7/Yellow+Exit+II.jpg Events - CONFERENCE: Arcs and Orbits - Make it stand out Joan Balzar, Yellow Exit II, 1996, Acrylic on canvas, 89 x 213.4 cm, Collection of Shawn Macmillan. Photo by Byron Dauncey. https://www.griffinartprojects.ca/events/u6mg982lxtbt4aojvcij6jeguww3as-h833e monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3366ca3f-07b9-42e9-8b16-f751049c9d45/bahar_edit.jpg Events - Intersecting Orbits: Michael Morris and Joan Balzar exhibition tour in Farsi - Make it stand out Image: Installation view of the exhibition "Intersecting Orbits: Michael Morris and Joan Balzar", Griffin Art Projects, North Vancouver, 2024. https://www.griffinartprojects.ca/events/open-studio-with-artist-rolande-souliere monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/56e8a839-53fa-4eba-9d5f-7a9e61e422f6/SlangDamianDilon.jpg Events - Open Studio with Artist Rolande Souliere - Make it stand out Image: Rolande Souliere, slangsexdrugtalkandotherrelatedmatters, 2017-2021, detail, 22 neon words, transformers, cable, approx 3600x3600x3250mm. Photo by Damian Dillon. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5bb5f333-ed22-4a60-87b8-14d20a3d2d7e/NAS-logo.png Events - Open Studio with Artist Rolande Souliere - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/2xh966loxv8zwq0le76kmisjvv7xjc monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/82f4cf5a-c610-48ca-8361-1ba5aed9bcc5/Cody+Tolmie.jpg Events - Open Studio with Artist Cody Tolmie - Make it stand out Cody Tolmie, courtesy of Toonasa Photography https://www.griffinartprojects.ca/events/u6mg982lxtbt4aojvcij6jeguww3as monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1a1b3292-63eb-4d58-8190-69c9719db735/2009.002.1+-+Joan+Balzar%2C+Electra+II.jpg Events - Curator’s Tour of Intersecting Orbits with Lisa Baldissera and David MacWilliam - Make it stand out Image: Joan Balzar, Electra II, 1967/2009, Acrylic paint on canvas with neon tubing, 152 x 323 cm, Collection of West Vancouver Art Museum https://www.griffinartprojects.ca/events/open-studios-with-chad-wong-and-lucie-camous monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2ced5e00-ee48-486a-a961-4259c9efc0c9/promo+images+-+5+-+chad+wong.jpg Events - Open Studios with Through A BIPOC Lens Award Winner Chad Wong - Make it stand out Image: Chad Wong, Empty Spaces that Fill my heart (plastic 1), 2021, 6ft x 7ft, photo (digital) https://www.griffinartprojects.ca/events/live-from-the-studio-with-through-a-bipoc-lens-award-winner-chad-wong monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4f00f35e-b384-49fc-b418-1deaff02aafe/promo+images+-+2+-+chad+wong.jpg Events - Live from the Studio with Through A BIPOC Lens Award Winner Chad Wong - Make it stand out Image: Chad Wong, Empty Spaces that Fill My Heart (Admiralty Plaza 1), 2021, 4ft x 5ft, photo (digital) https://www.griffinartprojects.ca/events/live-from-the-studio-with-cody-tolmie monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ce84eb33-ca12-4748-9a42-ab16b1af3588/Cody+Tolmie.jpg Events - Live from the Studio with Cody Tolmie - Make it stand out Cody Tolmie, courtesy of Toonasa Photography https://www.griffinartprojects.ca/events/live-from-the-studio-with-rolande-souliere monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a671942d-7dbe-4cf7-a823-956a6e1e7fe4/Rolande+Souliere.jpg Events - Live from the Studio with Rolande Souliere - Make it stand out Rolande Souliere, image courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7f780e10-386c-4c78-85e6-8bd0be65b8d2/NAS-logo.png Events - Live from the Studio with Rolande Souliere - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/coffeehouselab-2-elham-puriya-mehr-in-conversation-with-viviana-checchia-the-director-of-derry-void-ireland-on-the-curatorial-conviviality monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5a79265d-4aee-48b6-860e-4c77fde0c70d/image_123650291+%281%29.JPG Events - Coffeehouselab #2: Elham Puriya Mehr in conversation with Viviana Checchia - Make it stand out Screenshot from the video: “The Third Space: The Affective Atmosphere of Coffeehouses” by Elham Puriya Mehr, 2023. https://www.griffinartprojects.ca/events/coffeehouselab-2-the-third-space-the-affective-atmosphere monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1e1c995f-e0de-4ff7-a610-8f5c169dc436/image_123650291+%281%29.JPG Events - Coffeehouselab #1: Curator’s talk "The Third Space: The Affective Atmosphere" - Make it stand out Screenshot from the video: “The Third Space: The Affective Atmosphere of Coffeehouses” by Elham Puriya Mehr, 2023. https://www.griffinartprojects.ca/events/coffeehouselab-3-elham-puriya-mehr-in-conversation-with-viviana-checchia monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c0ee8c05-1fff-429d-aa38-8684d0167040/image_123650291+%281%29.JPG Events - Coffeehouselab #3: A Conversation in the Coffeehouse - Make it stand out Screenshot from the video: “The Third Space: The Affective Atmosphere of Coffeehouses” by Elham Puriya Mehr, 2023. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/49b94b7e-25c8-4ac4-b0e3-8733dee0587c/Delany%27sLogo-White%2BGrey+2-2.png Events - Coffeehouselab #3: A Conversation in the Coffeehouse - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/imagine-observations-opening-night monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0b4700ab-163c-49b1-83cb-9ecf43b4b1b5/Willa_Inouye.jpg Events - YouthHUB Exhibition: Imagined Observations - Make it stand out Image courtesy of Willa Inouye. https://www.griffinartprojects.ca/events/intersecting-orbits-michael-morris-and-joan-balzar-opening-reception monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c8a030e9-4ce4-456b-a3c6-ccc683b5dfcf/JoanBalzar_SilverScape_ChromeAluminum.jpg Events - Intersecting Orbits: Michael Morris and Joan Balzar Opening Reception - Make it stand out Image: Joan Balzar, Silver Scape, 1962-1965, chrome aluminum and acrylic on canvas, 53 x 90 in, courtesy of Shawn Macmillan. Photo by Ken Dyck. https://www.griffinartprojects.ca/events/combine-art-fair-2023 monthly 0.5 2023-11-24 https://www.griffinartprojects.ca/events/shift-conference monthly 0.5 2023-11-02 https://www.griffinartprojects.ca/events/combine-art-fair-round-table-discussion monthly 0.5 2023-11-30 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/cc6ecb59-ba17-4e4c-9c1c-5f9eae22346d/IMG_0572.JPG Events - Re-centering the Artist: Building Discursive Links Across Galleries - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-anne-bourrass-2023-paris-vancouver-curatorial-program-resident monthly 0.5 2023-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/555ffa33-e9e8-497f-9ac5-b46eec66c507/2_Credit+%C2%A9+Le+Consulat+Voltaire+_+Quentin+Lacombe.jpg Events - Live From the Studio with Anne Bourrassé, 2023 Paris-Vancouver Curatorial Program Resident - Make it stand out Exhibition view “L’huile sur le feu” (Oil on the fire) - Group show - Le Consulat Voltaire, Paris, 2022 Image : Quentin Lacombe https://www.griffinartprojects.ca/events/live-from-the-studio-with-maru-aponte-griffin-x-ecu-fellowship-studio-award-recipient monthly 0.5 2023-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fda958b0-62f5-472b-bb41-61e15eb70dc1/El+Mix+-+maria+aponte.jpg Events - Live From the Studio with Maru Aponte, Griffin x ECU Fellowship Studio Award Recipient - Make it stand out Image: Maru Aponte, El Mix, watercolour on canvas, 5.5 x 5.8 ft, 2022, courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8c89ce52-5f42-49f9-aec9-ff4bdf870590/MaruHeadshot135+-+maria+aponte.jpg Events - Live From the Studio with Maru Aponte, Griffin x ECU Fellowship Studio Award Recipient - Maru Aponte is an artist from the Caribbean Island of Puerto Rico. Her work investigates colour and the unknown results of painting. Through her main medium of watercolour, Aponte explores the potential of watercolour in contemporary times. Watercolor is a mediator and channel that transports her home to the ocean, waterfall, pool, rain and humidity of Puerto Rico. Currently pursuing her MFA at Emily Carr in Vancouver, she studied at The School of the Art Institute of Chicago for two years and was the first Puerto Rican to graduate from the painting department of The Royal Academy of Fine Arts Antwerp. Image: Courtesy of Maru Aponte https://www.griffinartprojects.ca/events/conversations-on-collecting-embodied-relations-of-art-collections monthly 0.5 2023-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5b577605-bd5a-4a58-ae34-a85dda7d1451/JeffreyBoone_PromoImage-CourtesyoftheArtist1.jpg Events - Conversations on Collecting: Embodied Relations of Art Collections - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/shift-opening monthly 0.5 2023-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/47071c5b-fde0-43ef-b9b4-b49e3c86b25a/Second+Thoughts+%28small%29.png Events - SHIFT Opening Reception, Jaewoo Kang’s we meet (up/down) and Janet Werner: Sticky Pictures Book Launch - Make it stand out Medrie MacPhee, Second Thoughts, 2022, oil and mixed media on canvas, 56 x 86 in. Courtesy of the artist and Stellar Art https://www.griffinartprojects.ca/events/shift-curators-tour-open-studios monthly 0.5 2023-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/47071c5b-fde0-43ef-b9b4-b49e3c86b25a/Second+Thoughts+%28small%29.png Events - Curator’s Tour with Lisa Baldissera & Open Studios with Curator Anne Bourrassé and Artist Maru Aponte - Make it stand out Medrie MacPhee, Second Thoughts, 2022, oil and mixed media on canvas, 56 x 86 in. Courtesy of the artist and Stellar Art. https://www.griffinartprojects.ca/events/combinations-an-evening-social-for-emerging-collectors-with-wil-aballe-director-of-wil-aballe-art-projects monthly 0.5 2023-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e5583c6c-7065-40b3-bfcb-bec0d700bb47/WilAballe_Headshot.JPG Events - COMBINATIONS: An Evening Social for Emerging Collectors with Wil Aballe, Director of Wil Aballe Art Projects - Wil Aballe is the founder and director of Wil Aballe Art Projects | WAAP, established in 2013 and currently located in Strathcona. He is also a collector. The gallery’s core mandate is to promote West Coast emergent practices locally and globally, through art fairs in North America and Europe. The gallery co-founded COMBINE art fair and is a member of New Art Dealers Association (NADA), based in NYC. Gallery artists have shown in domestic and international institutions and have been acquired in public and private collections worldwide. Late 2023, WAAP will be launching Annex, a new space in Yaletown. The gallery will initiate a program of exhibitions in Anderlecht in Brussels, Belgium starting April 2024 https://www.griffinartprojects.ca/events/many-truths-with-miriam-berndt monthly 0.5 2023-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1692378233044-ZWUA26D5NS1I79PWU2EU/Undertow_MiriamBerndts-2023.jpg Events - Many Truths and Other Ways to Rethink Reconciliation with Indigenous Artist Miriam Berndt and Grace Ulu - Make it stand out Image: Meriam Berndt, Undertow, 2023, courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/cf9b14e2-8651-4a41-9134-cce4bf123acc/MiriamBerndt_Headshot-Spring2023.jpg Events - Many Truths and Other Ways to Rethink Reconciliation with Indigenous Artist Miriam Berndt and Grace Ulu - Miriam Berndt is a mixed-media visual artist and landscape designer, living in cə̓snaʔəm (so-called Marpole, Vancouver, BC). Miriam is the daughter of Theresa from Kahkewistahaw First Nation, Jim of Irish ancestry, and the step-daughter of Chris from the Six Nations of the Grand River. Miriam’s work explores themes of generational healing, hybrid identity, and land-based epistemologies. She hopes her work will reveal truths, heal wounds caused by colonial violence, and uncover expressions and innovations that defy the colonial paradigm and promote a regenerative future. Her multidisciplinary approach explores the use of Plains Cree art-forms, using rough construction materials and found objects to express stories of place and experience. In August 2022, Miriam launched her practice “Land-Based Art+Design”. This practice combines both of her passions—art and landscape architecture—to pursue land-based art methodologies and provide decolonized architecture and planning services. Image credit: Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7e4b9cd4-fd30-4516-a323-48e120655738/GraceUlu-Headshot_colour+%281%29.jpg Events - Many Truths and Other Ways to Rethink Reconciliation with Indigenous Artist Miriam Berndt and Grace Ulu Grace Ulu is a Musqueam member with over three years of experience in public art. She is a self-taught Indigenous artist continuously learning Musqueam culture and values from knowledge keepers, community, and family. Striving to connect cultural history and stories through contemporary Coast Salish art elements. Image credit: Courtesy of the artist. https://www.griffinartprojects.ca/events/live-from-the-studio-with-curator-in-residence-su-ying-strang monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1687825367639-31A5TVQOBDUVR2IF7JWQ/Pulling+Back+the+Paper+2021+-+Su+Ying+Strang.jpg Events - Working with community: A talk by artist and curator Su Ying Strang - Make it stand out Image: Pulling Back the Paper, 2021, courtesy of Su Ying Strang https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/da09d7ec-f1a7-4357-9839-9b676e1d673f/Strang_Headshot2+-+Su+Ying+Strang.jpg Events - Working with community: A talk by artist and curator Su Ying Strang - Su Ying Strang (she/her) is an artist and cultural worker based in Sikóóhkotok on the traditional territories of the Siksikaitsitapi. Su Ying joined the Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin in 2021 as the Gallery’s executive director, and previously served as director of The New Gallery in Mohkinstsis (2012–2021). https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-11 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-10 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-9 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-8 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-7 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-6 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-5 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-4 monthly 0.5 2023-06-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-3 monthly 0.5 2023-06-14 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection Guided Tour - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection-2 monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/per-diem-part-ii-the-gerd-metzdorff-collection monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07cf6f95-bc0b-4f74-9e84-9b17fe90675d/02.Etienne+Zack+-+Daytime+Motion+Picture.jpg Events - Per Diem Part II: The Gerd Metzdorff Collection - Make it stand out Etienne Zack, Daytime Motion Picture, 2014, Painting on paper with collage, 27¾ inches x 26 inches, Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/combinations-talk-for-emerging-collectors-with-unit-17s-tobin-gibson monthly 0.5 2023-08-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1e9f8c53-b0fd-4058-8452-73f7f6b5ea3e/image_50368257.jpg Events - COMBINATIONS Wine and Conversation: An Event for Emerging Collectors with Unit 17's Tobin Gibson - Make it stand out Charlton Diaz, Sweet nothings (boxes), 2021, plastic, various types of vinyl, felt, hot glue, double sided tape, found bee corpses, found dragonfly skins, popcorn kernel, found styrofoam painted cranberries & found images, dimensions variable. Courtesy of Afternoon Projects (Vancouver) https://www.griffinartprojects.ca/events/live-from-the-studio-with-curator-in-residence-bernard-leibov monthly 0.5 2023-08-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f030775c-5af0-4cfe-b827-df9ad23dab34/HEADSHOT_BernardLeibov.jpg Events - Live From the Studio with Curator-In-Residence Bernard Leibov - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-griffin-x-emily-carr-university-studio-award-winner-marion-landry monthly 0.5 2023-08-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e191ef29-c6f9-4020-a9b5-6b8f0270bdac/15-ChasingTheLigh6and7-InstallationView3.jpg Events - Live From the Studio with Griffin x ECU STUDIO Award Winner Marion Landry - Make it stand out Image: Marion Landry, Chasing the light #6 and #7, oil on canvas, 60 x 50", 2023, on view from March 25th to April 9th as part of biometaphysicalmateria: MFA Thesis Show at Emily Carr University of Art + Design. Images ©Marion Landry https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/20aa3541-aa0f-4077-ba09-b41e542a60a1/MarionLandryInStudio.JPEG Events - Live From the Studio with Griffin x ECU STUDIO Award Winner Marion Landry - Marion Landry creates site-adjusted installations that use light, temperature and traditional painting techniques to immerse viewers in a sensory experience. Her art practice is grounded in a phenomenological approach prioritizing the embodied experience of painting. Landry’s career as a 3D architecture visualization specialist informs how she observes, organizes and translates the pictorial plane. She obtained her BFA and MFA from Emily Carr University of Art + Design and has exhibited internationally since 1999. Landry is a francophone originally from Montreal and currently lives and works on the ancestral and unceded territories of the Musqueam, Squamish and Tsleil-Waututh Nations in Vancouver. Image: Courtesy of Marion Landry https://www.griffinartprojects.ca/events/book-launch-and-open-studio monthly 0.5 2023-08-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1684779458642-BCXDI8QG9DP7BL3T0ABW/OpenStudio_withMarionLandryJaewooKangand+BernardLeibov.jpg Events - Open Studio and Book Launch - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/52c7c3e4-c6c8-40d1-b84e-787cf5fd6134/PerDiemCover+%281%29.jpg Events - Open Studio and Book Launch - ABOUT THE BOOK: Per Diem: The Gerd Metzdorff Collection chronicles the extensive art collection of Gerd Metzdorff. Ranging from drawing, painting, photography, installation and sculpture, Metzdorff’s collection was drawn together over a period of almost forty years. Metzdorff began collecting contemporary art while working as a flight attendant and his collection may be said to parallel his international travels. Originally derived from the per diem funds provided to him by the airline where he was employed as a steward, Metzdorff’s keen eye allowed him to amass a collection of some of the most important artists and movements in contemporary art. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6b186c26-2c50-4f40-9ad3-133b3be28bb7/1534794670423.jpg Events - Open Studio and Book Launch - Jaewoo was born in Busan, Korea, currently living and working in the stolen and unceded land of xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations. His training in art started with visual art, which allowed him to be an interdisciplinary artist. A major theme for him is queer eroticism and how intimate moments with others can allow the self to have an introspective experience. In 2020, he has received Canada Council and BC Arts Council to make his first animated short, Lover, Come Back to Me, which is in post-production at the moment. Image: Courtesy of Jaewoo Kang https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/76a4a9aa-2609-4331-8682-4ac6abb30265/MarionLandryInStudio+%281%29.JPEG Events - Open Studio and Book Launch - Marion Landry creates site-adjusted installations that use light, temperature, and traditional painting techniques to immerse viewers in a sensory experience. Her art practice is grounded in a phenomenological approach prioritizing the embodied experience of painting. Landry's career as a 3D architecture visualization specialist informs how she observes, organizes, and translates the pictorial plane. She obtained her BFA and MFA from Emily Carr University of Art + Design and has exhibited internationally since 1999. Landry is a Francophone originally from Montreal and currently lives and works on the ancestral and unceded territories of the Musqueam, Squamish, and Tsleil-Waututh nations in Vancouver. Image: Courtesy of Marion Landry https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f030775c-5af0-4cfe-b827-df9ad23dab34/HEADSHOT_BernardLeibov.jpg Events - Open Studio and Book Launch - Bernard Liebov is the Founder and Director of BoxoPROJECTS, a residency and programming initiative based in Joshua Tree, CA. He is also co-founder and co-curator of the Joshua Treenial. Prior to moving to California, Bernard was Deputy Director of Judd Foundation in New York and Marfa. He also operated a non-traditional gallery space in New York City which featured artists from Joshua Tree and other non-urban areas. Image: Courtesy of Bernard Liebov https://www.griffinartprojects.ca/events/conversations-on-collecting-with-andrew-booth-ann-webb-and-marshall-webb-moderated-by-dr-karen-tam monthly 0.5 2024-07-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8351c1b5-4452-4df1-8b50-8fd214ccafc1/Screenshot+2024-06-08+100928.png Events - Conversations on Collecting: Living with Art, with Andrew Booth, Ann and Marshall Webb, moderated by Dr Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f94fe2d2-dd10-425e-88b8-4c619f459af5/Archie+and+Andrew+-+Andrew+Booth+%282%29.png Events - Conversations on Collecting: Living with Art, with Andrew Booth, Ann and Marshall Webb, moderated by Dr Karen Tam - Andrew Booth Andrew Booth is an art collector and curator of the Vancouver Art Blog, an Instagram account devoted to promoting and showcasing Vancouver’s contemporary art scene. Andrew lives and works on the unceded, traditional and ancestral xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) territories. Andrew Booth accompanied by his cat, Archie. Courtesy of Andrew Booth. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/01b88808-7c9e-407d-91b9-a9044b8340a7/0204Ann+%26+Marshall+WEB+%281%29.jpg Events - Conversations on Collecting: Living with Art, with Andrew Booth, Ann and Marshall Webb, moderated by Dr Karen Tam - Ann and Marshall Webb have been collecting Canadian and international contemporary art together for over 35 years. Initially their collection focused on German artists, in particular the Dusseldorf based photographers which then led to works by many Vancouver lens-based artists. Over the years their collection has evolved to include art in all media including film, video, audio works, works on paper, sculpture and painting. Selected works have been included in exhibitions in museums and galleries across Canada, the US and Europe and the collection has been the focus of two public art gallery exhibitions. They have been actively involved in the visual arts both personally and professionally. They met in a contemporary art Gallery in 1985 and have been together ever since. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/dc300140-e17c-4390-9c6c-8f4d1acc86c3/Copy+of+Karen_Tam_300dpi+-+Karen+Tam.jpg Events - Conversations on Collecting: Living with Art, with Andrew Booth, Ann and Marshall Webb, moderated by Dr Karen Tam - Karen Tam is a Tiohtià:ke/Montréal-based artist and curator whose research focuses on the constructions and imaginations of cultures and communities through her installations in which she recreates Chinese restaurants, karaoke lounges, opium dens, curio shops and other sites of cultural encounters. Since 2000, she has exhibited her work and participated in residencies in North America, Europe, and China, including the Victoria and Albert Museum, He Xiangning Art Museum, and Montreal Museum of Fine Arts. She has received grants and fellowships from the Canada Council for the Arts, Conseil des arts du Québec, and Social Sciences and Humanities Research Council of Canada. Image: Karen Tam, self portrait, courtesy of the Artist https://www.griffinartprojects.ca/events/griffin-art-projects-presents-per-diem-whose-chinatown-and-the-great-exchange-book-launch monthly 0.5 2023-07-14 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0d073831-d43d-4e2f-8ae4-601b84ef615c/mockup_WhoseChinatown_Covers_Final.jpg Events - Griffin Art Projects Book Launch Presenting Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections and The Great Exchange Project - Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections is a comprehensive examination of Chinatowns across Canada, revealing an art historical and political account of Chinatown neighbourhoods while also looking unflinchingly at anti-Asian sentiments, which have grown more widespread globally during the COVID-19 pandemic. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/bb833bff-6c16-4f3c-9218-c53b13f2fd2c/Great+Exchange+2+Covers.jpg Events - Griffin Art Projects Book Launch Presenting Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections and The Great Exchange Project - The Great Exchange: Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection and Three Short Films and Some Songs and Pictures about Donkeys, Truckers, Cowboys, Container Ships and Aeroplanes (Including Setbacks) is a dual-sided book that documents Griffin Art Projects’ 2021 exhibition, curated by Patrik Andersson, and the concurrent residency project with artists Bill Burns. The exhibition and residency each examined the concept of “parallel economies,” positing trade as an art practice on both individual and global levels. https://www.griffinartprojects.ca/events/chinatown-2050-an-online-film-screening-and-conversation-with-directors-linda-zhang-and-maxim-gertler-jaffe monthly 0.5 2023-07-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a7394776-1124-4a04-aa6f-12cffcdd6fbc/CHINATOWN-2050.Titlescreen.jpg Events - Chinatown 2050, an Online Film Screening and Conversation with Author Amelia Gan and Director Linda Zhang - Make it stand out Image: Videostill from Chinatown 2050, Short documentary film, 2022, Linda Zhang and Maxim Gertler-Jaffe. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/09f192c6-9847-4a37-ab55-39225c116883/AmeliaGan.jpg Events - Chinatown 2050, an Online Film Screening and Conversation with Author Amelia Gan and Director Linda Zhang - Amelia Gan is one of the Authors of Reimagining Chinatown: Speculative Fictions from Toronto's Chinatown(s) in 2050, a book deeply connected to the film Chinatown 2050. She is an architectural designer and researcher from Kuala Lumpur, Malaysia whose work lies at the intersection of design tools and building material science. She holds a Master in Design from Harvard Graduate School of Design and a Bachelor of Architecture from Syracuse University. Image: Courtesy of Amelia Gan. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8642fc5d-e48d-4839-a4c0-4e1f59e63c86/69AA775D-B1D0-472A-974F-E658E9917C3F+-+Linda+Zhang.jpeg Events - Chinatown 2050, an Online Film Screening and Conversation with Author Amelia Gan and Director Linda Zhang - Linda Zhang (she/her) is a registered architect (AIA, OAA), interior designer (NCIDQ), and drone pilot (RPAS Advanced Operations) as well as an artist and educator. She is an assistant professor at Waterloo University School of Architecture and a principal at Studio Pararaum (Toronto—Zürich). https://www.griffinartprojects.ca/events/intergenerational-eco-fashion-workshop-with-jaewoo-kang-part-2 monthly 0.5 2023-06-26 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/89d2f75b-0199-4e27-9f50-4a205d85012d/IMG_3291.JPG Events - Intergenerational Eco-Fashion Workshop with Jaewoo Kang - Part 2 - Make it stand out Jaewoo Kang, Costume for ‘Port of Everywhere’ by Alexa Mardon, fabric, found items (clothing), found images, courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6b186c26-2c50-4f40-9ad3-133b3be28bb7/1534794670423.jpg Events - Intergenerational Eco-Fashion Workshop with Jaewoo Kang - Part 2 - Jaewoo Kang was born in Busan, Korea, and currently lives and works on the stolen and unceded land of səl̓ilwətaɁɬtəməxw (Tsleil-Waututh), Skwxwú7mesh-ulh Temíx̱w (Squamish), šxwməθkwəy̓ əmaɁɬ təməxw (Musqueam) Nations. His training in art started with visual art, which allowed him to be an interdisciplinary artist. A major theme for him is queer eroticism and how intimate moments with others can allow the self to have an introspective experience. In 2020, he received Canada Council and BC Arts Council grants to make his first animated short, Lover, Come Back to Me, which is in post-production at the moment. https://www.griffinartprojects.ca/events/intergenerational-eco-fashion-workshop-with-jaewoo-kang monthly 0.5 2023-07-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/89d2f75b-0199-4e27-9f50-4a205d85012d/IMG_3291.JPG Events - Intergenerational Eco-Fashion Workshop with Jaewoo Kang - Part 1 - Make it stand out Jaewoo Kang, Costume for ‘Port of Everywhere’ by Alexa Mardon, fabric, found items (clothing), found images, courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6b186c26-2c50-4f40-9ad3-133b3be28bb7/1534794670423.jpg Events - Intergenerational Eco-Fashion Workshop with Jaewoo Kang - Part 1 - Jaewoo Kang was born in Busan, Korea, and currently lives and works on the stolen and unceded land of səl̓ilwətaɁɬtəməxw (Tsleil-Waututh), Skwxwú7mesh-ulh Temíx̱w (Squamish), šxwməθkwəy̓ əmaɁɬ təməxw (Musqueam) Nations. His training in art started with visual art, which allowed him to be an interdisciplinary artist. A major theme for him is queer eroticism and how intimate moments with others can allow the self to have an introspective experience. In 2020, he received Canada Council and BC Arts Council grants to make his first animated short, Lover, Come Back to Me, which is in post-production at the moment. Image: Courtesy of Jaewoo Kang https://www.griffinartprojects.ca/events/open-studio-with-north-shore-winner-matilda-aslizadeh monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/cff5f2bb-68dc-4224-a08c-90e8b78c5be1/3_Moly+and+Kassandra+-+Matilda+Aslizadeh.jpg Events - Open Studio with North Shore Studio Award Winner Matilda Aslizadeh - Make it stand out Moly and Kassandra, 2018, courtesy of Pari Nadimi Gallery Photo: Ian Lefebvre https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1684270511852-HB4DXZCYZ7VHG0TIK9O8/Matilda+Aslizadeh+Headshot+-+Matilda+Aslizadeh.JPG Events - Open Studio with North Shore Studio Award Winner Matilda Aslizadeh - Matilda Aslizadeh’s media installations and photo-based works are characterized by dense visual surfaces and unexpected juxtapositions drawn from a range of photographic, cinematic, and painterly influences. Deeply invested in exploring the critical potential of immersive spectacle, the ambivalent centrality of storytelling in human existence, and the fluid threshold between documentation and fictionalization, Aslizadeh’s work locates political thinking firmly within affective experience. https://www.griffinartprojects.ca/events/live-from-the-studio-with-north-shore-winner-matilda-aslizadeh monthly 0.5 2023-06-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8e11a0a1-2842-4025-adba-24ec38a7b52a/1_Resort+-+Matilda+Aslizadeh.jpg Events - Live From the Studio with North Shore Studio Award Winner Matilda Aslizadeh - Make it stand out Resort, video installation, still, 2016, courtesy of Pari Nadimi Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1684270511852-HB4DXZCYZ7VHG0TIK9O8/Matilda+Aslizadeh+Headshot+-+Matilda+Aslizadeh.JPG Events - Live From the Studio with North Shore Studio Award Winner Matilda Aslizadeh - Matilda Aslizadeh’s media installations and photo-based works are characterized by dense visual surfaces and unexpected juxtapositions drawn from a range of photographic, cinematic, and painterly influences. Deeply invested in exploring the critical potential of immersive spectacle, the ambivalent centrality of storytelling in human existence, and the fluid threshold between documentation and fictionalization, Aslizadeh produces work that locates political thinking firmly within affective experience. https://www.griffinartprojects.ca/events/virtual-curators-tour-with-lisa-baldissera monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/97b8ae8e-7d1b-4293-9b50-6971968917c9/DamianMoppett_Untitled_2015.png Events - Curator’s Tour with Lisa Baldissera - Make it stand out Damian Moppett, Untitled, 2015. Painting on canvas , 84 inches (w) x 74 inches (h). Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/opening-night-meet-and-greet-with-collectors-grant-mann-and-david-birdsall monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/93de21fb-8886-4cbd-ac24-78c374e55e20/04.Gordon+Smith+-+Coastal+Town.jpg Events - Opening night meet and greet with collectors Grant Mann and David Birdsall - Make it stand out Gordon Smith, Coastal Town, 1960, Oil on painted canvas, 34⅔ inches (w) x 28 inches (h), Collection of Grant Mann and David Birdsall https://www.griffinartprojects.ca/events/indigenous-curators-discussion monthly 0.5 2023-03-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/96956a42-d998-4496-9c10-eca77f508d93/Jocelyn+Piirainen+-crochet+-+Jocelyn+Piirainen+%28jocci%29.jpg Events - Indigenous Curators' Discussion - Make it stand out "Inuuhiraaluuk! Iglaqturaaluuk! Piqpagiyaraaluuk!", muskox wool, 2022, Photo by Leif Norman. Courtesy of Jocelyn Piirainen. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d70d73d5-28b5-44c7-8eb7-b741c86fa8f4/327017970_723670919330360_6500620504951782603_n+%281%29+-+Lorilee+Wastasecoot.jpg Events - Indigenous Curators' Discussion - Lorilee Wastasecoot is an Ininew iskwew. Lorilee's ancestral roots stem from Peguis First Nation, York Factory and the Red River in Winnipeg, MB where she grew up. Lorilee re-located to Victoria, BC in 2010 to pursue her education and holds a degree in Political Science from the University of Victoria (UVIC). In 2021, Lorilee was given the inaugural title of Curator of Indigenous Art and Engagement at UVIC Legacy Art Gallery. She has curated major exhibitions such as We Carry our Ancestors (2019) and On Beaded Ground (April 2021) and is currently working on a solo exhibition, Walking Thru My Fires (April 2023) with Kwakwaka'wakw artist Francis Dick. Instagram: @lorileewastasecoot https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/9f6e2416-b9d1-437c-9a9a-a23892f6fe7a/Aliya+Boubard+headshot.jpg Events - Indigenous Curators' Discussion - Aliya Boubard is an Anishinaabekwe artist and emerging curator from Sagkeeng First Nation, located in Treaty 1 Territory in Manitoba. She graduated with a Bachelor of Fine Arts from the University of Manitoba in 2020, and most recently completed a Post-Baccalaureate Diploma in Indigenous Studies from Simon Fraser University. Aliya is currently working as the Assistant Curator at the Bill Reid Gallery of Northwest Coast Art. Instagram: @arboub and @arboubdeads https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7ff4f036-1e6c-49e6-8b1a-e2d5a4b5ea6a/jpiirainen_22+-+Jocelyn+Piirainen+%28jocci%29.JPG Events - Indigenous Curators' Discussion - Jocelyn Piirainen is an urban Inuk currently living on Treaty 1 territory, in Winnipeg, MB, and is originally from Ikaluktutiak (Cambridge Bay), Nunavut. She is an Associate Curator of Indigenous Art at the National Gallery of Canada, in their Indigenous Ways and Decolonization department; and previously worked at the Winnipeg Art Gallery and its new building, Qaumajuq. When not working as a curator, her artistic practice involves analog photography and film, experimenting with Polaroids and Super 8 film — as well as honing her crochet and beading skills, mixing and overlapping textiles with language revitalization. Instagram: @joccipi https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/257d9d8c-9cad-4928-92c7-92da66d5e45f/20210217_135800.jpg Events - Indigenous Curators' Discussion - Jordanna George is Griffin Art Projects’ Young Canada Works Indigenous Public Programming and Marketing Intern. They grew up in Sooke, BC, a member of the T’Sou-ke nation on their father’s side and of Ukrainian ancestry on their mother’s side. They are an emerging illustrator as well as a comic artist and writer, with interests in genre fiction with Indigenous and queer influences. They received a BFA from the University of Victoria in 2019, majoring in visual arts with a minor in gender studies. Outside of their artistic work, they are interested in language revitalization, learning the SENĆOŦEN dialect in their spare time. Instagram: @raebirdart https://www.griffinartprojects.ca/events/live-from-the-studio-with-phoebe-bei monthly 0.5 2023-03-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d91b9cdc-5b10-4f34-a372-badea3295c01/Untitled_PhoebeBei_2+cropped.2++-+Phoebe+Bei.jpg Events - Live from the Studio with Phoebe Bei - Make it stand out This is Not a Romance, oil pastel and colour pencil on found postcard, 2020, Courtesy of Phoebe Bei https://www.griffinartprojects.ca/events/open-studios-with-rain-cabana-boucher-and-natalie-purschwitz monthly 0.5 2023-03-02 https://www.griffinartprojects.ca/events/live-from-the-studio-rain-cabana-boucher monthly 0.5 2023-02-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4f85a4db-c2b0-41fa-a393-1fa68c09c277/LeadsBackDetail+-+Rain+Cabana-Boucher.png Events - Live from the Studio Rain Cabana-Boucher - Make it stand out Rain Cabana-Boucher, Leads Back (detail), Acrylic, charcoal, beads, 2021. https://www.griffinartprojects.ca/events/guided-exhibition-tour monthly 0.5 2023-02-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl monthly 0.5 2023-02-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g monthly 0.5 2023-02-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g-w58xm monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g-w58xm-cca75 monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g-w58xm-cca75-t77nr monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g-w58xm-cca75-t77nr-r4nnr-5f7re monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g-w58xm-cca75-t77nr-r4nnr-5f7re-ep9c4 monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g-w58xm-cca75-t77nr-r4nnr-5f7re-ep9c4-yzlm9 monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/guided-exhibition-tour-xdtfl-45e7g-w58xm-cca75-t77nr-r4nnr-5f7re-ep9c4-yzlm9-rtcgs monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f96645ca-9ace-4c7b-ad65-9625543c5aba/2.+The+Origin+of+the+World+%281%29-1.jpg Events - Alibaba Conundrum Guided Exhibition Tour - Make it stand out Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” (w) x 36” (h). Courtesy of the artists. https://www.griffinartprojects.ca/events/live-from-the-studio-with-natalie-purschwitz monthly 0.5 2023-02-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6dabbc24-64fc-466d-b6e6-f938d1d802ff/01_Weeds1_NPurschwitz+-+n+purschwitz.jpg Events - Live from the Studio with Natalie Purschwitz - Make it stand out Natalie Purschwitz, Unsupervised Learning (Weeds 1) based on GAN generated imagery stinging nettle, coffee, chlorophyll, hibiscus and aquarelle pencils on cotton paper 11” x 9” 2022. https://www.griffinartprojects.ca/events/open-studio-with-miriam-berndt monthly 0.5 2023-06-03 https://www.griffinartprojects.ca/events/alibaba-conundrum-panel-discussion monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/150403dd-df39-4f67-9595-84b67b59fd80/ALIBABACONUNDRUM_Keynote%26PanelDiscussion.jpg Events - Alibaba Conundrum Keynote & Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8f1f959b-2482-4494-b954-63fb9410d2b9/Zainub+Verjee+2023.jpg Events - Alibaba Conundrum Keynote & Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2800ded6-a457-407e-848f-7c33699f24e0/headshot.jpeg Events - Alibaba Conundrum Keynote & Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8f67146a-65e0-40ca-b9db-44cf4a084f47/IMG_4926.jpg Events - Alibaba Conundrum Keynote & Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/t4p8wxyjpfi99jvj61lnuhxjbnky2d monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1c885fa2-9b0c-4036-bea0-db8de11df035/EOTK_POSTER_HQ+copy-1.png Events - Film screening: Edge of the Knife - SG̲aawaay Ḵ'uuna - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/film-screening-those-who-come-will-hear monthly 0.5 2023-03-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2370ae3a-8190-4c89-b09d-8239ee13337f/those+who+come+will+hear.jpg Events - Film Screening: Those Who Come, Will Hear - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/alibaba-conundrum-exhibition-tour monthly 0.5 2023-02-19 https://www.griffinartprojects.ca/events/conversations-on-collecting-1 monthly 0.5 2023-08-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6fb9307d-45c6-4843-99d2-7dc0187fff85/MATH2022002.jpg Events - Conversations on Collecting with Yves Pierre-Louis and Hugues Charbonneau - Make it stand out Manuel Mathieu, Recherche sur l’architecture, 2022. Mixed media on canvas. 27” x 30”. Courtesy of Galerie Hugues Charbonneau. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/532a0be1-c476-4196-a9cd-b5e3be281bd8/YPL-Art-profile+pic.jpg Events - Conversations on Collecting with Yves Pierre-Louis and Hugues Charbonneau - Yves Pierre-Louis is a Haitian-born Canadian whose widowed father emigrated to Canada in the late 60’s as part of the wave of Haitian professionals who fled Francois ‘Papa Doc’ Duvalier’s dictatorship. Though his family did not collect artworks, they always appreciated and celebrated the visual arts that are such a hallmark of Haitian culture. He has expanded on that tradition through collecting art, and his fervent wish is that his legacy will inspire future generations of Pierre-Louis to continue what he has begun. In 1988 he purchased his first artwork, a mixed media montage created by a friend’s brother. He started thinking seriously about building a collection when he visited Galerie Hugues Charbonneau, where he acquired his first painting by Manuel Mathieu. He is now primarily focused on collecting works by Afro-descendant artists with whom he feels a connection, and with whom he tries to develop relationships to support their practice. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/385285bb-b6cb-49cc-bfbf-cf086ca1aea3/1-Hugues+Charbonneau_photo+Genevieve+Belanger.jpeg Events - Conversations on Collecting with Yves Pierre-Louis and Hugues Charbonneau - Hugues Charbonneau was born in Montréal-Nord in 1975. He began his career in the visual arts at the Musée d’art contemporain des Laurentides and then at Esse magazine. He founded his gallery in 2012. Galerie Hugues Charbonneau is a contemporary art gallery based in downtown Montreal. Its exhibition program celebrates the cultural diversity and the innovative potential of contemporary metropoles. The gallery accompanies artists, curators and collectors through exhibitions within its walls, public artworks, art fairs and collaborations with museums and biennials. Collaborators of the gallery have exhibited at the Venice Biennial, the Dak’art Biennial, the Whitney Museum, The Power Plant and the Montreal Museum of Fine Arts, among other institutions. https://www.griffinartprojects.ca/events/live-from-the-studio-with-miriam-berndt monthly 0.5 2023-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/daec64ca-48cc-4920-a41b-f5a9f2c101b9/MiriamBerndt_Girl+Hide_2022+-+Miriam+Berndt.JPG Events - Live from the Studio with Miriam Berndt - Make it stand out Miriam Berndt, Girl Hide, 2022. https://www.griffinartprojects.ca/events/tbgxaakchf3uqnuks7srqugf74mqqn monthly 0.5 2022-11-27 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0524e07d-90cf-4b24-aba1-cb30beb3eb69/Art+X+Lagos%2C+2017.+Lemi+Ghariokwu+%28installation+view%29%2C+Lagos%2C+Nigeria.JPG Events - Curators’ Talk: Missla Libsekal and Clelia Coussonnet - Make it stand out Installation view: Lemi Ghariokwu, Art X Lagos, 2017. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5c32fe78-d89d-463e-91ee-bbb1ff53daf6/MisslaLibsekal-PORTRAIT-BY-PAUL-MPAGI-SEPUYA_01.jpg Events - Curators’ Talk: Missla Libsekal and Clelia Coussonnet - Missla Libsekal (b. Addis Abeba, Ethiopia) is an independent curator and writer based in Vancouver, Canada. Recent projects include Creating Art Archives (2021) and Beyond What We See. Once upon a time, once upon a future (2021), Les Abattoirs, Musée - Frac Occitanie Toulouse. She is the founder of Another Africa (2010 - 2016), a digital platform for writing on and about African and Afro-Diasporic experiences and imaginaries. Her writings on existing and emerging lexicons in contemporary Pan African visual practice have been published in The Africa Report, The Guardian, Art Africa, SAVVY art journal, Another Africa and more. She is the guest curator of the Fall 2023 International Artist-In-Residency at Artspace San Antonio. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f4a79f7e-3f23-4193-b5d5-6d4872ad6212/CleliaCoussonnet-Portrait+by+Camilo+Pacho%CC%81n+-+C+Csnt+%281%29.jpeg Events - Curators’ Talk: Missla Libsekal and Clelia Coussonnet - Clelia Coussonnet is an independent curator, researcher, editor and writer. She is interested in how visual cultures address political, social and spiritual issues in different, or complementary, ways to other disciplines. Her research revolves around botanical politics and power structures, investigating political imprints on plants, circulation and resilience. As a ramification, she dives into riverine and marine environments considering liquidity, toxicity and contamination. In Vancouver, she will pursue her research, exploring how the colonial history of Canada has made use of plants to assert power over territories, considering the meanders of the city's waterways and aqueous reserves, and listening to the legacies and murmurs that lie in the earth and sediments. https://www.griffinartprojects.ca/events/curators-conversation-perspectives-on-the-work-of-stan-douglas monthly 0.5 2022-10-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662316695044-AOLJTH06RCRYU62CRBHF/4_1993_R03_Bridge_2+%281%29.jpg Events - Curator’s Conversation: Perspectives on the Work of Stan Douglas - Make it stand out Stan Douglas, Accompaniment to a Cinematographic Scene: Ruskin, B.C.; Bridge to the Ruskin Powerhouse, 1992, Chromogenic print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1664392219704-ABPJHG9GZFI7AG27ARHB/BW-lisa-baldissera-griffin-art-projects-01-web+-+Faune+Ybarra.jpeg Events - Curator’s Conversation: Perspectives on the Work of Stan Douglas - Make it stand out Lisa Baldissera has worked in curatorial roles in public art galleries in Western Canada since 1999, including Senior Curator at Contemporary Calgary (2014-16) and Chief Curator at the Mendel Art Gallery in Saskatoon (2012-14). She was Curator of Contemporary Art at the Art Gallery of Greater Victoria from 1999 to 2009, where she produced more than fifty exhibitions of local, Canadian, and international artists. She holds MFAs in Creative Writing (UBC) and Art (University of Saskatchewan) and a PhD from Goldsmiths College. Baldissera has served on contemporary art juries across Canada and internationally, including the Canada Council for the Arts, Royal Bank of Canada Canadian Painting Competition, the Sobey Art Award and as a guest of the British Arts Council outreach program. She is Director of Griffin Art Projects. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1664392324821-EDVJO61LB1AJI591SXJX/HEADSHOT_ReidShier.jpg Events - Curator’s Conversation: Perspectives on the Work of Stan Douglas - Make it stand out Reid Shier is the Director of The Polygon Gallery, formally Presentation House Gallery, in North Vancouver. Since joining The Polygon in 2006, Shier spearheaded the development of a new $17.5M waterfront facility, which opened in 2017. Prior to this, Shier was Chief Curator of the Power Plant Contemporary Art Gallery, Toronto (2004-06), Curator of the Contemporary Art Gallery, Vancouver, (2002-04), and Director/Curator of the artist run Or Gallery, Vancouver (1996–2001). Shier has curated more than eighty exhibitions and his critical writing has been published broadly, including a recent essay on Stan Douglas’ public artwork Abbott and Cordova, 7 August 1971. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1664392484019-X1VTND82F9NMUM5T7CLI/Copy+of+Karen_Tam_300dpi+-+Karen+Tam.jpg Events - Curator’s Conversation: Perspectives on the Work of Stan Douglas - Make it stand out Karen Tam is a Tiohtià:ke/Montréal-based artist whose research focuses on the constructions and imaginations of ‘ethnic’ spaces through installations in which she recreates Chinese restaurants, karaoke lounges, opium dens, curio shops and other sites of cultural encounters. She has exhibited her work and participated in residencies in North America, Europe, and China, including the Montreal Museum of Fine Arts and the He Xiangning Art Museum. She holds a PhD in Cultural Studies from Goldsmiths (University of London) and a MFA in Sculpture from The School of the Art Institute of Chicago. She is represented by Galerie Hugues Charbonneau IG HANDLE: @artkarentam https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1664392770480-HI38QI3NQMRO3W49MMZQ/PHI_Bonsecours_Portraits_Cheryl_DSF0729+-+Cheryl+Sim.jpg Events - Curator’s Conversation: Perspectives on the Work of Stan Douglas - Make it stand out Cheryl Sim is Managing Director and Curator at the PHI Foundation for Contemporary Art as well as an artist and scholar. Her work ethos has been greatly informed by artist run culture. Recent exhibitions include RELATIONS: Diaspora and Painting (2020), and STAN DOUGLAS: Revealing Narratives (2022) which both garnered critical acclaim. Her video and installation work has been presented in exhibitions and festivals in North America and Europe. She has a PhD in the études et pratiques des arts program at UQÀM and her book Wearing the Cheongsam: Dress and Culture in a Chinese Diaspora was published by Bloomsbury Academic in 2019. IG HANDLE: @braveorchid1971 https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j-rchgz-dz8e9-l2dwe-g79jr-36zk4-nxtbg-wrfsd monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j-rchgz-dz8e9-l2dwe-g79jr-36zk4-nxtbg monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j-rchgz-dz8e9-l2dwe-g79jr-36zk4 monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j-rchgz-dz8e9-l2dwe-g79jr monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j-rchgz-dz8e9-l2dwe monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j-rchgz-dz8e9 monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j-rchgz monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m-tj56j monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62-z8e9m monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb-fja62 monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours-53syb monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/allegories-of-the-present-guided-exhibition-tours monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662224948523-WY1JM06ZMA2S22YYGHC8/1_Cook_02+%281%29.jpg Events - Allegories of the Present Guided Exhibition Tours - Make it stand out Stan Douglas, Detail of Klatsassin Portraits (Cook), 2006, Black and white laserlight jet print, © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/combine-art-fair-online-panel-discussion monthly 0.5 2022-12-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1661623030079-J8T8GNP40N7C2FQ9DGH9/nicowilliams.jpg Events - COMBINE 2022: A Conversation on Collaboration - Make it stand out Nico Williams, Winner, 2019, 11/0 Delica beads, 7.25 x 3.5 x .25 in https://www.griffinartprojects.ca/events/combine-art-fair-reception monthly 0.5 2022-12-09 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1661622427226-IM69D7WWRHAVZWM861QC/CombineLogo4.png Events - COMBINE Art Fair Reception - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1661622570451-NA8EPXDSE1D7L4TVOQUH/Dodge-charger-fire-sim_2020_still_01.jpg Events - COMBINE Art Fair Reception - Make it stand out Steven Cottingham, Dodge charger fire sim, 2020, Edition of Edition 3 + 1 AP, Digital rendering and animation, 720p video, audio, 1 minute, 30 seconds, looped https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/13a998a8-49e1-4baa-9ce1-8ee3c1f9be1c/axa_logo_solid_rgb.png Events - COMBINE Art Fair Reception - AXA XL is one of the largest fine art carriers in the world. We understand a collector's passion for fine art and collectibles as well as their desire for expertise, excellent service and confidentiality. Our fine art experts have built a solid foundation based on years of industry experience in understanding the value, both financial and sentimental, when it comes to safeguarding a collection. AXA XL maintains the philosophy that art should be appreciated, shared and secured to benefit future generations. AXA XL is one of the largest fine art carriers in the world. We understand a collector's passion for fine art and collectibles as well as their desire for expertise, excellent service and confidentiality. Our fine art experts have built a solid foundation based on years of industry experience in understanding the value, both financial and sentimental, when it comes to safeguarding a collection. AXA XL maintains the philosophy that art should be appreciated, shared and secured to benefit future generations. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6007301d-6a14-45e7-a4a0-786fd8d887c6/goodman-CMYK_square.jpg Events - COMBINE Art Fair Reception - For over 45 years, the name of Goodman Commercial Inc. has been synonymous with expertise in multifamily apartment sales, commercial properties, development sites and land. We’ve brokered some of the biggest real-estate transactions in Metro Vancouver. We put the highest-quality information to work for our clients with our flagship Goodman Report. Across Canada, thousands of owners, investors, real-estate analysts and media sources rely on the Goodman Report for insights and market data on the rental apartment building and development site scene. https://www.griffinartprojects.ca/events/remix-history-film-series-with-qa monthly 0.5 2022-12-04 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662322557409-817Y3KGJSMA122UGUC6T/TheCryingConch_StillIMDb.png Events - ReMIX History Film Series - Screening II with Director Q+A - Make it stand out Vincent Toi, “The Crying Conch,” 2017 https://www.griffinartprojects.ca/events/live-from-the-studio-with-lacey-jane-wilburn-artist-virtual-artist-talk monthly 0.5 2022-11-27 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1661544324177-MANZV148PK32CAXOMCZH/Wilburn_Watchdogs+-+Lacey+Jane.jpg Events - Live from the Studio with Lacey Jane Wilburn - Virtual Artist Talk - Make it stand out Lacey Jane Wilburn, Watchdogs, oil on canvas, 2022. https://www.griffinartprojects.ca/events/live-from-the-studio-with-clelia-coussonnet monthly 0.5 2022-11-20 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1661543818707-GROKVXPYFCHDVP6E6C3B/GroundControl1+-+C+Csnt.jpg Events - Live from the Studio with Clelia Coussonnet - Make it stand out Installation view: Ground Control, 2020, Bildmuseet, Umeå. With works by Maria Thereza Alves, Gerd Aurell, Céline Condorelli, Suzanne Husky and Mónica de Miranda. Photo: Mikael Lundgren. https://www.griffinartprojects.ca/events/remix-history-panel-ii-allegories-of-the-present monthly 0.5 2022-11-14 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1667327729652-UEHB32APBVHT7G64RHN5/03_Black+Breath+Spectacle+2022+-+Charles+Campbell.jpg Events - ReMIX History Panel II: Allegories of the Present - Make it stand out Charles Campbell, Black Breath Spectacle, 2022. Photo Dennis Ha. Courtesy of Surrey Art Gallery. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1667328254975-J5EUZLJNLJT9GYZI7LIY/Miche%CC%80le+Pearson+Clarke_by_Kristy_Boyce+-+Michele+Pearson+Clarke.png Events - ReMIX History Panel II: Allegories of the Present - Michèle Pearson Clarke is an artist, writer, and educator who works in photography, film, video, and installation. Born in Trinidad and based in Toronto, she has exhibited both nationally and internationally, including in Chicago, Lagos, Los Angeles and Montréal. Most recently, Clarke served as the second Photo Laureate for the City of Toronto (2019-2022), and her work was added to the collection of the National Gallery of Canada. Clarke holds an MSW from the University of Toronto, and in 2015 she received her MFA in Documentary Media from Toronto Metropolitan University, where she is an Assistant Professor in Photography in the School of Image Arts. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1667328495496-03ULOCFJUQO36UFK88PA/Charles+Campbell.JPG Events - ReMIX History Panel II: Allegories of the Present - Charles Campbell is a multidisciplinary artist, writer and curator whose practice animates the future imaginaries possible in the wake of slavery and colonization. His artworks, which include sculptures, paintings, sonic installations and performances have been exhibited widely in the Americas and Europe. Recent exhibitions include Vancouver Special, Disorientations and Echo at the Vancouver art Gallery, Fragments of Epic Memory at the Art Gallery of Ontario and The Other Side of Now at the Perez Art Museum Miami. Campbell holds an MA in Fine Art from Goldsmith College and a BFA from Concordia University. He currently lives and works on Lekwungen territory, Victoria BC. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1667328641224-AB0CR6AQU3P0H4BY2KUQ/MICHAELLE+SERGILE+RAD+HOURANI+PORTRAIT+-+Michae%CC%88lle+Sergile.jpg Events - ReMIX History Panel II: Allegories of the Present - Michaëlle Sergile is an independent artist and curator working mainly on archives including texts and works from the postcolonial period from 1950 to today. Her artistic work aims to understand and rewrite the history of Black communities, and more specifically of women, or communities living in diverse intersections, through weaving. Often perceived as a medium of craftsmanship and categorized as feminine, the artist uses the lexicon of weaving to question the relationships of gender and race. In 2022 she exhibited at the Musée National des Beaux-Arts du Québec, the Musée d'art de Joliette and the Off Biennale of Dakar. She was also nominated for the Sobey National Recognition Award that same year. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1667415488250-RJ1AU7GN01387B6GH3EC/1_Petros_Promo_%C2%A9dawitlpetros.jpeg Events - ReMIX History Panel II: Allegories of the Present - Dawit L. Petros is a visual artist, researcher and educator whose work is informed by studies of global modernisms, theories of diaspora, and postcolonial studies, drawn from his formative years in Eritrea, Ethiopia, and Kenya. Petros installs photographs, moving images, sculptural objects, and sound work according to performative, painterly, or site responsive logics. He completed the Whitney Independent Study Program, an MFA in Visual Art from the School of the Museum of Fine Arts at Tufts University, a BFA in Photography from Concordia University, and a BA in History from the University of Saskatchewan. Petros has exhibited internationally, and his works have been recognized with numerous awards, including Canada Council for the Arts Production Grants, and Artist Residencies at The Studio Museum in Harlem. Petros is also an Associate Professor in the Department of Photography at The School of the Art Institute of Chicago. He is represented by Tiwani Contemporary in London, UK and Bradley Ertaskiran in Montreal, Canada. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1667328863027-N9W8R0A9J6ER71ZA9G7M/Copy+of+Karen_Tam_300dpi+-+Karen+Tam.jpg Events - ReMIX History Panel II: Allegories of the Present - Karen Tam is a Tiohtià:ke/Montréal-based artist whose research focuses on the constructions and imaginations of ‘ethnic’ spaces through installations in which she recreates Chinese restaurants, karaoke lounges, opium dens, curio shops and other sites of cultural encounters. She has exhibited her work and participated in residencies in North America, Europe, and China, including the Montreal Museum of Fine Arts and the He Xiangning Art Museum. She holds a PhD in Cultural Studies from Goldsmiths (University of London) and a MFA in Sculpture from The School of the Art Institute of Chicago. She is represented by Galerie Hugues Charbonneau. https://www.griffinartprojects.ca/events/virtual-curators-tour-with-lisa-baldissera-with-qa monthly 0.5 2022-11-07 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1661543207827-BATZW9DIV65SPSB4AFX8/Stan+Douglas%2C+Ballantyne+Pier.jpg Events - Virtual Curator’s Tour with Lisa Baldissera with Q+A - Make it stand out Stan Douglas, Ballantyne Pier, 18 June 1935, 2008, digital C-print mounted on Dibond, 45 × 116 × 2 in, ©Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.griffinartprojects.ca/events/2mpoghhdn9kfvjvf3h7dqlbqeiidik monthly 0.5 2022-11-07 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1662322186228-AEFAMB0EVXYGKUTXWXC8/3_Mark+Timmings+and+Eric+Lamontagne+set+recording+equipment+in+the+wetland.jpg Events - Wetland Project Book Launch and Panel Discussion - Make it stand out Brady Marks and Mark Timmings, Wetland Project: Explorations in Sound, Ecology and Post-Geographical Art https://www.griffinartprojects.ca/events/panel-i-history-does-not-repeat-itself monthly 0.5 2022-10-25 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1663200632148-XCICNYALD3X7071ZKI3L/Earth+to+Moten+-+Pebofatso+Mokoena+Studio.jpg Events - ReMIX History Panel I: History Does Not Repeat Itself - Make it stand out Pebofatso Mokoena, Earth to Moten, 2020, acrylic on canvas, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1665873810098-QU9HIDQ46Q4JM103L6QI/Pebofatso+Portrait.jpg Events - ReMIX History Panel I: History Does Not Repeat Itself - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1665874012668-RMO3L0HLA8ZHBCDR0VV8/Mark-V-Campbell-1-1600x0-c-default.jpeg Events - ReMIX History Panel I: History Does Not Repeat Itself - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1666548135419-KUIUVRBCWRAY8ZARBGLX/photo-2.JPG Events - ReMIX History Panel I: History Does Not Repeat Itself - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1665874378360-CMKKCKZFV928ESF98NCR/Copy+of+Karen_Tam_300dpi+-+Karen+Tam.jpg Events - ReMIX History Panel I: History Does Not Repeat Itself - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1665875263310-HLRQWV6EILHA7DG0IJJI/Oluwasayo+Taiwo+Olowo-Ake+headshot+-+Oluwasayo+Olowo-Ake.jpg Events - ReMIX History Panel I: History Does Not Repeat Itself - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/on-truth-and-reconciliation-artist-james-harry-discusses-his-newest-project-with-sos-childrens-village-bc monthly 0.5 2022-10-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1661542027542-B6HF453ITO9HCA146ZNF/_DSC4912+-+James+Harry+%281%29.png Events - On Truth and Reconciliation: Artist James Harry discusses his newest project with SOS Children's Village BC - Make it stand out James Harry https://www.griffinartprojects.ca/events/remix-history-film-series-screening-i monthly 0.5 2022-10-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1663263907430-8QNX4YNDYMGBQ5ABWX4H/The+Road+Taken.JPG Events - ReMIX History Film Series - Screening I - Make it stand out The Road Taken (dir. Selwyn Jacobs), 1996, National Film Board of Canada https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1663264465975-0H6B51P36AHU4A6ON2JV/The+Road+Taken2.JPG Events - ReMIX History Film Series - Screening I - Make it stand out The Road Taken (dir. Selwyn Jacobs), 1996, National Film Board of Canada https://www.griffinartprojects.ca/events/open-studio-with-lacey-jane-wilburn monthly 0.5 2022-10-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1659297609130-ZDAW2UI0ZCU8CUZKKCB0/Wilburn_Watchdogs+-+Lacey+Jane.jpg Events - Open Studio with Lacey Jane Wilburn - Make it stand out Lacey Jane Wilburn, Watchdogs, oil on canvas, 2022. https://www.griffinartprojects.ca/events/open-studio-with-kyla-gilbert-and-james-harry monthly 0.5 2022-07-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1657914903423-RO1KL2F9NHD0OYGH5XWZ/1+-+Kyla+Gilbert+%281%29.jpg Events - Open Studio with Kyla Gilbert and James Harry - Make it stand out Kyla Gilbert, Construction 1 (2022), mixed media https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1657914602499-MDDIJGZR50TOYQ0ZP4HK/Dreamweaver+-+2020+%28James+Harry+%26+Lauren+Brevner%29+-+James+Harry.jpeg Events - Open Studio with Kyla Gilbert and James Harry - Make it stand out James Harry and Lauren Brevner, Dreamweaver (2020), mural painting https://www.griffinartprojects.ca/events/live-from-the-studio-with-james-harry monthly 0.5 2022-09-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1657916276421-T0ASV85QTIB4FEPN5HSU/JAMESHARRY-WUXUS-MARCH202111+-+James+Harry.jpg Events - Live from the Studio with James Harry - Make it stand out James Harry, WUXUS (2020), Aluminum, Powder coating, Poly carbonate, LED lighting https://www.griffinartprojects.ca/events/live-from-the-studio-with-kyla-gilbert monthly 0.5 2022-09-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1657325578591-WP32NPNLB1P372RGPEUA/HEADSHOT-Kyla+Gilbert.jpg Events - Live from the Studio with Kyla Gilbert - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/the-sodomite-invasion-virtual-book-launch monthly 0.5 2022-07-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1655077038974-L80ZTS0OYQT459TREBNO/Screen+Shot+2022-06-12+at+16.36.47.png Events - The Sodomite Invasion, Virtual Book Launch - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/open-studio-with-dion-smith-dokkie monthly 0.5 2022-06-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1655576761595-YR7YWWEYMCE7EST5UEL5/dion+smith-dokkie_anemones_still_2020+-+Dion+Smith-Dokkie.jpg Events - Open Studio with Dion Smith-Dokkie - Make it stand out Dion Smith-Dokkie, anemones still, digital video, 2020. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-9 monthly 0.5 2022-09-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-7 monthly 0.5 2022-09-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-6 monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-5 monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-4 monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-2 monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-3 monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-guided-exhibition-tours-1 monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654280444077-G6EKT70KFG78YQLK87UI/IMG_1682.JPG Events - Per Diem Guided Exhibition Tours - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-natis-dion-smith-dokkie monthly 0.5 2023-01-25 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1655071415988-BFR3NMUKMY8NMACXTR9C/Headshot-+hasan+aksaygin%281%29.JPG Events - Live from the Studio with Natis & Dion Smith-Dokkie - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1653848035646-O2OLB27S97HHB12WSDYG/HEADSHOT-+Dion+Smith-Dokkie.jpg Events - Live from the Studio with Natis & Dion Smith-Dokkie - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/open-studio-with-parvin-peivandi-and-karen-zalamea monthly 0.5 2022-05-26 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1653322651616-02X3Z115RMGT1C6YN30Z/KarenZalamea_Griffin.jpg Events - Open Studio with Parvin Peivandi and Karen Zalamea - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-isaiah-somsen monthly 0.5 2022-05-26 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1652036776154-YLCCDEJ48NOAMAX6PX15/Isaiah+Somsen.jpg Events - Live from the Studio with Isaiah Somsen - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1653584030724-5S4JGQBMR9C1WEJK1QB8/Isaiah+Somsen-ArtTalkPromo.png Events - Live from the Studio with Isaiah Somsen - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-griffins-bipoc-residency-award-winner monthly 0.5 2022-05-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1649449029262-JB0ME6734LPFAXI1WAL9/parvin+headshot+-+Parvin+Peivandi.jpg Events - Live from the Studio with Parvin Peivandi - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/film-screening-aggie monthly 0.5 2022-04-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643915700162-WJPAQUHGID3ZA43GOS91/2+-+AGGIE+still.jpg Events - From the Eye Straight Down to the Soul Film series: Aggie curated and moderated by Griffin's Adjunct Curator Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1649263958264-GZY9A9MWLRGPIQFIAYLJ/AGGIE_TitleLogo_RED-08.png Events - From the Eye Straight Down to the Soul Film series: Aggie curated and moderated by Griffin's Adjunct Curator Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1649263504624-7DFRQ1U6NBMIG94DOCVB/aggie_logo-01.png Events - From the Eye Straight Down to the Soul Film series: Aggie curated and moderated by Griffin's Adjunct Curator Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/film-screening-herb-dorothy-50x50-followed-by-qa-with-director-megumi-sasaki monthly 0.5 2022-03-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643934955653-8F1ILVQKQNLGD8GI3AHJ/POSTER_50X50_FINAL.jpg Events - From the Eye Straight Down to the Soul Film series: Herb & Dorothy 50 x 50 Curated and moderated by Griffin's Adjunct Curator Dr. Karen Tam, followed by Q & A with Director Megumi Sasaki - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/from-the-eye-straight-down-to-the-soul-herb-dorothy-2008 monthly 0.5 2022-02-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643670876653-QK43XE2BPEHXR556FPGA/Herb+%26+Dorothy+in+living+room.jpg Events - From the Eye Straight Down to the Soul Film series: Herb & Dorothy curated and moderated by Griffin's Adjunct Curator Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-karen-zalamea monthly 0.5 2022-05-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643399369747-CGU6JZA8RLN235GQU00J/KarenZalamea_headshot.jpg Events - Live from the Studio with Karen Zalamea - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-shoora-majedian monthly 0.5 2022-02-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643398007097-M2L18BPO7Y6AGZAVQKIJ/Shoora+Majedian+-+Headshot.jpeg Events - Live from the Studio with Shoora Majedian - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-osvaldo-castillo monthly 0.5 2022-02-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643397178310-6P36TA6BNM633ZCB3GVC/01.OsvaldoRC.jpg Events - Live from the Studio with Osvaldo Castillo - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-aileen-bahmanipour monthly 0.5 2022-02-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1641517327474-GM3DSBGMWV9R0DTR3U1B/Screen+Shot+2021-11-11+at+4.18.10+PM.jpg Events - Live from the Studio with Aileen Bahmanipour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-bill-burns monthly 0.5 2022-02-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643396434301-VPNDYFUKN8BGSK911V2Q/Bill+Burns+poster.jpg Events - Live from the Studio with Bill Burns - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/chats-chews-1 monthly 0.5 2022-04-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625870201091-3VU4APVCXBN9HOALGBBT/Harbin+Gate+Remembrance.JPG Events - Chats & Chews - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/from-the-eye-straight-down-to-the-soul-a-panel-on-how-collecting-begins-with-griffin-art-projects-adjunct-curator-dr-karen-tam monthly 0.5 2022-04-20 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1642280590524-V3K2VTYUUXE3NN3Q9SIO/IanWallace_InTheStreetColgneSeriesIII_2005.png Events - From the Eye Straight Down to the Soul: A Panel on How Collecting Begins with Griffin Art Projects’ Adjunct Curator, Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1650224503122-SPKRZC70D4OEW58BH5Z6/pascaldesjardins.jpeg Events - From the Eye Straight Down to the Soul: A Panel on How Collecting Begins with Griffin Art Projects’ Adjunct Curator, Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1650224815585-SUJE0FZRFIZTKJSRLO7A/RoxanneArsenault.jpeg Events - From the Eye Straight Down to the Soul: A Panel on How Collecting Begins with Griffin Art Projects’ Adjunct Curator, Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1650224523764-YLTQ6MYA3AGW2N68U2K3/DanaClaxton.jpg Events - From the Eye Straight Down to the Soul: A Panel on How Collecting Begins with Griffin Art Projects’ Adjunct Curator, Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1650224541335-M4P4WX06UJU6OX7S74LA/JamieCameron.jpg Events - From the Eye Straight Down to the Soul: A Panel on How Collecting Begins with Griffin Art Projects’ Adjunct Curator, Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1650224729950-T1BU0DZ9EBXX03GS0XQE/Christopher_Bredt.jpg Events - From the Eye Straight Down to the Soul: A Panel on How Collecting Begins with Griffin Art Projects’ Adjunct Curator, Dr. Karen Tam - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/per-diem-curators-tour monthly 0.5 2022-02-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1642362695657-2K69H0LU1Z3B42SZ2B7K/Lisa-Headshot.jpg Events - Virtual Curator’s Tour With Lisa Baldissera - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/conversations-on-collecting-with-grant-mann-and-david-birdsall monthly 0.5 2022-03-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1647111345610-C3ELLDOH12E7F8SNGZBQ/UpresGerd+for+Griffin+8x12-2.jpg Events - Conversations on Collecting with Grant Mann and David Birdsall - Make it stand out Gerd Metzdorff (2020), Christos Dikeakos, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597363024850-0SOF8S00NU2YYO64GDQD/casv_logo.png Events - Conversations on Collecting with Grant Mann and David Birdsall - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/esteban-prez monthly 0.5 2022-02-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1641861302145-57VQJ5BRMGXFNSE4GGF5/Esteban+Perez_Video+Stills+-+Liquid+Lands+-+2021.png Events - Artist Talk with Esteban Pérez - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/the-something-garden monthly 0.5 2022-02-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639864423567-92U2LAKOIT7QDJN02NT7/image2+%281%29.jpeg Events - The Something Garden - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/hives-of-catalytic-exchanges-mini-conference monthly 0.5 2022-10-19 https://www.griffinartprojects.ca/events/combine-panel-discussion monthly 0.5 2022-03-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1606361559336-GHH13UO0TYQ8YPA0GBXJ/CombineLogo-2.png Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1638654138231-K5ZAA04K3MTQ73OYQBBG/IMG_8545.JPG Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1637283850634-6YTYFR966WAQCAMUW11X/Headshot+-+Rebecca.jpg Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626032454052-QRS27U3A6PLX4FXKV2L9/lisa-baldissera-griffin-art-projects-01-web.jpg%3Bw%3D960.jpeg Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1638654297079-HNSP4M6YN8ZA2CEKJMPM/IMG_6669.jpg Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1638654880067-L0E371ODHPN24OQTF4NY/image0.jpeg Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1638654465308-0T2IY1E0SVALXP1J4FUE/image0.jpeg Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1637274904508-T0SAMIIFDIXMW6JD1RSI/AndrewGruft.jpg Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1637278385115-FTLW8RGABHG6SUIGDLKO/1024px-AXA_Logo.svg.png Events - COMBINE Panel Discussion - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/office-work-kim-kennedy-austin-ryan-quast-neil-wedman-2 monthly 0.5 2021-10-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1633196955643-PEX2GF7SB8Q2WPXWLYXV/OfficeWork.jpeg Events - OFFICE WORK: KIM KENNEDY AUSTIN / RYAN QUAST / NEIL WEDMAN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/office-work-kim-kennedy-austin-ryan-quast-neil-wedman monthly 0.5 2021-10-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1633196675368-JTHN0XXH4VD8SXVF0M8V/OfficeWork.jpeg Events - OFFICE WORK: KIM KENNEDY AUSTIN / RYAN QUAST / NEIL WEDMAN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/great-exchange-virtual-mini-conference monthly 0.5 2021-12-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639161280582-LT2JNFWK5K0FI2N4MDGQ/14.BillBurnsGoatDrawing.jpg Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639071983866-VI4A5NR8ESA1HKWTLPDF/BillBurns_Portrait.jpg Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639072017018-2A21CT54NRFVBMJ2X7CX/Dr+Janis+Timm-Bottos+Headshot.jpeg Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639072049763-YI2DZW4SGGPDFMCTLZUK/arthive_logo_white.png Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639072071140-QX3ERRF0FFD2ITBHN9XT/HuffmanHeadShot.jpeg Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639072088623-H5QYHN2QHFVXHO4PIW8L/West+Baffin+Eskimo+Cooperative+Logo.jpg Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639072130019-RJ3O1QH7HNCDU4VR6Z3C/Jonny+Sopotiuk+headshot.jpeg Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639072171209-B5FHFTRTY8QOHUJB53H9/VALU-Logo.png Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639072192460-01KVDCP89DYIGBGBA5AN/KarenTam.jpg Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1639162718623-PX1II2G4KBPWWG7DPAX0/aiyaneon_logo.png Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1583186672912-VLSLTVLBJZ16UJTMJ0RM/CCA_RGB_colour_f.png Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1583186557464-6DW3RUHFKKG00JL9CPC0/nvrc-horizontal-rgb.png Events - Hives of Catalytic Exchanges An Online Mini Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-mollie-burke monthly 0.5 2023-01-25 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1632444267733-2ZV7IZHT3MBM4A9RKA03/Burke_3.jpg Events - Live from the Studio with Mollie Burke - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/curators-tour-with-patrik-andersson monthly 0.5 2021-10-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1632444605265-ATQHCVHG6RZUHXENJE9Q/1253936-img-0940.jpg%3Bw%3D1200%3Bh%3D800%3Bmode%3Dcrop.jpeg Events - Curators Tour with Patrik Andersson - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/conversations-on-collecting-with-patrik-andersson-and-dr-zenon-trylowsky-with-casv monthly 0.5 2021-10-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1632443686678-XYUWR4SKNI70B4TTKTGG/KimKennedyAustin_Figure1a_2005+5.26.17+PM.jpeg Events - Conversations on Collecting with Patrik Andersson and Dr. Zenon Trylowsky, hosted in partnership with CASV - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1634843023494-AV7RSKZ1JCAD2Z61BP7O/IMG_4893.jpg Events - Conversations on Collecting with Patrik Andersson and Dr. Zenon Trylowsky, hosted in partnership with CASV - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1633109243533-0DFMH1PVIR1QA1LHL9OK/IMG_4857.jpg Events - Conversations on Collecting with Patrik Andersson and Dr. Zenon Trylowsky, hosted in partnership with CASV - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597363066988-Q4IF2F8EKPTRIWDCEKLV/casv_logo.png Events - Conversations on Collecting with Patrik Andersson and Dr. Zenon Trylowsky, hosted in partnership with CASV - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-tantan-hong monthly 0.5 2023-01-25 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1632443559848-BWJ42Y1QDZKIEF40OY2S/TanTan_HONG_Artist_pic.jpg Events - Live from the Studio with TanTan Hong - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/open-studio-xwalactun-josephine-lee monthly 0.5 2021-09-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1628792601367-44572G5V4YKHSQ0HID7L/Josephine%2BLee%2Band%2BXwalacktun.jpg Events - Griffin Art Projects Presents: Open Studio with Xwalacktun and Josephine Lee - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/william-kentridge-closing-weekend-jillian-ross monthly 0.5 2021-08-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1629750212497-66MGXPERJARTM9E6D8C4/IMG_9374.JPG Events - William Kentridge: The Colander Special Closing Weekend with Master Printer Jillian Ross - Make it stand out Jillian Ross and William Kentridge in process of assembling William Kentridge, Triumphs and Laments Woodcuts: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), 2018-2019, Relief, printed from 26 woodblocks on Somerset Velvet, Soft White, 300 gsm, Final work comprised of 77 individual sheets adhered by 136 aluminum pins, Wood used. Panga Panga, Ash, Poplar, Maple, Saligna, African Walnut, Kiaat, Beech, Mahogany and White Oak, 178 x 254 cm/ 178 x 114cm, Edition of 12; Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print https://www.griffinartprojects.ca/events/special-event-the-colander-exhibition-tour-in-arabic-with-mirna-abdelsayed monthly 0.5 2021-08-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1629739046921-QRN3IXO10ERHC9OI3P70/Griffin_Kentridge_Colander_02.jpg Events - Special Event: The Colander Exhibition Tour in Arabic with Mirna Abdelsayed - Make it stand out Installation view of William Kentridge: The Colander; Photo by Rachel Topham Photography https://www.griffinartprojects.ca/events/live-from-the-studio-with-lebogang-mogul-mabusela-and-wezile-mgibe monthly 0.5 2021-08-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1628791339236-6DFZ1F9N9O1QA9E4B7V2/Worldings%2BResidency%2B%25283%2529.jpg Events - Live from the Studio with Lebogang Mogul Mabusela and Wezile Mgibe | The Bag Factory,Studio Artists | The Worldings Virtual Residency Exchange - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/chats-chews-2 monthly 0.5 2021-08-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627148351420-PAUM1DK9TLFZ5SOI2T19/01_FriendsofChinatownToronto+copy.jpg Events - CHAT & CHEWS - Make it stand out Morris Lum, Documentation of Parody Development Sign by Friends of Chinatown Toronto, 2019, photo reproduction, vinyl, 16.125 x 24 inches, Courtesy of Morris Lum https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627489220290-HEDMQFMF0NVEAT2HGETC/ACWW_Official_logo.png Events - CHAT & CHEWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627489398509-21S46V9R0A20T7WBXZ1D/https%3A%2F%2Fwww.instagram.com%2Fcentre_a%2FcentreAlogo-01.png Events - CHAT & CHEWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627489249874-WV4JOTDL95GQRDL64U8R/The-New-Gallery.png Events - CHAT & CHEWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/chats-chews monthly 0.5 2021-08-19 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627148351420-PAUM1DK9TLFZ5SOI2T19/01_FriendsofChinatownToronto+copy.jpg Events - CHATS & CHEWS - Make it stand out Morris Lum, Documentation of Parody Development Sign by Friends of Chinatown Toronto, 2019, photo reproduction, vinyl, 16.125 x 24 inches, Courtesy of Morris Lum https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627489220290-HEDMQFMF0NVEAT2HGETC/ACWW_Official_logo.png Events - CHATS & CHEWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627489398509-21S46V9R0A20T7WBXZ1D/centreAlogo-01.png Events - CHATS & CHEWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627489249874-WV4JOTDL95GQRDL64U8R/The-New-Gallery.png Events - CHATS & CHEWS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/double-virtual-open-studio-with-xwalacktun-and-josephine-lee monthly 0.5 2021-08-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1628792601367-44572G5V4YKHSQ0HID7L/Josephine%2BLee%2Band%2BXwalacktun.jpg Events - Live from the Studio with Xwalacktun and Josephine Lee | Griffin Art Projects, Studio Artists | The Worldings Virtual Residency Exchange - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626883104683-1Z679VCIF7F2DMONDD4Z/Josephine+Lee+Courtesy+of+the+artist.jpg Events - Live from the Studio with Xwalacktun and Josephine Lee | Griffin Art Projects, Studio Artists | The Worldings Virtual Residency Exchange - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627338823490-LWU2RH9Q6VAYC4O1OINQ/IMG_0499_2-480x639.jpg Events - Live from the Studio with Xwalacktun and Josephine Lee | Griffin Art Projects, Studio Artists | The Worldings Virtual Residency Exchange - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-virtual-international-residency-exchange-with-griffin-art-projects-and-the-bag-factory monthly 0.5 2021-08-20 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1628195692318-8RRFO9VDHNW8D2UOX9W3/Worldings.jpg Events - Live from the Studio with Nura Ali and Pebofatso Mokoena | Virtual residents | The Worldings Virtual Residency Exchange - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-from-the-studio-with-emily-neufeld monthly 0.5 2021-06-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1621371103334-U27VWBEQ1X1WOG4W3XUP/VA190327_DSC6189.jpg Events - Live From the Studio with Emily Neufeld - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/live-virtual-from-the-studio-with-ali-ahadi-and-babak-golkar-of-the-alibaba-conundrum monthly 0.5 2021-07-14 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1621370939977-LSTPK5XKC7NV8ZD7B0FW/Alibaba+Portrait+for+Profile+Picture.PNG Events - Live From the Studio with Ali Ahadi and Babak Golkar of the Alibaba Conundrum: "What is to be alibaba-ed?" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/worldings-a-virtual-conference monthly 0.5 2021-06-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1621370307108-VS8V64ZELRA5HXRB3FS2/11736Kentridge4.jpg Events - Worldings: A Virtual Conference - Make it stand out William Kentridge, What Will Come (Has Already Come), 2007,35 mm film transferred to DVD, anamorphic projection onto tabletop, 8 minutes, 40 seconds https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564598667-C51KPASRRLMVX9SO4KWJ/1.Karen+Tam.jpg Events - Worldings: A Virtual Conference https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564595475-A7545EMUJ4YPRGI0XHXZ/2.AndreaWalsh.jpg Events - Worldings: A Virtual Conference https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564604511-4M7DQQP59WUZZBIJY3MW/3.UshaSeejarim.jpg Events - Worldings: A Virtual Conference https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564603756-JR0EY8SC3GBZSZPW3O6E/4..BronwynLace_CentrefortheLessGoodIdea.jpg Events - Worldings: A Virtual Conference https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564606156-TWSOI11XEOTN5M0AT87L/5.Phala_O.+Phala_CentrefortheLessGoodIdea.jpg Events - Worldings: A Virtual Conference https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564607463-O37DS6PTZHAW0CIU1PHM/6.DavidGarneau.PNG Events - Worldings: A Virtual Conference https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564614443-U8NRJ29OH9OSCHKBX2G0/7.CandiceAllison.JPG Events - Worldings: A Virtual Conference https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624564612945-AOJTVRB6ZR07V4UWKD2W/8.DainaWarren.jpg Events - Worldings: A Virtual Conference https://www.griffinartprojects.ca/events/worldings-a-virtual-conference-preview-event monthly 0.5 2021-06-30 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1624023430049-WL1455ZD97XAYZC0SHWI/11736Kentridge4+%281%29.jpg Events - Worldings: A Virtual Conference | Preview Event! Hosted by Karen Tam - Make it stand out What Will Come (Has Already Come), 2007,35 mm film transferred to DVD, anamorphic projection onto tabletop, 8 minutes, 40 seconds https://www.griffinartprojects.ca/events/curators-tour-lisa-baldissera monthly 0.5 2021-06-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1621369631486-W75SIJ6RS30AMNWNF0NF/IMG_3719.JPG Events - Virtual Curator’s Tour with Lisa Baldissera  - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/collecting-in-the-time-of-covid-2 monthly 0.5 2021-06-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1622300599413-1JR6BKIRE3C9EWGL1PKN/Collecting+the+Time+of+Covid+Session+2+images.jpg Events - Collecting in the Time of Covid, Session 2 with VivianeArt and David Krut Projects Left to Right: Viviane Mehr, Jillian Ross, Amé Bell https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1622300705641-BWL2LLU7YGRYSQSB4P0L/davidkruteandvivianeartlogos.jpg Events - Collecting in the Time of Covid, Session 2 with VivianeArt and David Krut Projects - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/events/collecting-in-the-time-of-covid-1 monthly 0.5 2021-06-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1620075319578-873871UWYIW2FDV6K2Q8/LucyMacGarryandRobertaCoci.jpg Events - Collecting in the Time of Covid, Session 1 with Latitudes Co-Directors Roberta Coci and Lucy MacGarry Images courtesy of Roberta Coci and Lucy MacGarry https://www.griffinartprojects.ca/events/live-from-the-studio-with-alannah-clamp monthly 0.5 2023-02-09 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1618600044504-5JQ4J6MGBW6868QFWYSZ/120210414_135717.jpg Events - Live From the Studio with Alannah Clamp https://www.griffinartprojects.ca/events/curatorial-hospitality-lisa-baldisserabojana-videkaniclivingplay monthly 0.5 2021-03-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1615421526646-A9AGCY0X4O3O602TAEQG/https___cdn.evbuc.com_images_126708459_513546856119_1_original.jpeg Events - Curatorial Hospitality: Lisa Baldissera+Bojana Videkanic+Living...Play https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1615421338861-USCRLH88H5ADGUGIYHV7/Image1.jpg Events - Curatorial Hospitality: Lisa Baldissera+Bojana Videkanic+Living...Play https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1615421439798-6SEIRREMPHRFUB6DXIQ2/image2.jpg Events - Curatorial Hospitality: Lisa Baldissera+Bojana Videkanic+Living...Play https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1615421454411-LJAIIOEM9BV4DX40QXA0/Image3.jpg Events - Curatorial Hospitality: Lisa Baldissera+Bojana Videkanic+Living...Play https://www.griffinartprojects.ca/events/live-from-the-studio-chase-keetley monthly 0.5 2023-02-09 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1611254492155-KSEP1XXWYTITY50Q2RNC/IMG_0453.JPG Events - Live from the studio: Chase Keetley https://www.griffinartprojects.ca/events/sunday-marcidentity-cultures-of-resistance-in-printed-media-with-cole-pauls-jenny-lin-and-rachel-lau monthly 0.5 2021-02-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1614386571873-B4XDGRUGHLW0029V71S9/IdentityCulturesofResistanceinPrint.png Events - Identity & Cultures of Resistance in Printed Media with Gord Hill, Rachel Lau, Jenny Lin and Cole Pauls https://www.griffinartprojects.ca/events/live-from-the-studio-navarana-igloliorte monthly 0.5 2023-02-09 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1611258376851-MJK2VO2159DO41G432M7/4G3A2544-2.jpg Events - Live from the studio: Navarana Igloliorte Photo courtesy of the artist https://www.griffinartprojects.ca/events/live-from-the-studio-jillian-ross monthly 0.5 2021-02-26 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1611883008991-T8QSOFSJ3A6F5HX632GG/IMG_9109.jpg Events - Live from the studio: Jillian Ross DKW master printer Jillian Ross https://www.griffinartprojects.ca/events/open-the-window monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1608852568445-SDK59A8N09G32WI8LI4O/OpenTheWindow_Lists.jpg Events - Projects+ Class Open the Window https://www.griffinartprojects.ca/events/virtual-curators-tour-with-david-macwilliam monthly 0.5 2020-11-28 https://www.griffinartprojects.ca/events/visions-for-chinatown-a-panel-discussion monthly 0.5 2021-03-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1615387887853-DU3R7K8U9UGA9AL5NRM1/COVER+IMAGE.jpg Events - Whose Chinatown? A Virtual Conference Morris Lum, documentation of Friends of Chinatown Toronto's development sign https://www.griffinartprojects.ca/events/documenting-chinatown-a-conversation-with-morris-lum-and-suzanne-girard monthly 0.5 2021-01-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1610573381379-V5YFKX2V4AMEJ8BMWFSS/SuzanneGirard_MarikBoudreau.jpg Events - Documenting Chinatown: a conversation with Morris Lum and Suzanne Girard Images courtesy of the artists https://www.griffinartprojects.ca/events/chinatown-speculative-futures-with-linda-zhang monthly 0.5 2021-03-25 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605483351815-JEX3W6VFXC4W0JAEFCLF/lindazhang_sm.jpg Events - Chinatown Speculative Futures with Linda Zhang Image courtesy of the artist https://www.griffinartprojects.ca/events/in-the-shadow-of-gold-mountain-with-karen-cho monthly 0.5 2021-02-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605483028727-PCY71BOZN8GU47COMI1N/Karen_Cho.jpg Events - In the Shadow of Gold Mountain with Karen Cho Photo by Jérémie Battaglia https://www.griffinartprojects.ca/events/printmaking-with-marlene-yuen monthly 0.5 2021-01-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605483215200-9ZODYSXDXF6UTHWSJ0F3/Marlene+Yuen_katy_whitt%282%29.jpg Events - Printmaking with Marlene Yuen Photo by Katy Witt https://www.griffinartprojects.ca/events/in-chinatown-with-stephanie-chong-and-bryce-quan monthly 0.5 2021-01-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605481742936-JCZHTO9A9VVF6U1AZEVT/IMG_9003.jpg Events - In Chinatown with Stephanie Chong and Bryce Quan https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605481751156-BJT79254W2U3AXKHCCCA/IMG_8990.jpg Events - In Chinatown with Stephanie Chong and Bryce Quan https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605481760716-IF91MWUBD15194QPG4R6/IMG_8988.jpg Events - In Chinatown with Stephanie Chong and Bryce Quan https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605481952602-36QRB6DYD6RQWMB8UTRV/IMG_8996.jpg Events - In Chinatown with Stephanie Chong and Bryce Quan https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605482079504-YC022GPQV4NEC0V67SOU/IMG_7349.jpg Events - In Chinatown with Stephanie Chong and Bryce Quan https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605482119873-4MGX2TK3XHTMS4BBCPNY/InChinatown_Booooooom_0225.jpg Events - In Chinatown with Stephanie Chong and Bryce Quan https://www.griffinartprojects.ca/events/conversations-on-collecting-with-catherine-clement-tom-carter-and-julie-jai monthly 0.5 2021-02-20 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605481405831-9WS8IWR2LQWP5C1DAPO1/ConversationsonCollecting_CatherineClementTomCarterJulieJai.png Events - Conversations on Collecting with Catherine Clement, Tom Carter, and Julie Jai Images courtesy of the collectors https://www.griffinartprojects.ca/events/curators-tour-with-karen-tam monthly 0.5 2021-02-18 https://www.griffinartprojects.ca/events/garry-neill-kennedy-eighteen-drawings-virtual-book-launch monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605394810577-IOWM9SPFBQDHCWB3XUE2/GNK__pen_drawing_1a.jpeg Events - Garry Neill Kennedy EIGHTEEN DRAWINGS Virtual Book Launch Garry Neill Kennedy's EIGHTEEN DRAWINGS with accompanying text by Cathy Busby and Garry Neill Kennedy, 0pp., full colour, edition of 50, $50 https://www.griffinartprojects.ca/events/posters-november-1965-april-1986-lawrence-weiner-book-viewing-with-cathy-busby monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601671572257-OUDC3BJ95XE4X208KVQV/posters.jpg Events - Posters: November 1965-April 1986, Lawrence Weiner book viewing with Cathy Busby Lawrence Weiner, Posters: November 1965 – April 1986, designers dummy, 1986, cut and paste paper, print, ink, paint, 9” x 12” https://www.griffinartprojects.ca/events/live-with-teresa-hubbard-alexander-birchler monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601670809796-5IZGKS1UUAY9I8G7JS9Q/TeresaandAlexander.jpg Events - Live with Teresa Hubbard / Alexander Birchler moderated by David MacWilliam Haley Austin, Teresa Hubbard / Alexander Birchler on the filmset of Flora, Berlin https://www.griffinartprojects.ca/events/open-studio-with-kelly-lycan monthly 0.5 2020-12-17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601670709896-MVIQKKZABPMMXRLV7I0A/LycanStudio.jpg Events - Open Studio with Kelly Lycan Kelly Lycan Artist's Studio, 2020 https://www.griffinartprojects.ca/events/remembering-harbin-gate monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601670582896-CNPLNSIM46FJ13NHT2CJ/image-asset.jpeg Events - Remembering Harbin Gate with aiya哎呀 aiya哎呀, Art Calligraphy Banner, 2017 https://www.griffinartprojects.ca/events/the-mill-live-directors-talk-and-qa-with-david-craig monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601670415993-ECUSQVYZMY3QW7P73FZF/TheMillPoster.jpg Events - The Mill: Live Director’s Talk and Q/A with David Craig The Mill, Poster, 2019 https://www.griffinartprojects.ca/events/live-with-martha-wilson monthly 0.5 2021-01-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601670234603-VZZ654VPP55Z44TAD2QI/mw_hs06.jpg Events - Live with Martha Wilson Martha Wilson Portrait, 2020 https://www.griffinartprojects.ca/events/moving-things-there-to-here-virtual-panel monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601670098872-R0NMQJ39JS09WN9ZR62K/Moving+Things+-+promo+pic_grayscale.jpg Events - MOVING THINGS THERE TO HERE Virtual panel MOVING THINGS THERE TO HERE Panel Participants, 2020 https://www.griffinartprojects.ca/events/kids-snail-mail-art-kits monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601669691510-6GR856940ZV7JCEHE8SB/snail-mail.jpg Events - KIDS: Snail Mail Art Kits Kasper Koenig, Various Postcards, Drawings, Printed Matter and Correspondence, 2020, offset lithography and ink on paper, various sizes https://www.griffinartprojects.ca/events/09jy8ykb590pk79u0ve4ejz6a6osa6 monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597530540062-ZRYOUDXBGZ21N8PE3BCX/fans-tribute-to-the-arts.jpg Events - Annual Tribute to the Arts Don S. Williams grant recipient Maria Josenhans and FANS award winner Cori Creed https://www.griffinartprojects.ca/events/casv-site-visit-of-woosh monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597530444871-VFZ0HI8WO98FINRJX6AA/casv.jpg Events - CASV Site Visit of WOOSH https://www.griffinartprojects.ca/events/woosh-curators-tour monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597530348926-93YR2NN3XT0ILVC79KI8/woosh-curator-tour.jpg Events - WOOSH | Curator’s Tour https://www.griffinartprojects.ca/events/surrogates-rbc-collectors-panel monthly 0.5 2020-12-13 https://www.griffinartprojects.ca/events/portals-and-improvisations monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529664653-YHF92WZ3T38HOL01EGBX/vickers.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529681651-IPQA1QPQJQZEUTK5XKDB/portals01-sqr.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529682022-RO0G2RVW6VN2CK1OHAF8/portals00-sqr.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529707269-U9WLW2H0MR1SCASAR1BQ/portals03-sqr.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529707237-JDXII3R7MHLB3390ZDE7/portals02-sqr.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597858133266-ZK9ZEHM084VVZT9R7MRZ/portals07-sqr.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597858132382-WQUZJ8YUJMBHF47D7BVW/portals06-sqr.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597858133370-ER3O2Y2AK5VLKOFBBWAY/portals05-sqr.jpg Events - Portals and Improvisations https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597858280758-6C7RYGRHIXW0CEZKV1CU/portals04-sqr.jpg Events - Portals and Improvisations https://www.griffinartprojects.ca/events/no-big-picture-curators-tour monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1607903413508-8H0K1M3G95E640E7I8XL/TrompeLoeil_cap.jpg Events - NO BIG PICTURE | Curator’s Tour Enn Erisalu Trompe L’oeil, 1993 Mixed media on canvas https://www.griffinartprojects.ca/events/no-big-picture-book-launch monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529386189-DP4IVNS8MNGLR346SK6S/NoBigPicture.png Events - NO BIG PICTURE | Book Launch https://www.griffinartprojects.ca/events/annual-tribute-to-the-arts monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529287892-LWLEWGBVXJK9PZ818O3Q/FANS2016.jpg Events - Annual Tribute to the Arts https://www.griffinartprojects.ca/events/kitchen-midden-artist-talks-with-marian-penner-bancroft-and-michael-morris monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529186565-9GOTOFRCQFYU4OSODVGM/KitchenMidden_44.jpg Events - KITCHEN MIDDEN | Artist Talks with Marian Penner Bancroft and Michael Morris https://www.griffinartprojects.ca/events/through-weight monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597529017331-WBZM5WQSJGSI8IGLD90O/ThroughWeight.png Events - Through Weight https://www.griffinartprojects.ca/events/lewis-baltz-panel-discussion monthly 0.5 2020-12-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597528900325-DHQCR0NEPM1MF26IYV4G/reno_detail.jpg Events - Lewis Baltz Panel Discussion https://www.griffinartprojects.ca/events/michael-bauer-in-conversation monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597528773256-54V2QHO29222KOU6HT9T/MichaelBauer.jpg Events - Michael Bauer in Conversation https://www.griffinartprojects.ca/events/indigenous-plant-diva-walking-tour monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597528618846-3V6QDWXTB5Y2X0T30OAM/PlantDiva.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597528646118-3DRA9XG71JIVO69ZM1NL/PlantDiva2-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597528646396-QGRQQTM3UFZQRDQ3XHTR/PlantDiva1-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597528677824-9IGEKKS94LMIJC7N3CO3/PlantDiva3-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859185604-DTHGVF8XJIR9YE3P3GVF/PlantDiva5-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859200011-VW5EXRRYC0WAMIS6DHTO/PlantDiva7-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859186036-GZZ2UQTR38PLRE0ZSKLK/PlantDiva4-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859199964-X5Y0XU5XOBDA9ZE4B9Q2/PlantDiva6-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859241243-U61L1VC7FAQSZUK2DMP5/PlantDiva8-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859294125-0JSE1WDGVVD3RGI9U5Q9/PlantDiva9-sqr.png Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859306390-YVACLMB5H3QTETRESB1I/PlantDiva10-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859353723-I5S3941YZM00UVA03S75/PlantDiva11-sqr.png Events - Indigenous Plant Diva Walking Tour https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597859385709-UU6Z2UCT7JFYAWGO96DS/PlantDiva12-sqr.jpg Events - Indigenous Plant Diva Walking Tour https://www.griffinartprojects.ca/events/catalogue-launch monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597532771507-RYSHN5QOQO7HDLQSE5ZZ/CatalogueLaunch%21.png Events - Catalogue Launch https://www.griffinartprojects.ca/events/local-designer-jewelry-event monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597525729958-T853M42A8IFDZF6C4TTA/jewlery-sale.png Events - Local Designer Jewelry Event https://www.griffinartprojects.ca/events/burnt-offering monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597525619961-B5GLWQ970RVDCIMAP45F/OrafOrafsson.JPG Events - Burnt Offering Oraf Orafsson, First Work of Complete Fiction as Burnt Offering, 1971 https://www.griffinartprojects.ca/events/curators-tea-and-tours-pantea-haghighi monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597525493004-PU3C1OTB3PI4STPVNJIP/modernism-in-iran-03.jpg Events - Curator’s Tea & Tours: Pantea Haghighi https://www.griffinartprojects.ca/events/aesthetic-contemplation-with-tea monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597525405884-MYPRPSYQDFNVWY4HAJYA/Tea2.jpg Events - Aesthetic Contemplation with Tea https://www.griffinartprojects.ca/events/griffin-art-projects-for-children monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597525325255-2PG8TEL8DLSTEHB8GIEJ/for-children.JPG Events - Griffin Art Projects For Children https://www.griffinartprojects.ca/events/mario-asef-artist-in-residence monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597525219651-2BQK46J4V6NIINK35W49/mario-asef.jpg Events - Mario Asef - Artist in Residence Cenit, video, 11min, color, stereo digital – Mario Asef© 2016-17 https://www.griffinartprojects.ca/events/earth-day-wetland-restoration-program monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597525101698-4YMASLKRMDR25DB4DSK5/EarthDayBanner.png Events - Earth Day - Wetland Restoration Program https://www.griffinartprojects.ca/events/amber-frid-jimenez-and-tai-smith-discuss-burning-ballet-mechanique monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524929297-PY5HJ5BZX7ZD6WO72GLL/amberfridjimenez.png Events - Amber Frid-Jimenez and T’ai Smith discuss Burning Ballet Méchanique Amber Frid-Jimenez, Burning Ballet Mécanique, 2018, Video 16min. Courtesy of the artist. https://www.griffinartprojects.ca/events/denzil-hurley-artist-talk monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524834148-C2PCTKQJBLCDENA0EWMG/denzilhurley.jpg Events - Denzil Hurley Artist Talk Denzil Hurley, Glyph in Five Parts, 2016-18, Oil on Linen with Stick. Courtesy of the Artist. https://www.griffinartprojects.ca/events/exhibition-tour-in-farsi monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524751806-WT3G4GOPLEXF8X0R0TC6/farsitour.jpg Events - Exhibition Tour in Farsi https://www.griffinartprojects.ca/events/aesthetic-contemplation-with-tea-2 monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524678382-PWYZYPME8DXEF88WVREX/Tea.jpg Events - Aesthetic Contemplation with Tea https://www.griffinartprojects.ca/events/curator-tour-with-lee-plested monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524563701-LKQF610BBVNZ252AEV4O/andy_warhol.jpg Events - Curator Tour with Lee Plested Andy Warhol Black JFK, 1968 Screen print. Private Collection. https://www.griffinartprojects.ca/events/zeros-and-ones-reading-group-with-steven-cottingham monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524406439-Q5L2ME55GYU4Y4RJ8KY9/steven_cottingham.jpg Events - Zeros and Ones: Reading Group with Steven Cottingham Steven Cottingham Neo-necropolis (Superstudio x Rossi) (detail), 2018 Inkjet on newsprint. Courtesy of the Artist. https://www.griffinartprojects.ca/events/black-origins-frank-stellas-black-paintings monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524310064-J246ZMYHLP3VD3VM026R/frank_stella.jpg Events - Black Origins: Frank Stella’s Black Paintings events/Frank Stella Clinton Plaza (Black Series 1), 1967 Lithograph. Private collection. https://www.griffinartprojects.ca/events/performance-by-guadalupe-martinez monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524229931-XI6U66RQ61QIF1QW93NK/guadalupe_martinez.jpg Events - Performance by Guadalupe Martinez Guadalupe Martinez Triangulation of Desire / Return to the Pleasurable (A032, A061, A097), 2017 VIVO Media Arts Center. https://www.griffinartprojects.ca/events/dark-matters-performative-lectures-by-randy-lee-cutler-and-marina-roy monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524140896-YH3OKNUY5TNLXYTY8124/marina_roy.jpg Events - Dark Matters: Performative Lectures by Randy Lee Cutler and Marina Roy Marina Roy Your Kingdom to Command (detail), 2016 Latex paint, bitumen on plywood. Courtesy of the Artist. Photo, Rachel Topham, Vancouver Art Gallery. https://www.griffinartprojects.ca/events/exhibition-tour-with-corrie-jackson monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597524021504-2D47PG4X5WTWDB3SIW3R/AnetteKelm_Backstage_Web.jpg Events - Exhibition Tour with Corrie Jackson Annette Kelm Backstage, 2004 c-print, 4 parts https://www.griffinartprojects.ca/events/reading-group-performativity-as-technique-of-the-self monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597523913224-85CW8IMQ08F5TJ0QKRWG/performativityevent.jpg Events - Reading Group: Performativity as Technique of the Self https://www.griffinartprojects.ca/events/reading-tiziana-la-melia-judith-penner-and-renee-rodin monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597523821519-RB4GSLJKHSCKB1FQ798W/TLM_BossOfMyDreams.png Events - Reading: Tiziana La Melia, Judith Penner and Renee Rodin Tiziana La Melia Who is the Boss of My Dreams?, 2015 multi media https://www.griffinartprojects.ca/events/reading-andrea-actis-danielle-lafrance-and-dorothy-trujillio-lusk monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597523692674-6KPYSL9S4WXQ2355J9UV/Farmer_BananaandGrass_2014.jpg Events - Reading: Andrea Actis, Danielle LaFrance and Dorothy Trujillio Lusk Geoffrey Farmer Banana and Grass, 2014 https://www.griffinartprojects.ca/events/reading-mackenzie-ground-rhoda-rosenfeld-and-fenn-stewart-organized-by-catriona-strang monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597522261369-4S8CYIUWZ8NXQAKAMANI/Trudy_Rubenfeld_undone.png Events - Reading: Mackenzie Ground, Rhoda Rosenfeld and Fenn Stewart organized by Catriona Strang Trudy Rubenfeld undone, video still https://www.griffinartprojects.ca/events/an-evening-with-artist-mahdyar-jamshidi monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597522082619-7SUW5HPLI6C9P7AJQDEI/mahdyar_jamshidi_LVL.jpg Events - An Evening with Artist Mahdyar Jamshidi https://www.griffinartprojects.ca/events/we-are-here-a-roundtable-discussion-on-mapping-cosmology-and-worldmaking monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597521983238-DXPCSKCFWJRFZI9C7QLM/MahdyarJamshidi.png Events - We Are Here, A Roundtable Discussion on Mapping, Cosmology and Worldmaking Mahdyar Jamshidi I AM HERE, 2015-2017 https://www.griffinartprojects.ca/events/poets-theatre-workshop monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597521786928-4HYO2ZRII4H5ZVQWU5C4/dodie_bellamy_kevin_killian.png Events - Poets Theatre Workshop Dodie Bellamy and Kevin Killian https://www.griffinartprojects.ca/events/touch-change-open-studio-and-performance-event-with-zoe-kreye monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597521696333-0UUELEQCQQTT9H3V7RDS/zoe_kreye.jpg Events - Touch Change, Open Studio and Performance Event with Zoe Kreye Zoe Kreye our hands have been working one after the other. Now they are to work together, Griffin Art Projects residency, 2019. https://www.griffinartprojects.ca/events/reading-travis-obrian-raven-with-robins-egg monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597521600266-8OXYLQS6ZDCIATH2PJD9/thepoetshavealwayspreceded_installationshot2.jpg Events - Reading: Travis O’Brian ‘Raven with Robin's Egg’ the poets have always preceded installation shot, 2019 https://www.griffinartprojects.ca/events/reading-george-bowering-daphne-marlatt-maria-hindmarch-fred-wah-from-tish monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597520752235-ZBFPW4H547IPGGBC88KJ/TISH.jpg Events - Reading: George Bowering, Daphne Marlatt, Maria Hindmarch, Fred Wah from TISH George Bowering, Daphne Marlatt, Maria Hindmarch, Fred Wah TISH, 1963 publication https://www.griffinartprojects.ca/events/tea-ceremony-performance-with-lam-wong-ma-no1-the-space-between-objects-wu/mu monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597520453738-OZSSS8BF2NHD1GC8C4WO/lam_wong_MA1.jpeg Events - Tea Ceremony Performance with Lam Wong: MA No.1 - The Space Between Objects (Wu/Mu) https://www.griffinartprojects.ca/events/proximities-dialogues-with-artists-from-person/ne monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597515639095-HP8PST1YWIYFCR6OS30O/proximities.jpg Events - Proximities: Dialogues with artists from Person/ne https://www.griffinartprojects.ca/events/open-studio-and-artist-talks-with-residency-artists-janet-werner-and-adrian-norvid monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597515572619-ED0YGGEXIMCYFHPE7CTY/werner_norvid_openstudio.png Events - Open Studio and artist talks with residency artists Janet Werner and Adrian Norvid https://www.griffinartprojects.ca/events/tea-ceremony-performance-with-lam-wong-ma-no2-the-stillness-between-movements monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597515491761-G6OKOMA0VHW3SRW50T5X/MANo2.jpg Events - Tea Ceremony Performance with Lam Wong: MA No.2 - The Stillness Between Movements Lam Wong 間 / MA, 2019 Mixed Media https://www.griffinartprojects.ca/events/curators-tour-with-lisa-baldissera monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597515413575-6RKBAM4UTDCJFXEWU4GM/CuratorTourwithLisaBaldissera.jpg Events - Curator's Tour with Lisa Baldissera Person/ne, Installation shot Various paintings by Janet Werner, 2019 https://www.griffinartprojects.ca/events/conversations-on-collecting-acts-of-care-in-collecting monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597515325839-WRZ3E3XNL043SJF4V5GO/ConversationsonCollectingActsofCareinCollecting.jpg Events - Conversations on Collecting: Acts of Care in Collecting Person/ne, Installation shot 2019 https://www.griffinartprojects.ca/events/person/ne-forum-ethics-of-care monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597515110191-K80MLVS40YL5WQ7V6BFV/personne_forum.jpg Events - Person/ne Forum: Ethics of Care Janet Werner Kit, 2019 Oil on canvas https://www.griffinartprojects.ca/events/tea-ceremony-performance-with-lam-wong-ma-no3-the-silence-between-sounds monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597515007418-ZG8ZGK9IJ8S3LT10K9JF/LamWongMA3+2.jpg Events - Tea Ceremony Performance with Lam Wong: MA No.3 - The Silence Between Sounds Lam Wong 間 / MA, 2019 Mixed Media https://www.griffinartprojects.ca/events/griffin-art-projects-family-day-postcards monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597514915966-NJDLIQWQ4OX6ZD4V6J9G/family-day-aug-2019.jpg Events - Griffin Art Projects Family Day: Postcards Léon Maurice Henri Coupey Fifteen postcards, 1864-1925 Ink, graphite, crayon on card, 15.24 x 8.89 cm approx. each https://www.griffinartprojects.ca/events/katie-ohe-and-curator-katherine-ylitalo-in-conversation monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597513737913-5C1MDJTAVOFT7FVXD1JT/katie-ohe-katherine-ylitalo.jpg Events - Katie Ohe and curator Katherine Ylitalo in Conversation Katherine Ylitalo + Katie Ohe Katie Ohe photo by Shane Arsenault https://www.griffinartprojects.ca/events/monsoon-artists-roundtable monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597513617087-WRWZ917FH3DAQZNT4NSJ/KatieOhe_Monsoon.jpg Events - MONSOON Artists Roundtable Katie Ohe Moonsoon, 2006 Polished welded steel, automobile paint, internal mechanical rotary system, Dimensions variable https://www.griffinartprojects.ca/events/reading-the-contemporary-art-and-culture-talks-at-the-library-with-griffin-art-projects-with-sara-jeanne-bourget monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597513428817-O22QLGHMDUFP7NHSHY1V/ReadingtheContemporarySaraJeanneBourget.jpg Events - Reading the Contemporary: Art and Culture Talks at the Library with Griffin Art Projects with Sara-Jeanne Bourget Sara-Jeanne Bourget Image Courtesy of Emily Carr University of Art and Design, 2019 https://www.griffinartprojects.ca/events/family-day-and-north-vancouver-culture-days monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597513286167-PUX7MLHNBQ1FBQWKMZEN/familyday_culturedays.jpg Events - Family Day and North Vancouver Culture Days September Family Days Image Courtesy of Rebecca Wang, 2019 https://www.griffinartprojects.ca/events/public-art-walking-tour-on-the-history-of-spirit-trail-with-mary-tasi-and-wade-baker-from-sky-spirit-consulting monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597513175950-Q62SRJIQXFCQ4M3524QY/SpiritTrailWalkingTourWadeBakerGatewaytoAncientWisdom.jpg Events - Public Art Walking Tour on the History of Spirit Trail With Mary Tasi and Wade Baker from Sky Spirit Consulting Gateway to Ancient Wisdom, 2019 https://www.griffinartprojects.ca/events/gardens-and-wilds-indigenous-walking-tour-workshop monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1608267766744-SIUX964NS660XLNG2C8Y/Cease+Wyss+%26+Katherine+Ylitalo.png Events - Gardens and Wilds: Indigenous Walking Tour & Workshop Cease Wyss and Katherine Ylitalo, 2019 https://www.griffinartprojects.ca/events/reading-the-contemporary-art-and-culture-talks-with-griffin-art-projects-with-lam-wong monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597363524483-IVIIUQOMJN9K1CWSS2U9/ReadingtheContemporaryLamWongheadshot.jpg Events - Reading the Contemporary: Art and Culture Talks with Griffin Art Projects with Lam Wong Lam Wong, 2019 https://www.griffinartprojects.ca/events/open-studio-with-sara-jeanne-bourget monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597363227410-G1E3XT094757RAA4LXR3/OpenStudioSara-JeanneBourgetDustStandingOver.JPG Events - Open Studio with Sara-Jeanne Bourget Sara-Jeanne Bourget Dust Standing Over Its Eventual Sediments, 2018 59 X 95 inches (each), Charcoal on paper https://www.griffinartprojects.ca/events/conversations-on-collecting monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597363024850-0SOF8S00NU2YYO64GDQD/casv_logo.png Events - Conversations on Collecting Contemporary Art Society of Vancouver, 2019 https://www.griffinartprojects.ca/events/reading-the-contemporary-art-and-culture-talks-with-griffin-art-projects-with-mary-tasi-and-wade-baker monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597362825498-2KQ1Z1OJM72UYJY5OITZ/ReadingtheContemporaryWadeBakerMaryTasiPortraitcreditMikeWakefield_NorthShoreNews.jpg Events - Reading the Contemporary: Art and Culture Talks with Griffin Art Projects with Mary Tasi and Wade Baker Mary Tasi and Wade Baker, 2019 https://www.griffinartprojects.ca/events/decolonizing-design-open-studio-with-sierra-tasi-baker monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597362519556-HORZ963PBWCF7WY0BVJT/OpenStudioSierraTasiBakerHeadshot.jpg Events - Decolonizing Design: Open Studio with Sierra Tasi Baker Sierra Tasi Baker, 2019 https://www.griffinartprojects.ca/events/burnt-dust monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597361899695-QXRAFL69NMZTURSIF4F7/burnt-dust.jpg Events - Burnt Dust Artists for Kids Studio Art Program Burnt Dust, 2020 https://www.griffinartprojects.ca/events/the-rage-to-live-the-queer-film-legacies-of-david-wojnarowicz-and-marlon-t-riggs monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597360885706-3M6REO8Y0Q0HZ89UCDD4/Marlon_Essex.jpg Events - The Rage To Live: The Queer Film Legacies of David Wojnarowicz and Marlon T. Riggs Marlon T. Riggs & Essex Hemphill photo shoot, Courtesy of Framline https://www.griffinartprojects.ca/events/luke-fowlers-electro-pythagorus-a-filmic-portrait-of-martin-bartlett monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597360647861-W8X2XN9D3W05GHAI1RL4/Electro-Pythagorus.jpg Events - Luke Fowler’s Electro-Pythagorus: A Filmic Portrait of Martin Bartlett https://www.griffinartprojects.ca/events/reading-the-contemporary-art-and-culture-talks-emilie-crewe monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597360528180-763RWPDQWHM8BJV26EDX/Emilie-Crew.jpg Events - Reading the Contemporary Art and Culture Talks: Emilie Crewe https://www.griffinartprojects.ca/events/open-studio-with-emilie-crewe monthly 0.5 2020-11-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597360278717-JO317A4F31JQ3TAUMSQB/EmilieCrewe-Julia+McIntyreFilmStill.JPG Events - Open Studio with Emilie Crewe Julie McIntyre on stage at the Burton Cummings Theatre, Winnipeg, MB https://www.griffinartprojects.ca/events/open-studio-with-taryn-sheppard monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597359777659-30U0ICBBM86HHT4RZ94L/taryn_sheppard.jpg Events - Open Studio with Taryn Sheppard (Online) Taryn Sheppard A Space Reconstructed From Memory, 2019 Installation View, Various dimensions. https://www.griffinartprojects.ca/events/woosh-opening monthly 0.5 2021-07-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597358876262-WZWC5WE2T67HB7ABLYY9/woosh-01.jpg Events - WOOSH Opening https://www.griffinartprojects.ca/events/open-studio-with-lindsay-mcintyre monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1596754870550-HC83M2XR2IC5M5U0ZGSB/room+11a+-2.jpg Events - Open Studio with Lindsay McIntyre (Online) Lindsay McIntyre Room 11a, Ortona Armoury, 2016 16mm, 1 min https://www.griffinartprojects.ca/events/dr-peters-legacy monthly 0.5 2020-12-13 https://www.griffinartprojects.ca/events/karen-tams-moveable-feast monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1606598656187-SSRTIS1YNSEYF4Y1KLII/Tam_GMR_Hartford.jpg Events - Karen Tam’s Moveable Feast: A Tasting Tour of North Vancouver’s Most Interesting Chinese Restaurants Karen Tam old Mountain Restaurant installation, at the Joseloff Gallery, University of Hartford, Hartford, Connecticut https://www.griffinartprojects.ca/events/open-studio-with-karen-tam monthly 0.5 2020-12-13 https://www.griffinartprojects.ca/events/censorship-sexuality-and-resilience monthly 0.5 2020-11-28 https://www.griffinartprojects.ca/residencies daily 0.75 2026-03-22 https://www.griffinartprojects.ca/residencies/bruce-grenvillenbspamp-alice-mackenzie-of-grenville-fille monthly 0.5 2025-08-08 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ead9a101-277d-48ff-b3c9-66ddc92f3cfb/unnamed+%281%29.jpg Residencies - Grenville + Fille (Bruce Grenville and Alice Mackenzie) - Make it stand out Ann Newdigate, Sentences: Fanakalo and the Vanishing Signs, 1993. Cotton warp, Mixed Media, weft: silk, linen, cotton, wool, synthetic blends 167.64 x 137.15 cm and Ann Newdigate, Sentences: She had never touched a camera before, 1986. Cotton warp. Mixed media, weft: silk, linen, wool, synthetic blends 198.12 x 198.12 cm. Photography by Byron Dauncey. https://www.griffinartprojects.ca/residencies/nura-ali-wem4f-y2xhk-dh76k monthly 0.5 2024-10-04 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/85daedab-ab93-44f5-bcb0-06a1b82a11a0/unnamed+%282%29.jpg Residencies - Melissa Feldman - Make it stand out Melissa Feldman, 2016. Image courtesy of Winnie Westergard https://www.griffinartprojects.ca/residencies/nura-ali-wem4f-y2xhk monthly 0.5 2025-02-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/57ca76f8-975b-42c3-a01e-1b9e62f2bae5/110601_Faria+Firoz.jpg Residencies - Faria Firoz, Emily Carr Fellowship Award Recipient - Make it stand out Faria Firoz Photo courtesy of the Artist. https://www.griffinartprojects.ca/residencies/nura-ali-wem4f monthly 0.5 2024-10-27 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/286d512a-4687-4574-b2be-2ad92c3782cd/khimhipol230824_7830+-+Khim+Hipol.jpg Residencies - Karl and Khim Mata Hipol, North Shore Studio Award Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/lebogang-mogul-mabusela monthly 0.5 2024-10-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/037a551c-9b1a-4af3-a156-ea946b0ff37f/A+portrait+of+monotypebabe+.jpg Residencies - Lebogang Mogul Mabusela - Make it stand out Portrait of Lebogang Mogul Mabusela, courtesy of artist https://www.griffinartprojects.ca/residencies/pebofatso-mokoena monthly 0.5 2024-10-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/df37e8bc-c6f8-4d16-8da2-6279db143868/Pebofatso+Mokoena+Artist+Portrait+July+2024.JPG Residencies - Pebofatso Mokoena - Make it stand out Portrait of Pebofatso Mokoena, Courtesy of Pebofatso Mokoena https://www.griffinartprojects.ca/residencies/wezile-harmans monthly 0.5 2024-10-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/840306b6-f18e-45d2-8096-61cc406e5c63/Wezile+Harmans+Potrait+.jpg Residencies - Wezile Harmans - Make it stand out Portrait of Wezile, courtesy of Jonathan Kope https://www.griffinartprojects.ca/residencies/sun-forest monthly 0.5 2024-10-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/817a04cd-4423-48c0-88b2-25b59325e376/Sun+Forest+Headshot.jpeg Residencies - Sun Forest - Make it stand out Portrait of Sun Forest, courtesy of David Conklin https://www.griffinartprojects.ca/residencies/nura-ali monthly 0.5 2024-10-04 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a7434b63-32c0-43f9-9ff3-8682b4a32538/FullSizeRender.jpg Residencies - Nura Ali - Make it stand out Nura Ali, courtesy of the artist https://www.griffinartprojects.ca/residencies/homa-khosravi-k4kmn-f5tjl monthly 0.5 2024-06-22 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/9b98c084-e19e-4107-a137-1bf652d7ea49/WB+Portrait+%282%29.jpg Residencies - Wayne Baerwaldt - Make it stand out Wayne Baerwaldt, Photo by Dallas Loken https://www.griffinartprojects.ca/residencies/homa-khosravi-k4kmn monthly 0.5 2026-03-22 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/94451069-28ce-4280-a6d9-5c2da9783349/Xwalacktun_photo.jpg Residencies - Xwalacktun - Make it stand out Xwalacktun, image courtesy of Brian Dennehy https://www.griffinartprojects.ca/residencies/aiden-kirkegaard monthly 0.5 2024-05-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fe2e57dd-7e1b-4892-af9f-62eaf4e8087e/Headshot_Kirkegaard+-+Aiden+Kirkegaard.JPG Residencies - Aiden Kirkegaard - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/homa-khosravi monthly 0.5 2024-05-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/891400bf-7b20-41d9-9574-6086aa0efe49/Homa+Khosravi+-+Headshot.JPG Residencies - Homa Khosravi - Make it stand out Homa Khosravi https://www.griffinartprojects.ca/residencies/lucie-camous monthly 0.5 2024-04-20 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7f44a5b9-b399-4fc1-b4c9-3ab5da57aba5/Lucie+Camous.jpg Residencies - Lucie Camous - Make it stand out Lucie Camous, courtesy of Fantino. https://www.griffinartprojects.ca/residencies/codie-tolmie monthly 0.5 2024-03-28 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f1bcab4e-8f84-422f-8be8-151b0b56d87f/Cody.jpg Residencies - Cody Tolmie - Make it stand out Cody Tolmie, courtesy of Toonasa Photography https://www.griffinartprojects.ca/residencies/chad-wong monthly 0.5 2024-02-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fe388876-788e-41ee-9cea-a59683a87280/chad+headshots+-+2+-+chad+wong.jpg Residencies - Chad Wong - Make it stand out Chad Wong, image courtesy of Chloe Kerr https://www.griffinartprojects.ca/residencies/elham-puriya-mehr monthly 0.5 2024-02-08 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/eefa2906-496e-40eb-81f0-dc9c513fdda7/Elham+Puriya+Mehr+1.JPG Residencies - Elham Puriya Mehr - Make it stand out Elham Puriya Mehr, image courtesy of the curator. https://www.griffinartprojects.ca/residencies/rolande-souliere monthly 0.5 2024-02-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/751a1558-f085-4a7b-bcb8-61fb22987dbc/RSouliere1.jpg Residencies - Rolande Souliere - Make it stand out Rolande Souliere, image courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/45404852-a175-4229-a0f9-a33aed669775/NAS-logo.png Residencies - Rolande Souliere - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/anne-bourrass monthly 0.5 2023-12-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b228fdd1-79a5-4321-91d1-5d6d9ca92ac1/2_portrait_credit_clairebourrasse.jpg Residencies - Anne Bourrassé - Make it stand out Headshot of curator Anne Bourrassé. Image Credit: Claire Bourrasse. https://www.griffinartprojects.ca/residencies/sidi-chen monthly 0.5 2024-01-05 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3d241139-beb2-4d90-a332-2b1707f9b8d5/Sidi+Chen+on+the+Yukon+River+at+the+Canadian+Wilderness+Artist+Residency+-+Sidi+Chen.jpg Residencies - Sidi Chen - Make it stand out Image: Sidi Chen on the Yukon River at the Canadian Wilderness Artist Residency https://www.griffinartprojects.ca/residencies/maria-aponte monthly 0.5 2023-12-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8c89ce52-5f42-49f9-aec9-ff4bdf870590/MaruHeadshot135+-+maria+aponte.jpg Residencies - Maru Aponte - Make it stand out Headshot of artist Maru Aponte, courtesy of the artist. https://www.griffinartprojects.ca/residencies/bernard-liebov monthly 0.5 2023-12-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f030775c-5af0-4cfe-b827-df9ad23dab34/HEADSHOT_BernardLeibov.jpg Residencies - Bernard Liebov Image: Courtesy of Bernard Liebov https://www.griffinartprojects.ca/residencies/su-ying-strang monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/da09d7ec-f1a7-4357-9839-9b676e1d673f/Strang_Headshot2+-+Su+Ying+Strang.jpg Residencies - Su Ying Strang - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/marion-landry monthly 0.5 2023-12-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/20aa3541-aa0f-4077-ba09-b41e542a60a1/MarionLandryInStudio.JPEG Residencies - Marion Landry - Make it stand out Image: courtesy of Marion Landry https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/80b4988c-bb63-4279-8be1-b88fb8fb81a9/15-ChasingTheLigh6and7-InstallationView3.jpg Residencies - Marion Landry - Make it stand out Image: Marion Landry, Chasing the light #6, oil on canvas, 60 x 50", 2023, on view from March 25th to April 9th as part of biometaphysicalmateria: MFA Thesis Show at Emily Carr University of Art + Design. Images ©Marion Landry https://www.griffinartprojects.ca/residencies/jaewoo-kang monthly 0.5 2023-12-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6b186c26-2c50-4f40-9ad3-133b3be28bb7/1534794670423.jpg Residencies - Jaewoo Kang - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/matilda-aslizadeh monthly 0.5 2023-12-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f5f4da2f-e0fe-4e8c-a233-d37abd312b87/Matilda+Aslizadeh+Headshot+-+Matilda+Aslizadeh.JPG Residencies - Matilda Aslizadeh - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e6944121-3f8b-4bcb-b25c-f654fa2ef14a/2_Resort+-+Matilda+Aslizadeh.jpg Residencies - Matilda Aslizadeh - Make it stand out Resort, video installation, 2016, courtesy of Pari Nadimi Gallery Photo: Robert McNair https://www.griffinartprojects.ca/residencies/phoebe-bei monthly 0.5 2023-12-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b96ff075-32a8-4ee5-9b13-8c6eee8f6c91/phoebe_Image+Credit+Sarah+Madgin+-+Phoebe+Bei.jpg Residencies - Phoebe Bei - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/614cf511-9b41-4bd2-bea1-aac6efd4fa3e/Untitled_PhoebeBei_2+cropped.2++-+Phoebe+Bei.jpg Residencies - Phoebe Bei - Make it stand out This is Not a Romance, oil pastel and colour pencil on found postcard, 2020, Courtesy of Phoebe Bei. https://www.griffinartprojects.ca/residencies/natalie-purschwitz monthly 0.5 2023-03-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4e384f18-4ce9-4941-a31f-d9d1dd453b61/Natalie_new+pic.jpg Residencies - Natalie Purschwitz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5175d9de-4066-4dd7-8d2a-19048acff5bb/01_Weeds1_NPurschwitz+-+n+purschwitz+%281%29.jpg Residencies - Natalie Purschwitz - Make it stand out Unsupervised Learning (Weeds 1) based on GAN generated imagery stinging nettle, coffee, chlorophyll, hibiscus and aquarelle pencils on cotton paper 11” x 9” 2022 https://www.griffinartprojects.ca/residencies/rain-cabana-boucher monthly 0.5 2023-03-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1950f7bc-f09a-4903-a2a0-f3a252dcae13/FullSizeRender+-+Rain+Cabana-Boucher+%281%29.jpg Residencies - Rain Cabana-Boucher - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/141a19d9-0065-4f04-b16b-dc761106d0c5/LeadsBackDetail+-+Rain+Cabana-Boucher.png Residencies - Rain Cabana-Boucher - Make it stand out Leads Back (detail), Acrylic, charcoal, beads, 2021. https://www.griffinartprojects.ca/residencies/miriam-berndt monthly 0.5 2023-12-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3002de76-7255-448e-96aa-d42591f0acc3/MiriamBerndt_HeadShot_2022+-+Miriam+Berndt.jpg Residencies - Miriam Berndt - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c77360b5-c683-4b2b-9157-cdc1024fb097/MiriamBerndt_Girl+Hide_2022+-+Miriam+Berndt.JPG Residencies - Miriam Berndt - Make it stand out Girl Hide, 2022. https://www.griffinartprojects.ca/residencies/clelia-coussonnet monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/27494c49-2e36-416e-bae4-6cd306de21c9/CleliaCoussonnet.png Residencies - Clelia Coussonnet - Make it stand out Clelia Coussonnet. Photo by Emile Barret/Hors Pistes https://www.griffinartprojects.ca/residencies/lacey-jane-wilburn monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f906f4ac-55ea-470e-bbb3-c4ee2780e8cf/Lacey%2BJane%2Bheadshot%2B-%2BLacey%2BJane.jpeg Residencies - Lacey Jane Wilburn - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/392555f0-dea6-44e2-aded-458a1c31c291/Wilburn_Watchdogs%2B-%2BLacey%2BJane.jpeg Residencies - Lacey Jane Wilburn - Make it stand out Lacey Jane Wilburn, Watchdogs, 2022, oil on canvas. https://www.griffinartprojects.ca/residencies/gemma-crowe monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1660328980418-5LRQJ80SN87X0C1OT17N/_DSC0090+copy+-+Gemma+C.jpg Residencies - Gemma Crowe - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1660329518308-SWD6X15E3U5G2F1EA1KF/MRFR%2C+sound+installation%2C+2022%2C+Michael+Love+-+Gemma+C.jpg Residencies - Gemma Crowe - Make it stand out Gemma Crowe, Making Room for Resonance, 2022, sound installation. Photo by Michael Love https://www.griffinartprojects.ca/residencies/james-harry monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1656529389909-TGDNMHAYL5K044GHE5DR/James-Harry.png Residencies - James Harry - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1656529536546-QK3ENS9P8BYOXAT1DJJO/Xwemelch%27stn+%282019%29+James+Harry+%281%29+-+James+Harry.jpg Residencies - James Harry - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/kyla-gilbert monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1656528940659-HKD1Z0XPIRREQYHOVMB5/HEADSHOT-Kyla+Gilbert.jpg Residencies - Kyla Gilbert - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1656529089568-X3TA22S6ZAY462V4BEKY/1+-+Kyla+Gilbert.jpg Residencies - Kyla Gilbert - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/isaiah-somsen monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1655659724342-3LVF9N2VHGUCSC71KS2N/Isaiah+Somsen.jpg Residencies - Isaiah Somsen - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/karen-zalamea monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1655659544581-2VWZ3143WH3ASO6MZNKE/KarenZalamea_headshot+%281%29.jpg Residencies - Karen Zalamea - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/parvin-peivandi monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1655659375103-OG8AZIAOAN7SS7X87Z54/parvin+headshot+-+Parvin+Peivandi.jpg Residencies - Parvin Peivandi - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/adwait-singh monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1653848322725-05G404DQEN7T1XPWQBF2/Adwait+Singh+-+Adwait+Singh.jpg Residencies - Adwait Singh - Make it stand out Adwait Singh (b. 1992) is a New Delhi-based curator and theorist engaging affective historiography, queer epistemology, and ethno-cosmologies with the view to qualify predominant understandings and modes of relating to the world. Theirs is an integrative practice that seeks to promote collective care, commensality, and dialogue within the arts ecology. Parallel to the Mardin Biennial, they have been working on the 14th edition of the historical Queer Arts Festival in Vancouver (June 2022) that pitches a mutational politics as a counter to neo-colonial technics of exposure and their monitored replication of the status quo. Other significant projects include 'Mutarerium' which questioned the terminology of the Anthropocene by examining a trifecta of more-than-human evolutionary timelines at the Mumbai Art Room (Mumbai, 2019) and 'Caressing History' that explored the possibility of a para-textual, embodied historiography at Prameya Art Foundation (New Delhi, 2018). Their writings have appeared in various publications and periodicals. https://www.griffinartprojects.ca/residencies/dion-smith-dokkie monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1653848035646-O2OLB27S97HHB12WSDYG/HEADSHOT-+Dion+Smith-Dokkie.jpg Residencies - Dion Smith-Dokkie - Make it stand out My name is Dion Smith-Dokkie and I am a painter and visual artist currently residing on xʷməθkʷəy̓əm, Skwxwú7mesh, and səl̓ílwətaʔɬ homelands. I am a recent graduate of the UBC MFA in Visual Arts program and hold degrees from UVIC (BA) and Concordia (BFA). Mediation and translation are key operations in my practice. Through these, I undertake experiments with interface phenomena, mutation, envelopes, and media skins in the fields of painting, drawing, and video. I grew up in the Peace River region of British Columbia and Alberta. I am a gay/queer mixed-race European-Indigenous man and am a member of West Moberly First Nations, a Treaty 8 First Nation located in northeastern British Columbia. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1654289632352-365W0SA0F3FP1N6G5L3K/12Luscious+arc+installation+view+-+Dion+Smith-Dokkie.jpg Residencies - Dion Smith-Dokkie - Make it stand out Dion Smith-Dokkie, Luscious arc installation view, 2021, oil on canvas, Credit: Michael R. Barrick https://www.griffinartprojects.ca/residencies/natis monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1653605451528-1FE35DB7QQ1G3UJRL9RB/Headshot-+hasan+aksaygin.JPG Residencies - Natis Natis is a conceptual painter who lives and works in Berlin. His art materialises itself through multiple parallel and distinct research-based practices. He creates, embodies, and instrumentalizes different performative artist personae for each of these practices that challenge the social understanding and the role of the artist as a (post-)modern subject. These alter-egos deal with various fields like; personal or communal memory and forgetting, speculative storytelling (non-)linear temporality, gender, post-colonialism, and new materialism. Besides his art practice, he works towards completing his doctorate at the Hochschule für bildende Künste (HFBK) Hamburg on art-historical and contemporary use of visual artist alter egos, researching why these mental and physical alternations or mutations take place in artists’ lives. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1653605518875-43CMDDQZXXW370WAW889/promo+-+R4+-+hasan+aksaygin.jpeg Residencies - Natis - Make it stand out NATIS, Agassi(alter-ego), The Red Letholith (Berliner Triptych), acrylic on wood, 120x130cm (folded position), 2018 https://www.griffinartprojects.ca/residencies/shoora-majedian monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643933870061-ORLFQ2RSQX70NTJPRZPY/Shoora.jpeg Residencies - Shoora Majedian - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/osvaldo-ramirez-castillo monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1643933379263-ADWL34WDFTU5APME4EYX/Osvaldo.jpg Residencies - Osvaldo Ramirez Castillo - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/aileen-bahmanipour monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1641517327474-GM3DSBGMWV9R0DTR3U1B/Screen+Shot+2021-11-11+at+4.18.10+PM.jpg Residencies - Aileen Bahmanipour - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/bill-burns monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1632267908143-P42YFISL8TDNEB22FVU9/unnamed.jpg Residencies - Bill Burns: The Great Exchange Residency - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/tantan-hong monthly 0.5 2023-01-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1633740012055-HVDM884HCALLWC8O6JCU/TanTan_HONG_Artist_pic.jpg Residencies - TanTan Hong - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/mollie-burke monthly 0.5 2023-01-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1633739957306-7ORK7TGXFDYSB2Y1A1K1/Mollie+Burke_Bio+Shot_2021.jpg Residencies - Mollie Burke - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/esteban-perez monthly 0.5 2023-01-11 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1632514179345-ET749W2WJXH9UEKV09SP/Screen+Shot+2021-09-24+at+1.03.13+PM.png Residencies - Esteban Pérez - Make it stand out Esteban Pérez, Liquid Land, 2021, Video stills https://www.griffinartprojects.ca/residencies/worldings-virtual-residency-program monthly 0.5 2026-03-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626893225643-MX5FNS394AZTXQIG6Y7D/WorldingsVirtualResidency.jpg Residencies - Worldings Virtual Residency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626557929720-KIFQKRG14OP1JV6JGXQ2/image0.jpeg Residencies - Worldings Virtual Residency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626558239469-HLQLFYWTLI29CMEOUFH1/Pebofatso+Portrait.jpg Residencies - Worldings Virtual Residency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626558198237-J8C9MFTM85F0O80R2EXP/Lebogang+Mogul+Mabusela.jpg Residencies - Worldings Virtual Residency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626559311334-QTQZHRUNTJKRHOZ7T6O0/Wezile.jpeg Residencies - Worldings Virtual Residency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626883104683-1Z679VCIF7F2DMONDD4Z/Josephine+Lee+Courtesy+of+the+artist.jpg Residencies - Worldings Virtual Residency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627338823490-LWU2RH9Q6VAYC4O1OINQ/IMG_0499_2-480x639.jpg Residencies - Worldings Virtual Residency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/xwalacktun monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627338823490-LWU2RH9Q6VAYC4O1OINQ/IMG_0499_2-480x639.jpg Residencies - Xwalacktun - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/residencies/josephine-lee monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1626883104683-1Z679VCIF7F2DMONDD4Z/Josephine+Lee+Courtesy+of+the+artist.jpg Residencies - Josephine Lee - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066523672-H5AP1YY0T55XJENE05MZ/01.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066524660-YD71V5TT3I9Q2TLVOVIB/02.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066540171-4DU9UVHXOW880IH6K44M/03.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066526685-04GMZTKMJ7SIE34HZWBJ/04.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066532354-FPJ1DS5ES41LB75OHGGJ/05.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066545147-GHBZTE46GRY6P08YRJ7I/06.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066543114-IBM8D5F2F1ZLGM50C32N/07.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066549890-W2DYYJVE88PC7IOGWDDY/08.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066564882-OKLHZQ06RL7EXPDMGK8F/09.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066573085-CN5HREE0FBITUROEW816/10.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066577198-ABGC4G8BPENZO8ZP04BF/11.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066577198-FLIMY99N099MGJBBH2VK/12.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066582656-MDRL0WXZN0J935LN25OQ/13.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066581061-SKXU3TTT55JMFTGMGZPO/14.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066586607-ZVZ49R699U9PENXCWL4L/15.jpg Residencies - Josephine Lee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1627066583910-DLK8P5ARM8UK1PZ54AO0/16.jpg Residencies - Josephine Lee https://www.griffinartprojects.ca/residencies/allanah-clamp monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605144246383-T7SY32L4NEWFNZ4B5DVG/AllannahClamp.jpg Residencies - Allanah Clamp Allanah Clamp, New Ambassadors to Old Problems, 2017, Installation detail, Mixed media https://www.griffinartprojects.ca/residencies/chase-keetley monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604436503072-6YSWK2GQEMG1SDAIO9X6/chase-keetley.jpg Residencies - Chase Keetley Chase Keetley Portrait, 2020 https://www.griffinartprojects.ca/residencies/navarana-igloliorte monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1611262742680-YQ466HKCQVJTDHZF0Y95/IMG_8478.jpeg Residencies - Navarana Igloliorte Courtesy of the artist https://www.griffinartprojects.ca/residencies/jillian-ross monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1611882507896-6DBVIRELLXL4M4EP01Y4/IMG_9109.jpg Residencies - Jillian Ross DKW master printer Jillian Ross https://www.griffinartprojects.ca/residencies/babak-golkar monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1620928008392-0TZIAWBQO9S2LXSK8GHZ/Alibaba+Portrait+for+Profile+Picture.PNG Residencies - Ali Ahadi and Babak Golkar of the Alibaba Conundrum Babak Golkar, Rehearsal, 2019, Five channel video. 00:06:32, Courtesy of the artist and Sabrina Amrani https://www.griffinartprojects.ca/residencies/emily-neufeld monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605145138935-LPSZCF8LQU5RL14BIMVJ/NeufeldEmily05PrairieInvasionsALullaby.jpg Residencies - Emily Neufeld Prairie Invasions: A Lullaby, 2020, Exhibition at the Richmond Art Gallery, Richmond, BC https://www.griffinartprojects.ca/residencies/kelly-lycan monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1601598094622-YWVNB59WWAP6H7CXM2MI/kelly-lycan.jpg Residencies - Kelly Lycan Kelly Lycan Speak to Me, Curator and Artist Vignettes, In the Studio with Kelly Lycan, 2020 Video Still https://www.griffinartprojects.ca/residencies/lindsay-mcintyre monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1596757333745-9VXFAFZPU2A6EI2EC99E/a+northern+portrait+mono+no+aware+.png Residencies - Lindsay McIntyre Lindsay McIntyre A Northern Portrait Performance, performed from 2011-2017 28-40 min https://www.griffinartprojects.ca/residencies/taryn-sheppard monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597269127710-7FGZI67J73JUPVVWLCUO/06_Sheppard_Taryn.jpg Residencies - Taryn Sheppard https://www.griffinartprojects.ca/residencies/karen-tam monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868980654-8LDDN1XTSDO21EHM8A9B/KarenTam_OpenStudio.jpg Residencies - Karen Tam Photo credit: Art Toronto https://www.griffinartprojects.ca/residencies/emilie-crewe monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868881220-ZNA9BKE6AV0OIIRQW4R5/Emilie-Crew.jpg Residencies - Emilie Crewe Emily Crewe, 2019 https://www.griffinartprojects.ca/residencies/lorenzo-fusi monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605321629474-YY5RLUXJOCC5BPG6W13B/IMG_1882.jpg Residencies - Lorenzo Fusi Lorenzo Fusi giving a curatorial tour of The Sodomite Invasion, 2020 https://www.griffinartprojects.ca/residencies/sierra-tasi-baker monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868666252-KW3CN3EHTQSKPQFFC22B/sierra-tasi-baker.jpg Residencies - Sierra Tasi Baker Sierra Tasi Baker, 2019 https://www.griffinartprojects.ca/residencies/sara-jeanne-bourget monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868579586-344HI68JNAT3JBN80URV/Bourget_image2.jpg Residencies - Sara-Jeanne Bourget Sara-Jeanne Bourget Forecast, 2019, 2019 Charcoal Monotypes, 9 x 13" https://www.griffinartprojects.ca/residencies/emily-rosamund monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868490776-0G7DBY6Y8O4KZO9GE8YJ/EmilyRosamund.jpg Residencies - Emily Rosamund https://www.griffinartprojects.ca/residencies/lam-wong monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868383416-FDAXR1Z0I2G64YOP6ROL/LamWong.jpg Residencies - Lam Wong Lam Wong 間 / MA, 2019 Mixed Media https://www.griffinartprojects.ca/residencies/adrian-norvid monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868176014-NB2KTDM94J01XY0XO4MH/AdrianNorvid.JPG Residencies - Adrian Norvid Adrian Norvid https://www.griffinartprojects.ca/residencies/32o8omcz04fzr0rsvae96ilufl0ohe monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597868075694-BCBW43UPLD1KEBG1ALIO/JanetWerner_Doublelips20x242018l.jpg Residencies - Janet Werner Janet Werner Double Lips, 2018 20" x 24" https://www.griffinartprojects.ca/residencies/zoe-kreye monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867975967-II02CQ0AVBGWYX1IJYND/zoe_kreye.jpg Residencies - Zoe Kreye Zoe Kreye our hands have been working one after the other. Now they are to work together, Griffin Art Projects residency, 2019. -----gloves https://www.griffinartprojects.ca/residencies/mahdyar-jamshidi monthly 0.5 2022-11-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867842700-4Y5GQP67YPEIXD4BU1C5/MahdyarJamshidi.png Residencies - Mahdyar Jamshidi Mahdyar Jamshidi I AM HERE, 2015-2017 https://www.griffinartprojects.ca/residencies/xuuya-terrance-richard-baker monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867712545-LEAG2SZ30USM105EKUTS/xuuya.jpg Residencies - Xuuya' - Terrance Richard Baker https://www.griffinartprojects.ca/residencies/steven-cottingham monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867618818-YQEUD71HNXACWCB8X3JJ/steven_cottingham.jpg Residencies - Steven Cottingham Steven Cottingham https://www.griffinartprojects.ca/residencies/summer-curator-residencies monthly 0.5 2020-12-16 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597866728357-2X95113HCD9B29ARGGGG/Curatorial_Residency.jpg Residencies - Summer Curator Residencies https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867003245-OG9SW9Z0PYQCD047U20V/Logos.png Residencies - Summer Curator Residencies https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867110786-TJNZZ7SEK6TDBWF7WIVC/Catharina_Manchanda.jpg Residencies - Summer Curator Residencies - Catharina Manchanda is the Jon and Mary Shirley Curator of Contemporary Art at the Seattle Art Museum (SAM). Joining SAM in 2011, Manchanda formerly served as the Senior Curator of Exhibitions at the Wexner Center for the Arts in Columbus, Ohio, where she curated exhibitions such as Cyprien Gaillard: Disquieting Landscapes; Harry Shearer: The Silent Echo Chamber; and Catch Air: Robin Rhode. Prior to tenure at the Wexner, she worked in curatorial positions at the Mildred Lane Kemper Art Museum, St. Louis, The Museum of Modern Art, New York, the Solomon R. Guggenheim Museum, and the Philadelphia Museum of Art. Her publications include Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, “Probing History and Its Displays: A Conceptual Intervention,” “The Architecture of Images: Photographic Perspectives,” and “Object Lessons: Richter’s Nine Objects.” Originally from Stuttgart, Germany, Manchanda has a B.A. in Art History, English and German from the University of Stuttgart in Germany (1990), an M.A. in Art History from the University of Delaware (1993) and a Ph.D. in Art History from the City University of New York (2005), where she wrote her dissertation on photography in 1960’s and 70’s German art. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867136531-9GH7IEGKQPD0GWXDVUKT/Sara_Krajewski.jpg Residencies - Summer Curator Residencies - Sara Krajewski serves as the Robert and Mercedes Eichholz Curator of Modern and Contemporary Art at the Portland Art Museum, where she is responsible for the Museum’s growing contemporary art collection, exhibitions and programming. Previously, Krajewski was the director of the Institute of Visual Arts (INOVA) galleries at University of Wisconsin-Milwaukee, where she had served since 2012. During her tenure at INOVA, Krajewski expanded the gallery’s focus on interdisciplinary art forms, film and video installation, and performance, and organized group exhibitions exploring topical issues such as environmental change. She emphasized connecting the gallery to the University community, facilitating the creation of new works across disciplines and placing artistic research into broader dialogues of social and cultural importance. Before INOVA, Krajewski was curator at the University of Washington’s Henry Art Gallery in Seattle, and held curatorial positions at the Madison Museum of Contemporary Art and the Harvard University Art Museum. Over the course of eight years at the Henry Art Gallery, Krajewski organized nearly 40 exhibitions of contemporary art and photography that reflected her strong ties to the artistic community of the Pacific Northwest and Vancouver, B.C. She earned her undergraduate degree in Art History at University of Wisconsin-Madison, and her master’s degree in Art History at Williams College, with her writing appearing in Art on Paper, ArtUS, and other publications. Her research on transdisciplinary art and performance has been supported by an Andy Warhol Foundation for the Visual Arts Curatorial Fellowship. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867276307-PWNBIHCL42ZNTYSLJON5/Jenifer_Papararo.jpg Residencies - Summer Curator Residencies - Jenifer Papararo is the Executive Director of Plug Institute of Contemporary Art, Winnipeg, previously working as the Curator at the Contemporary Art Gallery (CAG), Vancouver, and the Program Director at Mercer Union, Toronto. Papararo has 15 years of experience within the field of contemporary art as a curator, writer, institutional director and member of a service-oriented curatorial and artist collective, Instant Coffee. She has curated numerous solo exhibitions, including Angie Keefer and Skeena Reece and and exhibiting the work of Fred Sandback. Her most recent curated groups exhibitions for Plug In ICA include: The State, examining the anxiety of nation-states; Entering the Landscape, featuring 21 artists who place the female or queer body in the landscape; Superimposition: Sculpture and Image, a collapsing of form and image; and Further Than I Can Throw A Stone, an exhibition of film and video work. At the CAG, she worked with artists including Mike Nelson, Frances Stark, Monika Sosnowska, Nairy Bagramian, Raymond Boisjoly, and Rodney Graham. As Director of Programming and Publishing at Mercer Union, Toronto, she curated Mark Leckey’s Soundsystem, credited as the British artist’s first solo exhibition in Canada. As a founding member of Instant Coffee, Papararo has exhibited at the Vancouver Art Gallery, the Toronto Sculpture Garden, the Yerba Buena Center for the Arts, San Francisco, and other national and international locales. Her writing has appeared in Canadian Art, Mix Magazine, C Magazine, and Lolaas well as numerous exhibition essays and catalogue contributions. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867287589-INV814WDTMFBRZAGECHO/Sophie_Hackett.jpg Residencies - Summer Curator Residencies - Sophie Hackett is the Curator, Photography, at the Art Gallery of Ontario (AGO), Toronto and adjunct faculty in Ryerson University’s master’s program in Film and Photography Preservation and Collections Management. Hackett joined the AGO in 2006 as Assistant Curator, Photography. Among many accomplishments, Hackett has played a key role in acquiring major bodies of work, including the Garry Winogrand, Malcolmson and Casa Susanna collections, and developed a powerful series of exhibitions that have increased the reach of the AGO’s photography program, including What It Means To Be Seen: Photography and Queer Visibility and Fan the Flames: Queer Positions in Photography in 2014; and Outsiders: American Photography and Film, 1950s-1980sin 2016. Hackett’s other curatorial projects during her tenure at the AGO include Barbara Kruger: Untitled (It) (2010); Songs of the Future: Canadian Industrial Photographs, 1858 to Today (2011); Max Dean: Album, A Public Project (2012); and Introducing Suzy Lake (2014). In 2017, Hackett was the lead juror for the Aimia | AGO Photography Prize, a role she also held in 2010, 2012 and 2014. She launched the AGO’s new galleries for the Photography Collection in April 2017. Hackett was a recent 2017 Fellow with the Center for Curatorial Leadership, completing a residency at the Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley. She continues to write for art magazines, international journals and artist monographs. Her recent publications include “Queer Looking: Joan E. Biren’s Slide Shows” in Aperture (Spring 2015) and “Encounters in the Museum: The Experience of Photographic Objects” in the edited volume The “Public” Life of Photographs (Ryerson Image Centre and MIT Press, 2016). Hackett is the co-curator of the exhibition Anthropocene, the latest project by collaborators Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, opening at the AGO and the National Gallery of Canada in September 2018. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867299392-GHUDMQXXNMGPFGX7U029/Manuela_Paz.jpg Residencies - Summer Curator Residencies - Manuela Paz is director of Development and Strategic Planning at Independent Curators International (ICI) in New York, an organization that produces exhibitions, events, publication, and research centering on the role of the curator as a contextualizing and infrastructural force for contemporary art. Prior to her role at ICI, Paz worked with the New Art Dealers Alliance (NADA) as the group’s membership and special program’s director, where she developed year-round programming, including collection tours, talks, dinners, studio visits, and gallery tours. Before NADA, Paz worked for The Armory Show in New York, beginning as an assistant and working her way up to Director of VIP Relations over the course of eight years. In 2015, Paz co-founded Embajada, a project space serving as a platform for international dialogue lo­cated in the Hato Rey neighborhood of San Juan, Puerto Rico with her partner, artist Christopher Rivera. Paz has a proven track record in shaping meaningful experiences for today’s leading arts patrons and collectors, while providing emerging and established galleries with a platform for exposure and growth. She holds a BFA in Photography from the School of Visual Arts in New York City (2003). https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867310970-HDRZ17OZ794CF60P23Q4/Amy_Adams.jpg Residencies - Summer Curator Residencies - Amy Adams owns and runs Adams and Ollman, an art gallery in downtown Portland specializing in work by 20th century self-taught American artists and contemporary artists whose practices reflect an intuitive influence. Adams began her career in Philadelphia as an artist, becoming involved with the local nonprofit Vox Populi, an artist-run collective and space that supports the work of under-represented artists with monthly exhibitions, gallery talks, performances and lectures. Adams eventually served as Director of Vox Populi and was involved in various programming, community outreach, and exhibition planning before moving to Portland to found her own gallery space. At Adams and Ollman, her exhibitions often juxtapose the work of contemporary artists with self-taught, anonymous, and folk artists, creating a dialogue between diverse artistic practices and leveling the distinction between contemporary and “outsider” art. Working with artists as diverse as Jonathan Berger, Ellen Lesperance, and Vaginal Davis, Adams focuses her curatorial efforts on investigating and developing radically alternative readings of art and art history. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867327026-C3AGVPS0RRQSZXB6T276/image-asset.jpeg Residencies - Summer Curator Residencies - Bridget Finn is Managing Director of Reyes Projects, a gallery in Birmingham, Michigan, which aims to engage with the local art’s community as well as artists from outside the area. Before joining the Reyes Projects team, Finn worked with the Mitchell-Innes & Nash gallery in Chelsea, NY as director of contemporary programming, where she was responsible for gallery programming, handling art sales, and liaising with artists. Finn served as Associate Director of Strategic Planning & ICI Projects at Independent Curators International (ICI), where she is now on the Board of Trustees. In 2008, alongside Bridget Donahue and Erin Somerville, Finn co-founded Cleopatra’s in 2008, a 10 year curatorial project and gallery project space residing in Greenpoint, Brooklyn. Previously, she worked at the Anton Kern Gallery, where she liaised with and supported gallery artists. Finn received her BFA from The College for Creative Studies in Detroit, Michigan. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597867337319-VGT66QSWE0M3XIBGCGS1/Kari_Cwynar.jpg Residencies - Summer Curator Residencies - Kari Cwynar is a curator, writer and editor living in Toronto, Canada. She is Curator at Evergreen Brick Works, where she is developing a program of temporary, site-specific public art projects in Toronto’s Don River Valley. The program launched in 2017 with new works by Duane Linklater, Maria Hassabi and Life of a Craphead. Cwynar is also currently Editorial Director of C Magazine, where she has been since 2015. In 2014, Cwynar and artist Kara Hamilton co-founded the occasional project space and publishing house Kunstverein Toronto, where they have organized and published projects with Carolee Schneemann, Raimundas Malašauskas, Marcos Lutyens, Tamara Henderson, Angie Keefer, Steve Kado, Rachelle Sawatsky and cheyanne turions, Jason Dodge and CAConrad, Glenn Lewis, Derya Akay, Maryse Larivière and Andrew Paterson, among others. Cwynar studied Art History at Queen’s University and Carleton University, earning her MA in 2010, and later participated in the de Appel Curatorial Programme in Amsterdam. She has held curatorial research positions at The Banff Centre, the National Gallery of Canada and the Art Gallery of Ontario, and has participated in curatorial and writing residencies at Fogo Island Arts, the Banff Centre and SOMA Mexico. Cwynar also writes on contemporary art for publications including Artforum, Frieze, C Magazineand Inuit Art Quarterly. https://www.griffinartprojects.ca/residencies/beate-terfloth monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597866590588-8I7YGKRITK0ZU7NMTHB6/BeateTerflothWallDrawingTorino.png Residencies - Beate Terfloth Beate Terfloth Wall Drawing Torino, 1991 Pencil on Wall, Galleria Giorgio Perssano, Torino https://www.griffinartprojects.ca/residencies/mario-asef monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597866223124-QCITOW25MOKVKTTQMAIS/mario-asef.jpg Residencies - Mario Asef Mario Asef Cenit, Mario Asef © 2016-17 video, 11min, color, stereo digital https://www.griffinartprojects.ca/residencies/hamidreza-jadid monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597864687141-4996LEWYGLB98WMX5X8V/cityofbirdslg.jpg Residencies - Hamidreza Jadid Hamidreza Jadid UNTITLED, CITY OF BIRDS, 2014 Acrylic and mixed media on canvas https://www.griffinartprojects.ca/residencies/rachelle-sawatsky monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597864571930-8J5KH5864L5COXZS5C1T/RachelleSawatsky.jpg Residencies - Rachelle Sawatsky Rachelle Sawatsky Romance, 2016 52 x 58", oil and flashe on canvas https://www.griffinartprojects.ca/residencies/kate-mosher-hall monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597864468765-JURXVPRI34LBHS1Z4AJ6/KateMosherHall.jpg Residencies - Kate Mosher Hall Kate Mosher Hall Untitled, 2017 Silkscreen ink, gouache, charcoal, gesso on felt https://www.griffinartprojects.ca/residencies/scott-treleaven monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597864007925-LG16CEWWOYVZB1XAC1V1/scott-treleaven.jpg Residencies - Scott Treleaven Scott Treleaven Not Palaces (Ressemblement), 2016 Gouache, acrylic and collage on paper, 16 panels, Courtesy of Invisible Exports, New York and Cooper Cole, Toronto https://www.griffinartprojects.ca/residencies/paul-p monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597863794384-67L3NFE7QGZMVINXVSV5/PaulP.jpg Residencies - Paul P. Paul P. Untitled, 2015 Oil on canvas, Courtesy of the artist and Maureen Pauley, London https://www.griffinartprojects.ca/residencies/michael-bauer monthly 0.5 2020-11-29 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597535979254-2Q9P8ZF5XH4RREXVZZ6C/MichaelBauer%21.jpg Residencies - Michael Bauer Michael Bauer Bearnaise Future, 2016 oil on canvas, 30 x 27 inches, Courtesy Mier Gallery, Los Angeles https://www.griffinartprojects.ca/residencies/caroline-mesquita monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597535734727-87DB73D9BMBW0J48X42L/Caroline-Mesquita.png Residencies - Caroline Mesquita Caroline Mesquita The Ballad, The Pyjama Man and The Peasant, 2017 Courtesy the artist, Fondation d’entreprise Ricard, Paris and carlier | gebauer, Berlin. Photo by Rebecca Fanuele https://www.griffinartprojects.ca/residencies/leigh-tennant-and-cease-wyss monthly 0.5 2025-01-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597535515199-X6AU43RW725ZCYVZS66L/GAP_Winter_Residence.jpg Residencies - Leigh Tennant and Cease Wyss https://www.griffinartprojects.ca/residencies/leigh-tennant-and-alison-yip monthly 0.5 2021-02-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597535384715-K1W7QBCY9MKZ961P51DH/LeighTennant_AlisonYip_cap.png Residencies - Leigh Tennant and Alison Yip https://www.griffinartprojects.ca/residencies/charlene-vickers monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597535133174-WIX5849DP3QDY8TONL0A/charlene-vickers.jpg Residencies - Charlene Vickers Charlene Vickers Vital Presence, 2014 mixed media https://www.griffinartprojects.ca/residencies/category/2019 monthly 0.5 https://www.griffinartprojects.ca/residencies/category/2018 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A Virtual Conference - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/digital-archive-pages/chinatown-speculative-futures-with-linda-zhang monthly 0.5 2021-07-09 https://www.griffinartprojects.ca/digital-archive-pages/mary-sui-yee-wongs-reading-listwhose-chinatown monthly 0.5 2021-07-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625349505238-1FIRLO14CN6TLJ1T9I6L/thousand-pieces-of-gold.jpg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out Thousand Pieces of Gold By Ruthanne Lum McCunn | Published by Beacon Press, 1981 Lalu Nathoy’s father calls his thirteen-year-old daughter his treasure, his “thousand pieces of gold,” yet when famine strikes northern China in 1871, he is forced to sell her. Polly, as Lalu is later called, is sold to a brothel, sold again to a slave merchant bound for America, auctioned to a saloon keeper, and offered as a prize in a poker game. Complete with photographs and documents, this biographical novel is the extraordinary story of a legendary pioneer’s fight for independence and dignity on the American frontier. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625349584323-R9WKCENPB9KJ165BPH54/disappearing%2Bmoon%2Bcafe.jpeg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out Disappearing Moon Café By Sky Lee | Published by Douglas & McIntyre, 1990 Disappearing Moon Café traces the lives and passions of women of the Wong family through four generations. Moving back and forth between past and present, between Canada and China, Sky Lee weaves fiction and historical fact into a memorable and moving picture of a people’s struggle in identity. https://vpl.bibliocommons.com/item/show/531170038 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625349711887-ZH20WTSQVF6V76EEBVXT/jadepeony.jpeg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out The Jade Peony By Wayson Choy | Published by Douglas & McIntyre, 1995 Set in Vancouver’s Chinatown in the late 1930s–40s, Wayson Choy’s first novel, The Jade Peony (1995), unfolds through the vivid reflections of the three youngest children in an immigrant family. Each of these characters has distinct childhood experiences, depending on their age and sex. Ghosts and family secrets are interwoven through the challenges of the interwar and World War II period, offering insight into the challenges of Chinese immigrant experiences during this time. The Jade Peony won both the 1995 Trillium Book Award and the 1996 City of Vancouver Book Award. https://vpl.bibliocommons.com/item/show/495099038 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625349773135-SB9O6AH55JAMP01FKPE7/saltfishgirl.jpg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out Salt Fish Girl By Larrisa Lai | Published by Dundurn Press, 2008 Salt Fish Girl is the mesmerizing tale of an ageless female character who shifts shape and form through time and place. Told in the beguiling voice of a narrator who is fish, snake, girl, and woman - all of whom must struggle against adversity for survival - the novel is set alternately in nineteenth-century China and in a futuristic Pacific Northwest. https://vpl.bibliocommons.com/item/show/950853038 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625350422183-3T1CFRHER3W6SE6DJEQT/chinatownpaulyeee.jpg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625350716662-03X9RIP7MYIJOU9SI4P2/saltwater%2Bcity.jpg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625350749829-CB0EVB9PAUMM8Q7JHF04/cantoneseopera.jpg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625351027768-14F8Y2XT8T17FLS1G6R9/WhosChinatown_33.jpg Digital Archive - Mary Sui Yee Wong’s Reading List:Whose Chinatown? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.griffinartprojects.ca/digital-archive-pages/identity-amp-cultures-of-resistance-in-printed-media-with-gord-hill-rachel-lau-jenny-lin-and-cole-pauls monthly 0.5 2021-07-10 https://www.griffinartprojects.ca/digital-archive-pages/reading-the-contemporary-art-and-culture-talks-chase-keetley monthly 0.5 2021-07-10 https://www.griffinartprojects.ca/digital-archive-pages/in-the-shadow-of-gold-mountain monthly 0.5 2021-07-09 https://www.griffinartprojects.ca/digital-archive-pages/live-from-the-studio-navarana-igloliorte monthly 0.5 2021-07-09 https://www.griffinartprojects.ca/digital-archive-pages/hot-pot-talks-ft-karen-tam monthly 0.5 2021-07-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1625348654352-L3RI2X7J8IJNVYI9NZTM/VALU-LogoBilingual.png Digital Archive - Hot Pot Talks! ft. 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Her work investigates social, political, and cultural issues by utilizing pattern-making as a form of poetic meditation. Faria’s dedication to her craft has led her to participate in numerous exhibitions both in Canada and internationally, where she has showcased her unique perspective on these themes. In recognition of her contributions to the arts and her commitment to social advocacy, Faria Firoz was awarded the prestigious Lieutenant Governor’s Medal in 2021. Faria holds a Bachelor of Fine Arts degree from the University of the Fraser Valley, where she was honored with the Outstanding Achievement Award. Currently, she is furthering her artistic journey by pursuing a Master of Fine Arts degree at Emily Carr University of Art & Design. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1cd1d32a-a766-4516-836c-8ab1d8765e69/MaruHeadshot135%2B-%2Bmaria%2Baponte.jpg YouthHUB - Maru Aponte Maru Aponte is an artist from the Caribbean Island of Puerto Rico. Her work investigates color and the unknown results of painting. Through her main medium of watercolour, Aponte explores the potential of watercolour in contemporary times. Watercolor is a mediator and channel that transports her home to the ocean, waterfall, pool, rain and humidity of Puerto Rico. Currently pursuing her MFA at Emily Carr in Vancouver, she studied at The School of the Art Institute of Chicago for two years and was the first Puerto Rican to graduate from the painting department of The Royal Academy of Fine Arts Antwerp. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1658700764094-1KPFANW08D10LUFRMYN9/Lacey+Jane+headshot+-+Lacey+Jane.jpg YouthHUB Lacey Jane Wilburn Lacey Jane Wilburn is a contemporary painter most notable for her cinematic renderings of domestic space that undulate between gesture and realism on canvas. 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Scott Treleaven Untitled Zine https://www.griffinartprojects.ca/exhibitions daily 0.75 2026-04-03 https://www.griffinartprojects.ca/exhibitions/christos-dikeakos-the-collectors monthly 0.5 2026-03-12 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b4f370d9-017d-49ea-ae5b-0b84561f6666/16Uno+Langman.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6c1d16e6-1656-42c2-9bfc-adbfe7b9122d/AceraInsurance_rgb.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/98b3850e-7657-442f-80f3-d98db722f544/BAShirtsLogo-01-01+%281%29.png https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f00adf70-cbc4-49e1-aeb8-a5174bf3e243/nvrc-horizontal-rgb.jpg https://www.griffinartprojects.ca/exhibitions/tenxten monthly 0.5 2025-08-08 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e4943961-5de8-4c8b-a2b7-7c0bd3684299/Cain_group_nineteen_%28CAIn213%29_2015.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/781c0f8a-b843-4b09-ab46-1927aec3ba7c/BOB+-+EAGLE+AND+BEAR+PEOPLE+MASK+%281%29.JPG https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e9a98e67-17a4-4085-8f1c-32360d30b67e/GG+Pano+3600pixelsW+%281%29.jpeg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6241b969-bd2e-4732-9a51-98815add63db/FERRON+-+ARBRE+DU+TENERE+-+1962+%28COWLEY+ABBOTT%29.jpg https://www.griffinartprojects.ca/exhibitions/intersecting-orbits monthly 0.5 2024-03-27 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e8734b68-328f-4291-b838-cf847d527779/17.ChristinaAlogoRGB.jpg https://www.griffinartprojects.ca/exhibitions/the-prop-house-a-collection-of-one-million-objects monthly 0.5 2024-05-24 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d6d9df70-5282-4156-bb21-e90a2313883c/cropped-cropped-On-Main-Logo-1x1-1.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b3c14a89-3006-4cc4-91d6-9b6fa3bcfdbf/grunt+logo.png https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e0a61d99-b9f9-44f5-b6b1-bc5a61909f6f/MPF-logo.jpg https://www.griffinartprojects.ca/exhibitions/future-worldings monthly 0.5 2024-05-25 https://www.griffinartprojects.ca/exhibitions/seriously-comedy-and-comics monthly 0.5 2025-01-23 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6080856f-53fa-4384-8358-580087284fed/1987_Terriers+%281%29.jpg Exhibitions - Seriously? Comedy and Satire in Canadian Art 1970s-Now - 2025 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c0a79099-fa7d-4ca0-ab1d-745e328cb1a2/mortsontogetherdreamsampler-min.jpg Exhibitions - Seriously? Comedy and Satire in Canadian Art 1970s-Now - 2025 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0cd898b3-c813-4e51-bf67-af89cabf76db/DSCF7417.jpg Exhibitions - Seriously? Comedy and Satire in Canadian Art 1970s-Now - 2025 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c0a79099-fa7d-4ca0-ab1d-745e328cb1a2/mortsontogetherdreamsampler-min.jpg https://www.griffinartprojects.ca/exhibitions/shift-ecologies-of-fashion-form-and-textile monthly 0.5 2023-07-15 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8d7138ad-33e7-4c86-b415-2dddb5b71b0d/DSCF9183.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Miriam Berndt, Just Kids, 2023, Digital Collage, Scanned Photographs, ProCreate. Courtesy of the artist, Audio Credit: Sound-design by divide the silence. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Miriam Berndt https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/da6d776d-bd2d-469c-bcd3-7cd87e689c0b/DSCF9186.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Miriam Berndt, Just Kids, 2023, Digital Collage, Scanned Photographs, ProCreate. Courtesy of the artist, Audio Credit: Sound-design by divide the silence. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Miriam Berndt https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/dc551a0c-59d1-4c11-9988-ccb491a5ba15/DSCF9187.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Criss Cross, 2015, Huile sur toile / Oil on canvas, 183 x 152.5 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6507a0f4-6c72-44f2-9316-738e0e7956ef/DSCF9188.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Miriam Berndt, Just Kids, 2023, Digital Collage, Scanned Photographs, ProCreate. Courtesy of the artist, Audio Credit: Sound-design by divide the silence. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Miriam Berndt https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f8153588-e73d-485b-9552-c9b5b5d32479/DSCF9190.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a5717982-0cce-4135-8bcf-b0c4a8e17e41/DSCF9191.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6ecd499d-bd3c-45f8-addf-7eac182fefeb/DSCF9192.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/56e7fd1f-4deb-4942-87c7-2a55f61a1267/DSCF9193.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Philipp Lachenmann, Christina/Betty #2, 2002, C-print, Hahnemulle Photo Rag, 170 x 130 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Philipp Lachenmann / Bild-Kunst Bonn / CARCC Ottawa 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4b79655f-ccb6-471b-892a-69182045149a/DSCF9198.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Robert Youds, Illusion’s Complicated Exchange, 2022, Aluminum, ball chain, plexiglas, cardboard, felt, paint/micro-glass, canvas, 190.5 x 91.4 x 30.48 cm. Courtesy of the artist. Annette Kelm, Caps, 2008, C-print, 49 x 60 cm each (20 total). Private collection. China Adams, Box # 9 ,The Official Stitch + Hide Procedure, 1995, Tarp, dental floss, glass, overall: 45.5 x 51 x 43 cm, Parts: dimensions variable. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Robert Youds © Annette Kelm © China Adams https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8722cb82-772f-4dd5-bde7-bc3c1401cbeb/DSCF9201.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Annette Kelm, Caps, 2008, C-print, 49 x 60 cm each (20 total). Private collection. China Adams, Box # 9 ,The Official Stitch + Hide Procedure, 1995, Tarp, dental floss, glass, overall: 45.5 x 51 x 43 cm, Parts: dimensions variable. Private collection. Annette Kelm, Red Stripes 1, 2018, archival pigment print, 100 x 75 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Annette Kelm © China Adams https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/113bb56e-b107-4dfc-a60c-067842b0f240/DSCF9202.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 China Adams, Box # 9 ,The Official Stitch + Hide Procedure, 1995, Tarp, dental floss, glass, overall: 45.5 x 51 x 43 cm, Parts: dimensions variable. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © China Adams https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3f711ae3-4395-4c3c-8230-b9aa67797d98/DSCF9203.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 China Adams, Box # 9 ,The Official Stitch + Hide Procedure, 1995, Tarp, dental floss, glass, overall: 45.5 x 51 x 43 cm, Parts: dimensions variable. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © China Adams https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/74b4c7c3-85d4-43cb-8e97-a48e7866b229/DSCF9204.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Criss Cross, 2015, Huile sur toile / Oil on canvas, 183 x 152.5 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. China Adams, Box # 9 ,The Official Stitch + Hide Procedure, 1995, Tarp, dental floss, glass, overall: 45.5 x 51 x 43 cm, Parts: dimensions variable. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © China Adams https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b7493281-8fd2-4b6a-b976-46c71a9416c1/DSCF9205.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Criss Cross, 2015, Huile sur toile / Oil on canvas, 183 x 152.5 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Philipp Lachenmann, Christina/Betty #2, 2002, C-print, Hahnemulle Photo Rag, 170 x 130 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © Philipp Lachenmann / Bild-Kunst Bonn / CARCC Ottawa 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f405771a-7766-4abb-9043-bbd6a5ece45f/DSCF9207.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm. Private collection. Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Robert Youds, Illusion’s Complicated Exchange, 2022, Aluminum, ball chain, plexiglas, cardboard, felt, paint/micro-glass, canvas, 190.5 x 91.4 x 30.48 cm. Courtesy of the artist. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Liz Magor © Brian Jungen © Robert Youds https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5f5dc31e-d4e0-4a71-b8ee-64bac2338366/DSCF9208.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Leg, 2021, Huile sur toile / Oil on canvas, 50.8 x 45.7 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © Jason Dodge © Medrie MacPhee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/891bfbaf-f005-4322-9fa7-fc92af3cecf9/DSCF9209.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Portrait (red curtain), 2018, Oil on canvas, 213.4 x 170.2 cm. Collection of the Caisse de depot et placement du Québec (CDPQ) Art Collection, Montreal. Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Leg, 2021, Huile sur toile / Oil on canvas, 50.8 x 45.7 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © Jason Dodge © Medrie MacPhee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/160cbf2c-9ce4-46b0-a4ac-a088a5f4cc92/DSCF9210.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Liz Magor, KD – The Original, 2000, Cast silicone rubber, Kraft Dinner, 186 x 36 x 20 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Medrie MacPhee © Jason Dodge © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/70454376-a1cb-4d4f-b2f4-acdfcb0b5f1f/DSCF9211.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Portrait (red curtain), 2018, Oil on canvas, 213.4 x 170.2 cm. Collection of the Caisse de depot et placement du Québec (CDPQ) Art Collection, Montreal. Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Leg, 2021, Huile sur toile / Oil on canvas, 50.8 x 45.7 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/bbd44502-d976-4815-a8c5-bc46d477c65d/DSCF9212.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Portrait (red curtain), 2018, Oil on canvas, 213.4 x 170.2 cm. Collection of the Caisse de depot et placement du Québec (CDPQ) Art Collection, Montreal. Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Leg, 2021, Huile sur toile / Oil on canvas, 50.8 x 45.7 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Liz Magor, KD – The Original, 2000, Cast silicone rubber, Kraft Dinner, 186 x 36 x 20 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © Jason Dodge © Medrie MacPhee © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/36696f6b-80d5-4872-96c6-17aac7399b96/DSCF9213.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Ulrich Horndash, L’Architecte du Roi (The King's Architect), 1988, silk, 60.96 x 139.7 cm. Private collection. Wolfgang Tillmans, Wet Room, Gloves, 2010, Inkjet print on paper, 40.6 x 30.5 cm. Private Collection. Robert Rauschenberg, Big Bud (Hoarfrost), 1975, Solvent transfer, cardboard, paper, and fabric on fabric, 243.8 x 304.8 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Ulrich Horndash © Wolfgang Tillmans. Courtesy the artist and David Zwirner © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS) New York / CARCC Ottawa 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/929942f4-345b-42d4-b0f5-8ede1fd124df/DSCF9214.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Wolfgang Tillmans, Wet Room, Gloves, 2010, Inkjet print on paper, 40.6 x 30.5 cm. Private Collection. Robert Rauschenberg, Big Bud (Hoarfrost), 1975, Solvent transfer, cardboard, paper, and fabric on fabric, 243.8 x 304.8 cm. Private collection. Manuel Mathieu, Storyboard , 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 cm (each). Collection of the artist. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Wolfgang Tillmans. Courtesy the artist and David Zwirner © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS) New York / CARCC Ottawa 2023 © Manuel Mathieu https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0c47056e-e50f-45b0-81f0-2f847e2bf3ca/DSCF9215.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Robert Rauschenberg, Big Bud (Hoarfrost), 1975, Solvent transfer, cardboard, paper, and fabric on fabric, 243.8 x 304.8 cm. Private collection. Manuel Mathieu, Storyboard , 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 cm (each). Collection of the artist. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS) New York / CARCC Ottawa 2023 © Manuel Mathieu https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ad263803-74a6-4d2f-bb38-c9e1c993b12a/DSCF9216.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Storyboard, 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 cm (each). Collection of the artist. Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0710b059-4aad-4266-9520-b7325e2d24b7/DSCF9217.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Storyboard, 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 cm (each). Collection of the artist. Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm. Private collection. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Brian Jungen © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a12652e9-8330-45f5-82cd-85c882058ebd/DSCF9218.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Storyboard, 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 cm (each). Collection of the artist. Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm. Private collection. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Robert Rauschenberg, Deed (Hoarfrost), 1975, Solvent transfer, paper, and fabric on fabric, 91.4 x 99.1 cm. Private collection. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Janet Werner, Portrait (red curtain), 2018, Oil on canvas, 213.4 x 170.2 cm. Collection of the Caisse de depot et placement du Québec (CDPQ) Art Collection, Montreal. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Brian Jungen © Liz Magor © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS) New York / CARCC Ottawa 2023 © Jason Dodge © Janet Werner https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ee35541a-a6b4-470c-9c87-d3f0af2f75f8/DSCF9219.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Study1, 2019, Acrylic, chalk, charcoal, fabric, and tape on canvas, 60 x 70 cm. Collection of the artist. Janet Werner, Strasse, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Portrait (red curtain), 2018, Oil on canvas, 213.4 x 170.2 cm. Collection of the Caisse de depot et placement du Québec (CDPQ) Art Collection, Montreal. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Leg, 2021, Huile sur toile / Oil on canvas, 50.8 x 45.7 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Liz Magor, KD – The Original, 2000, Cast silicone rubber, Kraft Dinner, 186 x 36 x 20 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Janet Werner © Brian Jungen © Medrie MacPhee © Jason Dodge © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4edab4a9-5d16-4119-91d6-4daff90c3d81/DSCF9220.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Ulrich Horndash, L’Architecte du Roi (The King's Architect), 1988, silk, 60.96 x 139.7 cm. Private collection. Wolfgang Tillmans, Wet Room, Gloves, 2010, Inkjet print on paper, 40.6 x 30.5 cm. Private Collection. Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Robert Rauschenberg, Big Bud (Hoarfrost), 1975, Solvent transfer, cardboard, paper, and fabric on fabric, 243.8 x 304.8 cm. Private collection. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Manuel Mathieu, Storyboard, 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 cm (each). Collection of the artist. Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Ulrich Horndash © Wolfgang Tillmans. Courtesy the artist and David Zwirner © Brian Jungen © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS) New York / CARCC Ottawa 2023 © Manuel Mathieu © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3ea27aa3-0d9b-4ed2-8be8-d4410fa7fa3c/DSCF9221.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Storyboard, 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 c m (each). Collection of the artist. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/ca7086a9-9a75-455f-b845-88ad6f872075/DSCF9222.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Brian Jungen https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f1db296f-00c8-4da1-85c3-92e427736941/DSCF9223.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Brian Jungen https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/adcc31b4-25a4-4ff3-b34a-6368a479a812/DSCF9224.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Portrait (red curtain), 2018, Oil on canvas, 213.4 x 170.2 cm. Collection of the Caisse de depot et placement du Québec (CDPQ) Art Collection, Montreal. Brian Jungen, This Nameless Fear, 2015-2016, Nike Air Jordans, painted fir plywood, stainless steel, 198 x 50 x 56 cm. Private collection. Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © Brian Jungen https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/299c3e77-37ff-457b-b0c4-40b9bcd33134/DSCF9225.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Storyboard, 2023, Acrylic, chalk, charcoal, fabric, and tape on canvas, triptych, 121.9 x 152.4 cm (each). Collection of the artist. Brian Jungen, Prototype for New Understanding #18, 2004, Nike Air Jordans, human hair, metal armature, 95 x 45 x 26 cm. Private collection. Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Brian Jungen © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8923bd14-e103-4091-8132-559a84c4bc33/DSCF9226.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Olaf Holzapfel, Lichtbild Atlas 4 (Photograph Atlas 4), 2013, Hay, wood, 210 x 135 cm. Private collection. Robert Rauschenberg, Deed (Hoarfrost), 1975, Solvent transfer, paper, and fabric on fabric, 91.4 x 99.1 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Olaf Holzapfel © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS) New York / CARCC Ottawa 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/23390271-2f54-4471-bab8-aaf7611516be/DSCF9227.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Meret Oppenheim, Ich bin ein Wickelkind, gewickelt mit eisernem Griff (I am a swaddled child, swaddled with an iron grip), 1985, Soft ground etching with drypoint on paper, 15.25 x 20.32 cm. Private collection. Olaf Holzapfel, Lichtbild Atlas 4 (Photograph Atlas 4), 2013, Hay, wood, 210 x 135 cm. Private collection .Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Meret Oppenheim / Pro Litteris, Zurich / CARCC Ottawa 2023 © Olaf Holzapfel https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8f304d1f-72ea-400d-b96a-297cc5763041/DSCF9228.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Christiane Löhr, Kleiner Samenbeutel (Little Seed Bag), 2014, Net, thistle, seeds, 15 x 10 x 8 cm. Private collection. Meret Oppenheim, Ich bin ein Wickelkind, gewickelt mit eisernem Griff (I am a swaddled child, swaddled with an iron grip), 1985, Soft ground etching with drypoint on paper, 15.25 x 20.32 cm. Private collection. Olaf Holzapfel, Lichtbild Atlas 4 (Photograph Atlas 4), 2013, Hay, wood, 210 x 135 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Christiane Löhr © Meret Oppenheim / Pro Litteris, Zurich / CARCC Ottawa 2023 © Olaf Holzapfel https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2a4a1b11-191e-4eec-8645-d811456dacb7/DSCF9229.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Medrie MacPhee, Second Thoughts, 2022, oil and mixed media on canvas, 142.24 x 218.44 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Duane Linklater, Ellipses, 2014, inkjet print on hand dyed linen, nails, 200 x 110 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Medrie MacPhee © Duane Linklater https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3392e0f3-173c-401a-b5fb-c34298e6beea/DSCF9230.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Study1, 2019, Acrylic, chalk, charcoal, fabric, and tape on canvas, 60 x 70 cm. Collection of the artist. Janet Werner, Strasse, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Medrie MacPhee, Second Thoughts, 2022, oil and mixed media on canvas, 142.24 x 218.44 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Janet Werner © Medrie MacPhee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a9991b93-f4c3-4142-b647-66cd00d3e04d/DSCF9231.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Jaewoo Kang, Masks (Joan of Arc, Jack Shepard, William Bigford, Beyonce), 2023, Oil paint, Paper Mache, 17.78 x 22.86 each. Courtesy of the artist. Jaewoo Kang, Men's Breacher, 2023, Brocade fabric. Courtesy of the artist. Jaewoo Kang, Crystalized Tricorn Hat, 2023, Construction paper, borax detergent. Courtesy of the artist. Jaewoo Kang, Concept Sketch, 2023, Digital Paint. Courtesy of the artist. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Jaewoo Kang https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b861a18f-716d-457a-adfd-9934c90685b7/DSCF9232.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Christiane Löhr, Kleiner Samenbeutel (Little Seed Bag), 2014, Net, thistle, seeds, 15 x 10 x 8 cm. Private collection. Meret Oppenheim, Ich bin ein Wickelkind, gewickelt mit eisernem Griff (I am a swaddled child, swaddled with an iron grip), 1985, Soft ground etching with drypoint on paper, 15.25 x 20.32 cm. Private collection. Olaf Holzapfel, Lichtbild Atlas 4 (Photograph Atlas 4), 2013, Hay, wood, 210 x 135 cm. Private collection. Robert Rauschenberg, Deed (Hoarfrost), 1975, Solvent transfer, paper, and fabric on fabric, 91.4 x 99.1 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Christiane Löhr © Meret Oppenheim / Pro Litteris, Zurich / CARCC Ottawa 2023 © Olaf Holzapfel © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS) New York / CARCC Ottawa 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f94fbdd2-bf54-4e5d-979e-6eb11681ac2c/DSCF9233.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Study1, 2019, Acrylic, chalk, charcoal, fabric, and tape on canvas, 60 x 70 cm. Collection of the artist. Janet Werner, Strasse, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Medrie MacPhee, Second Thoughts, 2022, oil and mixed media on canvas, 142.24 x 218.44 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Duane Linklater, Ellipses, 2014, inkjet print on hand dyed linen, nails, 200 x 110 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Janet Werner © Medrie MacPhee © Duane Linklater https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/07651821-e3b7-4686-9670-614b57af4fb9/DSCF9235.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Jaewoo Kang, Masks (Joan of Arc, Jack Shepard, William Bigford, Beyonce), 2023, Oil paint, Paper Mache, 17.78 x 22.86 each. Courtesy of the artist. Jaewoo Kang, Men's Breacher, 2023, Brocade fabric. Courtesy of the artist. Jaewoo Kang, Crystalized Tricorn Hat, 2023, Construction paper, borax detergent. Courtesy of the artist. Jaewoo Kang, Concept Sketch, 2023, Digital Paint. Courtesy of the artist. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Jaewoo Kang https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b62addee-103c-4028-a60e-54a614541825/DSCF9236.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Liz Magor, KD – The Original, 2000, Cast silicone rubber, Kraft Dinner, 186 x 36 x 20 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Medrie MacPhee © Jason Dodge © Liz Magor https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d8ffe83a-a91c-47f2-8a16-d5177defa04a/DSCF9237.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Leg, 2021, Huile sur toile / Oil on canvas, 50.8 x 45.7 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © Jason Dodge © Medrie MacPhee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0e133201-d0fd-4397-9665-3212a2586f9a/DSCF9238.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Janet Werner, Portrait (red curtain), 2018, Oil on canvas, 213.4 x 170.2 cm. Collection of the Caisse de depot et placement du Québec (CDPQ) Art Collection, Montreal. Janet Werner, Net, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Janet Werner, Leg, 2021, Huile sur toile / Oil on canvas, 50.8 x 45.7 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Medrie MacPhee, If You Get There, 2021, oil and mixed media on canvas, 162.56 x 213.36 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Janet Werner © Jason Dodge © Medrie MacPhee https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/9df925d1-6105-4fd2-a018-b6a2ca518942/DSCF9240.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Manuel Mathieu, Study1, 2019, Acrylic, chalk, charcoal, fabric, and tape on canvas, 60 x 70 cm. Collection of the artist. Janet Werner, Strasse, 2021, Huile sur toile / Oil on canvas, 61 x 50.8 cm. Courtesy of the artist and Bradley Ertaskiran, Montreal. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Manuel Mathieu © Janet Werner https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3492d452-3031-43a9-bd77-9af946f0f851/DSCF9241.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Medrie MacPhee, Second Thoughts, 2022, oil and mixed media on canvas, 142.24 x 218.44 cm. Courtesy of Medrie MacPhee and Nicholas Metivier Gallery. Duane Linklater, Ellipses, 2014, inkjet print on hand dyed linen, nails, 200 x 110 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Medrie MacPhee © Duane Linklater https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8e9f418e-d2c7-41ca-9729-d218fc6e1216/DSCF9242.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Christiane Löhr, Kleiner Samenbeutel (Little Seed Bag), 2014, Net, thistle, seeds, 15 x 10 x 8 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Christiane Löhr https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3d2d4d52-960f-48ef-b8ff-fc40364ee41d/DSCF9243.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Christiane Löhr, Kleiner Samenbeutel (Little Seed Bag), 2014, Net, thistle, seeds, 15 x 10 x 8 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Christiane Löhr https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/51770959-0d68-408d-8bcd-b5ea51ca872e/DSCF9244.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Duane Linklater, Ellipses, 2014, inkjet print on hand dyed linen, nails, 200 x 110 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Duane Linklater https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/87de3203-6c4a-4e3a-87e9-f3e9db39a6f1/DSCF9245.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Duane Linklater, Ellipses, 2014, inkjet print on hand dyed linen, nails, 200 x 110 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Duane Linklater https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/64cc1769-ddc0-42b8-a086-854ef6336cd2/DSCF9246.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Jason Dodge, Above the weather. In Yerevan Tumanyan, Armenia, Anjick Voskanyan wore woolen yarn the colour of night time sky and the length from the earth to above the weather, 2014. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Jason Dodge https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/49d9c93e-2112-4533-b5c2-3d5ddc3a9783/DSCF9248.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/eb3e227b-575d-417c-80a3-4100684f59e5/DSCF9247.jpg Exhibitions - SHIFT: Ecologies of Fashion, Form + Textile - 2023 Christiane Löhr, Kleiner Samenbeutel (Little Seed Bag), 2014, Net, thistle, seeds, 15 x 10 x 8 cm. Private collection. Installation view of the exhibition "SHIFT: Ecologies of Fashion, Form + Textile", Griffin Art Projects, North Vancouver, 2023. Photo by Byron Dauncey. © Christiane Löhr https://www.griffinartprojects.ca/exhibitions/per-diem-part-ii-the-gerd-metzdorff-collection monthly 0.5 2025-08-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d8114ced-c7a3-4d3f-9c6f-b336be7efe4c/Griffin_Per_Diem_2023_01.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Marcel Dzama, Untitled, Edward Henderson, Untitled (7067), 1984, Untitled (7068), 1984, Untitled (7069), 1985, Raymond Pettibon, No title (Poetracery. The difference...), 1996, Tony Tasset, Domestic Abstraction, 1987, Tim Gardner, Crown Royal, 2015, Delia Brown, Guerilla Lounging no.5, 2001, After Party, 2001, Holger Kalberg, Untitled, 2003, Maxwell Bates, Three People at a Table, 1974, Carroll Dunham, Untitled, 1982, Untitled, 1982. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c201e6d7-3680-488a-a0d6-a49c37ac003b/Griffin_Per_Diem_2023_02.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Lynda Benglis, Lagniappe I, 1978, Pani Rang (Untitled), 1981, Pani Rang (Untitled), 1981, Liz Magor, Sleeper #2, Charles Clough, Untitled, 1983 Tod Wizon, Curves, 1980, Mesa, 1980, Jack Shadbolt, Dark Abstraction, 1961, Etienne Zack, Daytime Motion Picture, 2014. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/17368bb9-6225-447e-8e4c-6cf7ef6d83be/Griffin_Per_Diem_2023_03.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Jack Shadbolt, Dark Abstraction, 1961, Etienne Zack, Daytime Motion Picture, 2014, Gordon Smith, Coastal Town, 1960, Jack Weldon Humphrey, The Stone Gulley, 1966, Grant Mann, Forest Floor, 2019. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e2ef2361-8a9f-43dc-b1e3-5bf20bc8734e/Griffin_Per_Diem_2023_04.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Lynda Benglis, Lagniappe I, 1978, Pani Rang (Untitled), 1981, Pani Rang (Untitled), 1981, Ken Lum, Untitled, 1987, Gathie Falk, Saddle with Lilies, 1975. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d5c77bc5-e3ea-4b82-838f-eaf392c7de72/Griffin_Per_Diem_2023_05.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Donald Judd, Untitled, 1977–78 (Set of sixteen etchings in black), 1977–78, Meuser, Zola, 1987, Robert Mangold, Red / Grey Zone, 1997. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f327da05-fbec-4344-bada-30139da4745c/Griffin_Per_Diem_2023_06.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Andreas Weishaupt, Ohne Titel, 1982, Donald Baechler, Rickey’s Rice Queen, 1990, Graham Gilmore, Conception & The Vatican, 1986. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a580bf80-490a-4b62-9e3e-0d694e9e00ec/Griffin_Per_Diem_2023_07.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Pia Fries, Luxen—PF3554, 2001, Sambin, 2003, Liz Magor, Sleeper #2, 1999, Etienne Zack, Timing 16131, 2006. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fc72be5e-42f6-4288-8287-a57c4edd2002/Griffin_Per_Diem_2023_08.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Charles Clough, Untitled, 1983 Tod Wizon, Curves, 1980, Mesa, 1980, Jack Shadbolt, Dark Abstraction, 1961. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/af24e5e1-5f1e-4469-a1c3-6737e2d3dbea/Griffin_Per_Diem_2023_09.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Andrew Dadson, Terra Firma, 2013, William Wood, Untitled, 1997, Lynda Benglis, Royal Lancer, 1990, Damian Moppett, Untitled, 2015, Gathie Falk, Picnic with Long Watermelon, 1977, Andy Warhol, Miriam Davidson, 1965, Sonny Assu, Chief’s Drum, 2006, Steven Shearer, Love Me for a Reason, 1994, Meuser, Drawing on Paper—Graphite and Collage, 1982, Untitled, 1975–1990, 1984, LAH C287, 1983, Untitled, 1982, Porfirio DiDonna, Untitled, 1975. Photo by Rachel Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6c726cc3-61e0-4e6b-a734-0f44a924ca11/Griffin_Per_Diem_2023_10.jpg Exhibitions - Per Diem Part II: The Gerd Metzdorff Collection - 2023 Sonny Assu, Chief’s Drum, 2006, Steven Shearer, Love Me for a Reason, 1994, Meuser, Drawing on Paper—Graphite and Collage, 1982, Untitled, 1975–1990, 1984, LAH C287, 1983, Untitled, 1982, Porfirio DiDonna, Untitled, 1975. Photo by Rachel Topham Photography. https://www.griffinartprojects.ca/exhibitions/stan-douglas-allegories-of-the-present monthly 0.5 2025-08-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/020676e4-2d9e-40b9-bde8-3143e7cdb9b2/Griffin_Douglas_Allegories_01.jpg Exhibitions - Stan Douglas: Allegories of the Present - 2022 Stan Douglas, Guilty, 1950, 2010, digital fibre print mounted on dibond aluminum, 28 x 34.5”, Courtesy of the Artist. / Stan Douglas, Subject to a Film: Marnie, 1988-1996, silver gelatin print, 21.7” x 25.2” x 1.2”, Collection of the Vancouver Art Gallery. Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fbfb70f9-c0ee-4795-8cc4-7aedc68eac56/Griffin_Douglas_Allegories_05.jpg Exhibitions - Stan Douglas: Allegories of the Present - 2022 Stan Douglas, Guilty, 1950, 2010, digital fibre print mounted on dibond aluminum, 28 x 34.5”, Courtesy of the Artist. / Stan Douglas, Subject to a Film: Marnie, 1988-1996, silver gelatin print, 21.7” x 25.2” x 1.2”, Collection of the Vancouver Art Gallery. / Stan Douglas, Maritime Worker's Hall, Vancouver, 2006, chromogenic print, 70.1” x 120.3” x 2.4”, Collection of the Vancouver Art Gallery. / Stan Douglas, Set for Win, Place or Show: Eastview, 1998, azo dye print, 40.9” x 51” x 1.2” each, Collection of the Vancouver Art Gallery. Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/403fc529-91f8-4915-a8d1-3e41efec9807/Griffin_Douglas_Allegories_09.jpg Exhibitions - Stan Douglas: Allegories of the Present - 2022 Stan Douglas, Tong Building, Quesnel Forks, 2006, chromogenic print, 31.5” x 35” x 2.4”, Collection of the Vancouver Art Gallery. / Stan Douglas, Klatsassin Portraits, 2006, black and white laserlight jet print, 33 x 27” each, Courtesy of the Artist. / Stan Douglas, Stanley Cemetery, 2006, chromogenic print, 70.1” x 120.3” x 2.4”, Collection of the Vancouver Art Gallery. Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a7ac4e09-3ff3-4360-aef7-52af2fd1eaaa/Griffin_Douglas_Allegories_12.jpg Exhibitions - Stan Douglas: Allegories of the Present - 2022 Stan Douglas, Interior of the Church at Yuquot, 1996, materials dye coupler print, 18.2” x 22.2”, Courtesy of the Artist. Photo by Rachael Topham Photography. Stan Douglas, Walhachin, 2006, chromogenic print, 72.8” x 84.7” x 2.4”, Collection of the Vancouver Art Gallery. / Stan Douglas, Accompaniment to a Cinematographic Scene: Ruskin, B.C., 1992, chromogenic print, 14 x 10.9”, Courtesy of the Artist. / Stan Douglas, Building 10, Las Terrazas, 2004, c-print mounted on Honeycomb aluminum, 48” x 54.8”, Collection of Mina Totino. / Stan Douglas, Artist’s Cabin, 2009, Digital C-print mounted on Dibond aluminum, 60” x 89.5”, Private Collection (West Vancouver). Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4c1529b3-c533-4a55-a5d9-38b471f7f347/Griffin_Douglas_Allegories_16.jpg Exhibitions - Stan Douglas: Allegories of the Present - 2022 Stan Douglas, Ballantyne Pier, 18 June 1935, 2008, digital C-print mounted on Dibond, 45 × 116 × 2”, Private Collection (West Vancouver). Photo by Rachael Topham Photography. Stan Douglas, Building 10, Las Terrazas, 2004, c-print mounted on Honeycomb aluminum, 48” x 54.8”, Collection of Mina Totino. / Stan Douglas, Artist’s Cabin, 2009, Digital C-print mounted on Dibond aluminum, 60” x 89.5”, Private Collection (West Vancouver). / Stan Douglas, Circa 1948, 2014, Digital App, Courtesy of the National Film Board of Canada. Photo by Rachael Topham Photography. https://www.griffinartprojects.ca/exhibitions/per-diem-the-gerd-metzdorff-collection monthly 0.5 2025-08-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/cedf8c9d-f9f4-4a09-a8cf-6018eb21c70c/Griffin_Per_Diem_02.jpg Exhibitions - Per Diem: The Gerd Metzdorff Collection - 2022 Robert Rasuchenberg, Untitled, 1977, Handmade paper, 18” x 17¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jason McLean, Pennies in a Stream, 2001, Mixed media on paper, 73” x 47”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Dan Graham, Parking Lot-Messe Hannover, 2003, Photography on paper, 23⅝“ x 18”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Ian Wallance, At Works (of Gallery), 1983, Photography print on paper, 25⅛“ x 16¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Tim Barber, Dumpster, 2003, Photograph print trans-mounted on aluminum, 60” x 40”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. George Stoll, Ivory Soap, 1997, Yumei Juan silk wrapped over painted pine with wall shelf, 5½“ x 8⅝“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Alan Saret, Untitled, from 7 Objects, 1969, Processed nylon net, multiple colour with original black box, 12⅜ “ x 23”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Robert Rasuchenberg, Untitled, 1977, Handmade paper, 18” x 17¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jeff Koons, Red Dog on a Plate. Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0f4dc4ca-1b85-48af-ad64-09c9bf0fd997/Griffin_Per_Diem_10.jpg Exhibitions - Per Diem: The Gerd Metzdorff Collection - 2022 Roy Lichtenstein, That My Ship was Below Them, 1992, 21½“ x 26½“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Andy Warhol, Self Portrait, Invitation print on paper, 32” x 32”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Judy Pfaff, 57” x 17” 27”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Andy Warhol, Mao Tse Tung, 1972, Silkscreen print on paper, 36” x 36”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lynda Benglis, Fanfarinade, 1979, Brass wire mesh, plaster, gesso, oil based size, gold leaf, 36” x 21” 3¼“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/810e199f-6493-43bc-a8ea-f2e9d17bc9e4/Griffin_Per_Diem_13.jpg Exhibitions - Per Diem: The Gerd Metzdorff Collection - 2022 Robert Rauschenberg, LA Sprawl, 1972, Graphite on paper, 24½“ x 29”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Ken Lum, Untitled, 1987, Pencil drawing on paper, 29” x 24¼“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lee Bontecou, Tenth Stone, Lithography, 27” x 47”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lee Ufan, Untitled, 1972, Lithography, 28¾“ x 21¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lee Ufan, Untitled, 1972, Lithography, 28¾“ x 21¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lynda Benglis, Alpha, 1984, Sand cast glass, wire mesh, 8” x 8” x 8”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jeff Koons, Hair, 2000, High gloss Fujiflex print, 24.02” x 33.86”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jeff Koons, Cutout, 2000, High gloss Fujiflex print, 24.02” x 33.86”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jeff Koons, Loopy, 2000, High gloss Fujiflex print, 24.02” x 33.86”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lynda Benglis, Pani Rang, 1981, Watercolor and woodblock stamping on handmade Gandhi Ashram paper, 25” x 35½“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Louise Bourgeois, Couples, 2001, Print on paper lithography, 26” x 44½“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/dfa7daa1-b00c-4b98-a295-f2edd6186638/Griffin_Per_Diem_16.jpg Exhibitions - Per Diem: The Gerd Metzdorff Collection - 2022 Grant Mann, Water Rendered Art Piece, 2003, Utilizing PC hardware and software, modeled from a math equation using 3DSMax, 39¾“ x 21¾“, Courtesy of the artist. Photo by Rachael Topham Photography. Ed Ruscha, Open - From Tropical Fish Series, 1974, Print on paper, 32¾“ x 25¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Andreas Gursky, Giordiano Bruno, 1989, Photograph on photo paper, 23⅝“ x 18”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Richard Artschwager, DW-12, 1995, wood and metal and screws, 49” x 15” x 15”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Ian Wallace, In the Street, Cologne Series III, 1989 (reprinted 2005), Photolaminate, acrylic, and monoprint on canvas, 2 panels each 60” x 80”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Tony Tasset, Bench Progression, 1987, Medite, leather, paint, 18” x 20” x 108”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Ben Reeves, Tower of Babel (Study), 2010, Drawing on canvas, 46½“ x 58”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Robert Rauschenberg, Scow (Fuses), 1973, Screenprint on tissue paper on handmade color paper with plexiglass stand, 20” x 25”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Judith Shea, Very Far East - 1, 1980, 15½“ x 46”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0d8264a0-21ce-400d-89d6-0ff2ee142e3b/Griffin_Per_Diem_18.jpg Exhibitions - Per Diem: The Gerd Metzdorff Collection - 2022 Russell Crotty, M37 Galactic Cluster in Aurigo, 2000, Graphite on paper laid on lucite, 24” diameter with 4’ drop extension, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Robert Rauschenberg, LA Sprawl, 1972, Graphite on paper, 24½“ x 29”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Ken Lum, Untitled, 1987, Pencil drawing on paper, 29” x 24¼“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lee Bontecou, Tenth Stone, Lithography, 27” x 47”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lee Ufan, Untitled, 1972, Lithography, 28¾“ x 21¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lee Ufan, Untitled, 1972, Lithography, 28¾“ x 21¾“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jeff Koons, Hair, 2000, High gloss Fujiflex print, 24.02” x 33.86”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jeff Koons, Cutout, 2000, High gloss Fujiflex print, 24.02” x 33.86”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Jeff Koons, Loopy, 2000, High gloss Fujiflex print, 24.02” x 33.86”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Roy Lichtenstein, Study for Red Lamp, 1992, Print on paper, edition 29/250, 33¼“ x 31¼“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Andy Warhol, Ticket-Film Festival-Lincoln Centre, 1967, Color screenprint on paper, 24¼“ x 45½“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Andy Warhol, Cow, 1966, Screenprint on wallpaper, 46” x 30”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lynda Benglis, Pani Rang, 1981, Watercolor and woodblock stamping on handmade Gandhi Ashram paper, 25” x 35½“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Louise Bourgeois, Couples, 2001, Print on paper lithography, 26” x 44½“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Lynda Benglis, Alpha, 1984, Sand cast glass, wire mesh, 8” x 8” x 8”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Christopher Wool, Untitled, 1988, Alkyd on paper, 26” x 40”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Christopher Wool, Untitled, 1991, Lithography on paper, 31½“ x 47”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Andy Warhol, Electric Chair, 1974, Silkscreen on paper, 51¼“ x 39”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography Roy Lichtenstein, That My Ship was Below Them, 1992, 21½“ x 26½“, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Andy Warhol, Self Portrait, Invitation print on paper, 32” x 32”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. Judy Pfaff, 57” x 17” 27”, Collection of Grant Mann and David Birdsall. Photo by Rachael Topham Photography. https://www.griffinartprojects.ca/exhibitions/william-kentridge-the-colander monthly 0.5 2025-08-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/838c8530-4377-430d-b42b-7080ed658c7b/Griffin_Kentridge_Colander_08.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Studio Life film series, The Long Minute, 2020-2021, HD Video, 1 minute each, Courtesy of the Artist; William Kentridge, Studio Life Series, 2020-2021, Third Angle Projection, Exercise 2, Exercise 1, and Blackboard, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Editions of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0e6f0c92-c135-4a19-a0e8-b8dcd1ca85c0/Griffin_Kentridge_Colander_01.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Studio Life film series, The Long Minute, 2020-2021, HD Video, 1 minute each, Courtesy of the Artist; William Kentridge, Studio Life Series, 2020-2021, Third Angle Projection, Exercise 2, Exercise 1, and Blackboard, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Editions of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b719f1c7-c890-45c1-91c5-b2e266ef4e3c/Griffin_Kentridge_Colander_09.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Studio Life Series, 2020-2021, Third Angle Projection, Exercise 2, Exercise 1, and Blackboard, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Editions of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a044ec07-a3cc-41b2-ae43-3b7d2e990a95/Griffin_Kentridge_Colander_11.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), 2018-19. Relief, printed from 26 woodblocks on Somerset Velvet, Soft White, 300 gsm, Final work comprised of 77 individual sheets adhered by 136 aluminum pins, Wood used. Panga Panga, Ash, Poplar, Maple, Saligna, African Walnut, Kiaat, Beech, Mahogany and White Oak, 178 x 254 cm/ 178 x 114cm, Edition of 12, Printed by Jillian Ross, Sbongiseni Khulu, Chad Cordeiro and Sarah Hunkin, Assisted by Pebofatso Mokoena, Diego Silands and Lisa Cloete (carving); Alan Epstein (carpentry), Printed David Krut Workshop, Johannesburg, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a1f360ac-37fb-4326-8d99-4cda5472123c/Griffin_Kentridge_Colander_02.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments Woodcuts: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), 2018-2019, Relief, printed from 26 woodblocks on Somerset Velvet, Soft White, 300 gsm, Final work comprised of 77 individual sheets adhered by 136 aluminum pins, Wood used. Panga Panga, Ash, Poplar, Maple, Saligna, African Walnut, Kiaat, Beech, Mahogany and White Oak, 178 x 254 cm/ 178 x 114cm, Edition of 12; Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; William Kentridge, Universal Archive: Nine Trees, 2012, Linocut printed on 9 non-archival pages from Britannica World Language edition of the Oxford Dictionary; each page mounted by a single tab attaching pages to backing sheet of Velin Arches, Cover White, 400gsm, 108 × 84 cm, Edition of 30, Printed by Jillian Ross, Mlungisi Kongisa and Talya, Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e78f501d-e144-406c-b4b0-495af29b0d7e/Griffin_Kentridge_Colander_12.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), 2018-19. Relief, printed from 26 woodblocks on Somerset Velvet, Soft White, 300 gsm, Final work comprised of 77 individual sheets adhered by 136 aluminum pins, Wood used. Panga Panga, Ash, Poplar, Maple, Saligna, African Walnut, Kiaat, Beech, Mahogany and White Oak, 178 x 254 cm/ 178 x 114cm, Edition of 12, Printed by Jillian Ross, Sbongiseni Khulu, Chad Cordeiro and Sarah Hunkin, Assisted by Pebofatso Mokoena, Diego Silands and Lisa Cloete (carving); Alan Epstein (carpentry), Printed David Krut Workshop, Johannesburg, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4dfa00fd-7b89-4697-aa3b-c5a5b6a7d8b6/Griffin_Kentridge_Colander_13.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge with Jane Taylor, That Which We Do Not Remember, 2018-2019, Sydney and Adelaide, Australia; William Kentridge, Skeletal She-wolf II, 2018-2019, Laser Cut on dictionary page, 35x 40 cm, Collection of Jillian Ross, William Kentridge Triumphs and Laments Woodcuts: Refugees 1 God’s Opinion is Unknown, 2 Leaning on Air diptych, 2019, David Krut Workshop (DKW); Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5c9c852c-cec1-49cc-b9dc-d325963f25de/Griffin_Kentridge_Colander_03.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; William Kentridge, Universal Archive: Nine Trees, 2012, Linocut printed on 9 non-archival pages from Britannica World Language edition of the Oxford Dictionary; each page mounted by a single tab attaching pages to backing sheet of Velin Arches, Cover White, 400gsm, 108 × 84 cm, Edition of 30, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver; William Kentridge, Felicia Ida Felica, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 54 x 44 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, The Philips Room, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, Eight Vessels, 2021, 4-Plate Photogravure with hand-painting by the artist. Sheets overlap. Assembly includes 11 black gloss map pins. Plates made at The University of Alberta by Steven Dixon, 73 x 100 cm, Courtesy Jillian Ross Print; William Kentridge, Universal Archive: Ref 54, 2012, Series. The Universal Archive (suite of 48 linocuts), Linocut printed on non-archival page from Shorter Oxford English Dictionary mounted by a single tab attaching page to backing sheet of Velin Arches Cover White, 400gsm, Size. Paper: 35 x 27 cm / 13.8 x 10.6”, Image. 27 x 19.2 cm / 10.6 x 7.55", Edition. 20, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/3b3166a7-df50-423c-bcb6-b6cc667e7c71/Griffin_Kentridge_Colander_14.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; William Kentridge, Universal Archive: Nine Trees, 2012, Linocut printed on 9 non-archival pages from Britannica World Language edition of the Oxford Dictionary; each page mounted by a single tab attaching pages to backing sheet of Velin Arches, Cover White, 400gsm, 108 × 84 cm, Edition of 30, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c82f9bb1-810c-4127-af43-58a92792f787/Griffin_Kentridge_Colander_15.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; William Kentridge, Universal Archive: Nine Trees, 2012, Linocut printed on 9 non-archival pages from Britannica World Language edition of the Oxford Dictionary; each page mounted by a single tab attaching pages to backing sheet of Velin Arches, Cover White, 400gsm, 108 × 84 cm, Edition of 30, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver; William Kentridge, Felicia Ida Felica, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 54 x 44 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, The Philips Room, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, Eight Vessels, 2021, 4-Plate Photogravure with hand-painting by the artist. Sheets overlap. Assembly includes 11 black gloss map pins. Plates made at The University of Alberta by Steven Dixon, 73 x 100 cm, Courtesy Jillian Ross Print; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8d6b8f1d-ce0b-46b8-9086-c833c3c56090/Griffin_Kentridge_Colander_16.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; William Kentridge, Universal Archive: Nine Trees, 2012, Linocut printed on 9 non-archival pages from Britannica World Language edition of the Oxford Dictionary; each page mounted by a single tab attaching pages to backing sheet of Velin Arches, Cover White, 400gsm, 108 × 84 cm, Edition of 30, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/93b58381-7d0e-4f09-9a9d-679b60166c83/Griffin_Kentridge_Colander_17.jpg Exhibitions - William Kentridge: The Colander – 2021 Griffin_Kentridge_Colander_17.jpg William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; William Kentridge, Traité D’Arithmétique, 2007, Multiple run lithograph with collage and watercolour elements. Collage, pieces were: 90 gsm Munken, 105 gsm Crane’s Crest and 250 gsm, Arches Black glued onto a supporting sheet of Vélin Arches White, 400 gsm. Unframed: 160 x 122 cm, Framed: 180 x 142 cm, Edition of 35, Printed by Mark Attwood, Leshoka Legate, Jacky Tsila, Ulrich Kuehle, Sarah Dudley, Thulasizwe Nyandeni, Tamar Mason and Joyce Mndawe, Printed at The Artists’ Press, White River, Collection of Liz Ingram and Bernd Hildebrandt, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b737de7d-71a4-45f7-b714-7b8b5b81e0c4/Griffin_Kentridge_Colander_07.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Detail shot of Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/cdb34b97-2004-4d13-be5e-26624ce4c829/Griffin_Kentridge_Colander_18.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), 2018-19. Relief, printed from 26 woodblocks on Somerset Velvet, Soft White, 300 gsm, Final work comprised of 77 individual sheets adhered by 136 aluminum pins, Wood used. Panga Panga, Ash, Poplar, Maple, Saligna, African Walnut, Kiaat, Beech, Mahogany and White Oak, 178 x 254 cm/ 178 x 114cm, Edition of 12, Printed by Jillian Ross, Sbongiseni Khulu, Chad Cordeiro and Sarah Hunkin, Assisted by Pebofatso Mokoena, Diego Silands and Lisa Cloete (carving); Alan Epstein (carpentry), Printed David Krut Workshop, Johannesburg, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/09cc695c-d4e4-47b0-90cd-ae1596f059c0/Griffin_Kentridge_Colander_19.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), 2018-19. Relief, printed from 26 woodblocks on Somerset Velvet, Soft White, 300 gsm, Final work comprised of 77 individual sheets adhered by 136 aluminum pins, Wood used. Panga Panga, Ash, Poplar, Maple, Saligna, African Walnut, Kiaat, Beech, Mahogany and White Oak, 178 x 254 cm/ 178 x 114cm, Edition of 12, Printed by Jillian Ross, Sbongiseni Khulu, Chad Cordeiro and Sarah Hunkin, Assisted by Pebofatso Mokoena, Diego Silands and Lisa Cloete (carving); Alan Epstein (carpentry), Printed David Krut Workshop, Johannesburg, William Kentridge, Triumphs and Laments: Refugees (1 God’s Opinion is Unknown; 2 Leaning on Air), Study area: working materials for print assembly, 2021. Courtesy of Jillian Ross Print; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4efe6680-74f5-4659-af68-97b508cd1b10/Griffin_Kentridge_Colander_20.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Felicia Ida Felica, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 54 x 44 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, The Philips Room, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, Eight Vessels, 2021, 4-Plate Photogravure with hand-painting by the artist. Sheets overlap. Assembly includes 11 black gloss map pins. Plates made at The University of Alberta by Steven Dixon, 73 x 100 cm, Courtesy Jillian Ross Print; William Kentridge, Universal Archive: Ref 54, 2012, Series. The Universal Archive (suite of 48 linocuts), Linocut printed on non-archival page from Shorter Oxford English Dictionary mounted by a single tab attaching page to backing sheet of Velin Arches Cover White, 400gsm, Size. Paper: 35 x 27 cm / 13.8 x 10.6”, Image. 27 x 19.2 cm / 10.6 x 7.55", Edition. 20, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/571e7773-c564-423d-9355-4eef0a93c471/Griffin_Kentridge_Colander_21.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Nose 3, 2006-2010, Sugarlift aqua-tint, drypoint and engraving. Paper: Somerset Velvet, Soft White, 300gsm, 40 x 35 cm, Edition of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross; William Kentridge, Universal Archive: Ref. 53, 2012, Linocut printed on non-archival page from Shorter Oxford English Dictionary mounted by a single tab attaching page to backing sheet of Velin Arches Cover White, 400gsm, 26.9 × 35.1 cm, Edition of 20, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver; William Kentridge Receiver, 2006, Poems by Wislawa Szymborska, Dieu Donné Press, Edition of 50; William Kentridge, Universal Archive: Ref. 34, 2012, Linocut printed on non-archival page from Shorter Oxford English Dictionary mounted by a single tab attaching page to backing sheet of Velin Arches Cover White, 400gsm, 35.1 x 26.9 cm, Edition of 20, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/786b8947-1f32-4c65-8b30-2eb2bc3982c5/Griffin_Kentridge_Colander_22.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, still from Sybil, 2020, single-channel HD film, Edition of 9, 9 minutes 59 seconds, courtesy of the artist; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c313352e-ac41-4dba-aa20-b56a221ffc80/Griffin_Kentridge_Colander_27.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, still from Sybil, 2020, single-channel HD film, Edition of 9, 9 minutes 59 seconds, courtesy of the artist; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a95287b7-9db9-4cc7-97f1-07d689e3fbba/Griffin_Kentridge_Colander_28.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Felicia Ida Felica, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 54 x 44 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, The Philips Room, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, Eight Vessels, 2021, 4-Plate Photogravure with hand-painting by the artist. Sheets overlap. Assembly includes 11 black gloss map pins. Plates made at The University of Alberta by Steven Dixon, 73 x 100 cm, Courtesy Jillian Ross Print; William Kentridge, Reeds, 1996, Sugarlift, spitbite aquatint and drypoint on hand-painted paper, red pastel, Paper: Velin d’Arches, Blanc, 300gsm, 120 x 160 cm, Edition of 40, Printed by Jack Shireff and Andrew Smith, Printed at 107 Workshop, Published by David Krut Fine Art, Collection of Private Collection, Vancouver; William Kentridge, Untitlted, 2009, India ink on found dictionary page. 23 x 29 cm, Collection of Jillian Ross Print; William Kentridge, Performing Rhino, 2004, Drypoint, 14.5 x 19.5 cm, Collection of David and Jane Arthur; William Kentridge, Untitled [i], 1990s, Drypoint, 60 x 35.5 cm, Collection of David and Jane Arthur, Printer Unknown; William Kentridge, West Coast Landscapes: Black Chair, 2010, Sugarlift aquatint, spitbite aquatint and drypoint, 2 plates, Paper: Hahnemühle, Natural White, 300gsm, 51 x 52 cm, Edition of 30, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Collection of David and Jane Arthur; William Kentridge, Pocket Drawing, 2014, India ink on found dictionary page. 21.5 x 23 cm, Collection of Jillian Ross Print; William Kentridge, Untitled [ii], 2012-2013, Printed text, Charcoal and Pastel on dictionary pages. , 25.5 x 35.5 cm, Collection of Jillian Ross Print, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/a5ac8a2e-9e55-43e3-9a84-54b451a314e3/Griffin_Kentridge_Colander_29.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Felicia Ida Felica, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 54 x 44 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, The Philips Room, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, Eight Vessels, 2021, 4-Plate Photogravure with hand-painting by the artist. Sheets overlap. Assembly includes 11 black gloss map pins. Plates made at The University of Alberta by Steven Dixon, 73 x 100 cm, Courtesy Jillian Ross Print; William Kentridge, Reeds, 1996, Sugarlift, spitbite aquatint and drypoint on hand-painted paper, red pastel, Paper: Velin d’Arches, Blanc, 300gsm, 120 x 160 cm, Edition of 40, Printed by Jack Shireff and Andrew Smith, Printed at 107 Workshop, Published by David Krut Fine Art, Collection of Private Collection, Vancouver; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/9a381617-f92b-432f-9d45-5da50591e706/Griffin_Kentridge_Colander_30.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Untitlted, 2009, India ink on found dictionary page. 23 x 29 cm, Collection of Jillian Ross Print; William Kentridge, Performing Rhino, 2004, Drypoint, 14.5 x 19.5 cm, Collection of David and Jane Arthur; William Kentridge, Untitled [i], 1990s, Drypoint, 60 x 35.5 cm, Collection of David and Jane Arthur, Printer Unknown; William Kentridge, West Coast Landscapes: Black Chair, 2010, Sugarlift aquatint, spitbite aquatint and drypoint, 2 plates, Paper: Hahnemühle, Natural White, 300gsm, 51 x 52 cm, Edition of 30, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Collection of David and Jane Arthur; William Kentridge, Pocket Drawing, 2014, India ink on found dictionary page. 21.5 x 23 cm, Collection of Jillian Ross Print; William Kentridge, Untitled [ii], 2012-2013, Printed text, Charcoal and Pastel on dictionary pages. , 25.5 x 35.5 cm, Collection of Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: The World, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Newspaper Unread, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm Size, 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; WIlliam Kentridge, L'Inesorabile Avanzata: Massacre of the Innocents, 2007, Sugarlift aquatint, drypoint and engraving, Size, 40 x 35 cm Paper, Somerset Velvet, Soft White, 300gsm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4420f81e-7eda-477a-9f7f-4f65fbf4721f/Griffin_Kentridge_Colander_31.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Traité D’Arithmétique, 2007, Multiple run lithograph with collage and watercolour elements. Collage, pieces were: 90 gsm Munken, 105 gsm Crane’s Crest and 250 gsm, Arches Black glued onto a supporting sheet of Vélin Arches White, 400 gsm. Unframed: 160 x 122 cm, Framed: 180 x 142 cm, Edition of 35, Printed by Mark Attwood, Leshoka Legate, Jacky Tsila, Ulrich Kuehle, Sarah Dudley, Thulasizwe Nyandeni, Tamar Mason and Joyce Mndawe, Printed at The Artists’ Press, White River, Collection of Liz Ingram and Bernd Hildebrandt, William Kentridge, L'Inesorabile Avanzata: The World, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Newspaper Unread, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm Size, 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/48835194-4db1-4413-bafa-70e5237f7b51/Griffin_Kentridge_Colander_32.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Traité D’Arithmétique, 2007, Multiple run lithograph with collage and watercolour elements. Collage, pieces were: 90 gsm Munken, 105 gsm Crane’s Crest and 250 gsm, Arches Black glued onto a supporting sheet of Vélin Arches White, 400 gsm. Unframed: 160 x 122 cm, Framed: 180 x 142 cm, Edition of 35, Printed by Mark Attwood, Leshoka Legate, Jacky Tsila, Ulrich Kuehle, Sarah Dudley, Thulasizwe Nyandeni, Tamar Mason and Joyce Mndawe, Printed at The Artists’ Press, White River, Collection of Liz Ingram and Bernd Hildebrandt, William Kentridge, L'Inesorabile Avanzata: The World, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Newspaper Unread, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm Size, 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; WIlliam Kentridge, L'Inesorabile Avanzata: Massacre of the Innocents, 2007, Sugarlift aquatint, drypoint and engraving, Size, 40 x 35 cm Paper, Somerset Velvet, Soft White, 300gsm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Newspaper Read, 2007, Sugarlift aquatint, drypoint and engraving, Size, 40 x 35 cm, Paper. Somerset Velvet, Soft White, 300gsm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Mal d'Afrika, 2007, Sugarlift aquatint, drypoint and engraving, Size, 40 x 35 cm, Paper, Somerset Velvet, Soft White, 300gsm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/593c75d4-06a3-4ee5-8349-3c505f8e168c/Griffin_Kentridge_Colander_33.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Universal Archive: Ref 54, 2012, Series. The Universal Archive (suite of 48 linocuts), Linocut printed on non-archival page from Shorter Oxford English Dictionary mounted by a single tab attaching page to backing sheet of Velin Arches Cover White, 400gsm, Size. Paper: 35 x 27 cm / 13.8 x 10.6”, Image. 27 x 19.2 cm / 10.6 x 7.55", Edition. 20, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection; William Kentridge, Traité D’Arithmétique, 2007, Multiple run lithograph with collage and watercolour elements. Collage, pieces were: 90 gsm Munken, 105 gsm Crane’s Crest and 250 gsm, Arches Black glued onto a supporting sheet of Vélin Arches White, 400 gsm. Unframed: 160 x 122 cm, Framed: 180 x 142 cm, Edition of 35, Printed by Mark Attwood, Leshoka Legate, Jacky Tsila, Ulrich Kuehle, Sarah Dudley, Thulasizwe Nyandeni, Tamar Mason and Joyce Mndawe, Printed at The Artists’ Press, White River, Collection of Liz Ingram and Bernd Hildebrandt; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0ab91b6e-c9a1-4c71-a4d3-1a7d3b7cd400/Griffin_Kentridge_Colander_34.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, His Majesty, Comrade Nose, 2006-2010, Sugarlift aquatint, drypoint and engraving, Paper: Somerset Velvet, Soft White, 300gsm, 35 x 40 cm / 40 x 35 cm,Editions of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross; William Kentridge, Bad Disguises II, 2006-2010, Sugarlift aquatint, drypoint and engraving, Paper: Somerset Velvet, Soft White, 300gsm, 35 x 40 cm / 40 x 35 cm,Editions of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross; William Kentridge, Where is the Red Wedge? 2006-2010, Sugarlift aquatint, drypoint and engraving, Paper: Somerset Velvet, Soft White, 300gsm, 35 x 40 cm / 40 x 35 cm,Editions of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/05616044-eb46-4a12-bdb8-26a806125aa6/Griffin_Kentridge_Colander_35.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, In Search of Civic Glory, 2006-2010, Sugarlift aquatint, drypoint and engraving, Paper: Somerset Velvet, Soft White, 300gsm, 35 x 40 cm / 40 x 35 cm,Editions of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross; William Kentridge, Putting the S into Laughter, 2006-2010, Sugarlift aquatint, drypoint and engraving, Paper: Somerset Velvet, Soft White, 300gsm, 35 x 40 cm / 40 x 35 cm,Editions of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross; William Kentridge, Bad Disguises I, 2006-2010, Sugarlift aquatint, drypoint and engraving, Paper: Somerset Velvet, Soft White, 300gsm, 35 x 40 cm / 40 x 35 cm,Editions of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/94514c29-e8f8-4cf3-b181-0d5d84cb6291/Griffin_Kentridge_Colander_36.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, L'Inesorabile Avanzata: The World, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Newspaper Unread, 2007, Sugarlift aquatint, drypoint and engraving, Paper, Somerset Velvet, Soft White, 300gsm Size, 40 x 35 cm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; WIlliam Kentridge, L'Inesorabile Avanzata: Massacre of the Innocents, 2007, Sugarlift aquatint, drypoint and engraving, Size, 40 x 35 cm Paper, Somerset Velvet, Soft White, 300gsm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Newspaper Read, 2007, Sugarlift aquatint, drypoint and engraving, Size, 40 x 35 cm, Paper. Somerset Velvet, Soft White, 300gsm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg, Courtesy Jillian Ross Print; William Kentridge, L'Inesorabile Avanzata: Mal d'Afrika, 2007, Sugarlift aquatint, drypoint and engraving, Size, 40 x 35 cm, Paper, Somerset Velvet, Soft White, 300gsm, Edition of 50, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Johannesburg; William Kentridge, Wadeville, 1990, Charcoal with pastel, 140 x 114 cm, Collection of Julian Litnaitsky, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/9103dea2-46b8-4fd4-8f6a-6f0c1c81bc93/Griffin_Kentridge_Colander_04.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Felicia Ida Felica, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 54 x 44 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, The Philips Room, 2020, Photogravure, Paper: Hanemühle, Natural White, 300gsm, 44 x 54 cm, Edition of 18, Collaborating Printer Jillian Ross, Canada, Plates created by Zhané Warren, Cape Town, Printed by Kim-Lee Loggenberg, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, Eight Vessels, 2021, 4-Plate Photogravure with hand-painting by the artist. Sheets overlap. Assembly includes 11 black gloss map pins. Plates made at The University of Alberta by Steven Dixon, 73 x 100 cm, Courtesy Jillian Ross Print; William Kentridge, Reeds, 1996, Sugarlift, spitbite aquatint and drypoint on hand-painted paper, red pastel, Paper: Velin d’Arches, Blanc, 300gsm, 120 x 160 cm, Edition of 40, Printed by Jack Shireff and Andrew Smith, Printed at 107 Workshop, Published by David Krut Fine Art, Collection of Private Collection, Vancouver; William Kentridge, Universal Archive: Ref 54, 2012, Series. The Universal Archive (suite of 48 linocuts), Linocut printed on non-archival page from Shorter Oxford English Dictionary mounted by a single tab attaching page to backing sheet of Velin Arches Cover White, 400gsm, Size. Paper: 35 x 27 cm / 13.8 x 10.6”, Image. 27 x 19.2 cm / 10.6 x 7.55", Edition. 20, Printed by Jillian Ross, Mlungisi Kongisa and Talya Lubinsky, Printed at David Krut Workshop, Johannesburg, Private Collection, Vancouver, Photo by Rachel Topham Photography; William Kentridge, Selections from The Nose Series (30 Etchings), Individual titles Nose 1-Nose 30, 2006-2010, Sugarlift aquatint, drypoint and engraving, Paper: Somerset Velvet, Soft White, 300gsm, 35 x 40 cm / 40 x 35 cm, Editions of 50, Printed by Jillian Ross, Mlungisi Kongisa and Niall Bingham, Printed at David Krut Workshop, Johannesburg, Collection of Jillian Ross Print; William Kentridge, Traité D’Arithmétique, 2007, Multiple run lithograph with collage and watercolour elements. Collage, pieces were: 90 gsm Munken, 105 gsm Crane’s Crest and 250 gsm, Arches Black glued onto a supporting sheet of Vélin Arches White, 400 gsm. Unframed: 160 x 122 cm, Framed: 180 x 142 cm, Edition of 35, Printed by Mark Attwood, Leshoka Legate, Jacky Tsila, Ulrich Kuehle, Sarah Dudley, Thulasizwe Nyandeni, Tamar Mason and Joyce Mndawe, Printed at The Artists’ Press, White River, Collection of Liz Ingram and Bernd Hildebrandt, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0febff42-afe8-4739-af4c-26f64d729ba6/Griffin_Kentridge_Colander_05.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, Reeds, 1996, Sugarlift, spitbite aquatint and drypoint on hand-painted paper, red pastel, Paper: Velin d’Arches, Blanc, 300gsm, 120 x 160 cm, Edition of 40, Printed by Jack Shireff and Andrew Smith, Printed at 107 Workshop, Published by David Krut Fine Art, Collection of Private Collection, Vancouver; William Kentridge, Untitlted, 2009, India ink on found dictionary page. 23 x 29 cm, Collection of Jillian Ross Print; William Kentridge, Performing Rhino, 2004, Drypoint, 14.5 x 19.5 cm, Collection of David and Jane Arthur; William Kentridge, Untitled [i], 1990s, Drypoint, 60 x 35.5 cm, Collection of David and Jane Arthur, Printer Unknown; William Kentridge, West Coast Landscapes: Black Chair, 2010, Sugarlift aquatint, spitbite aquatint and drypoint, 2 plates, Paper: Hahnemühle, Natural White, 300gsm, 51 x 52 cm, Edition of 30, Printed by Jillian Ross and Mlungisi Kongisa, Printed at David Krut Workshop, Collection of David and Jane Arthur; William Kentridge, Pocket Drawing, 2014, India ink on found dictionary page. 21.5 x 23 cm, Collection of Jillian Ross Print; William Kentridge, Untitled [ii], 2012-2013, Printed text, Charcoal and Pastel on dictionary pages. , 25.5 x 35.5 cm, Collection of Jillian Ross Print, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/67f7b2b6-c5b0-42fe-9c3b-14b499b2fc59/Griffin_Kentridge_Colander_06+%281%29.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, What Will Come (Has Already Come), 2007, 35 mm film transferred to DVD, anamorphic projection onto tabletop, Edition of 14, 8 minutes, 40 seconds, Courtesy of the Artist, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/aa3fa720-ba82-4de2-8e49-9b476611ee8b/Griffin_Kentridge_Colander_37.jpg Exhibitions - William Kentridge: The Colander – 2021 William Kentridge, What Will Come (Has Already Come), 2007, 35 mm film transferred to DVD, anamorphic projection onto tabletop, Edition of 14, 8 minutes, 40 seconds, Courtesy of the Artist, Photo by Rachel Topham Photography https://www.griffinartprojects.ca/exhibitions/whose-chinatown monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/670345ed-39c6-4ce3-a04a-5211908b4d8a/WhosChinatown_01.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from top left to bottom right: Beatrice Lew at age 12 in Vancouver, 1940, Campbell Studio, Reproduction, Courtesy: Julie Jai / The Beatrice Jai and Raymond Jai Cantonese Opera Collection, University of Toronto; Documentation of Parody Development Sign, 2019, Friends of Chinatown Toronto, Photo credit: Morris Lum; Press archives and outreach materials, 2019-present, Friends of Chinatown Toronto; FOCT Postcard, 2020, Christie Carriere for Friends of Chinatown Toronto; Leather case with seal chop, Collection of Nathan To; Three wood seal chops, Collection of Nathan To; Wood and mother-of-pearl box, Collection of Nathan; Two Chinese weighing scales, Collection of Nathan To; Bundle of 5 wood and bamboo rulers, Collection of Nathan To; Ho Sun Hing Printers, 2020. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7ee893f1-e05d-4766-abbf-f76ae984bfdd/WhosChinatown_02.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Leather case with seal chop, Collection of Nathan To; Ox-horn case with seal chop, Collection of Nathan To; Three wood seal chops, Collection of Nathan To; Wood and mother-of-pearl box, Collection of Nathan; Card case, Collection of Nathan To; Round metal container with engraving, Collection of Nathan To; Ho Sun Hing Printers, 2020, Marlene Yuen, Letterpress and risograph printed book; wo Chinese weighing scales, Collection of Nathan To; Bundle of 5 wood and bamboo rulers, Collection of Nathan To; FOCT Postcard, 2020, Christie Carriere for Friends of Chinatown Toronto. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2bf92bac-916b-4767-86c5-e36ad13a5de6/WhosChinatown_10.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; 限华 Chinese Only, 2018, Paul Wong, Neon sculpture: glass, plexiglass, electronics, metal; Two Women in Coats, 1968, Fred Herzog, Archival pigment print, Herzog Estate; Black Man Pender, 1958, Fred Herzog, Archival pigment print, Private collection; Chinatown Backyards, 1957, Fred Herzog, Archival pigment print, Herzog Estate; Man with Cane, 1961, Fred Herzog, Archival pigment print Herzog Estate; Photograph of the first graduating class from the Vancouver School of Decorative and Applied Arts, 1929, Unidentified photographer, Emily Carr University of Art + Design, Library and Archives; Portrait of group of women, 1930, Yucho Chow Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Chinese festival scene, Vancouver, B.C., Between 1900 and 1909, Unknown photographer, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Shanghai Alley After Chinatown Riots, 1907, Philip T. Timms, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Chinese Barbershop on East Pender After the Oriental Riots of 1907, 1907, Philip T. Timms, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Vancouver Jubilee Night View of Chinese Village, 1936, C.B. Wand, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, UBC; Front cover of the New Vancouver Chinese Telephone Directory, Between 1937 and 1938, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Club chinois, rue Clark, à Montréal, Between 1919-1922, Herbert Raine, Conté on paper, Musée national des beaux-arts du Québec. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f6af6e35-7591-4edf-bbe2-40d4764470e6/WhosChinatown_06.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: La Gauchetière Street, Montreal (recto), Sketches of Three Children (verso), About 1920, Paul Caron, Sheet detached from a sketchbook. Graphite, coloured pencil highlights (recto), Graphite (verso), The Montreal Museum of Fine Arts, gift of Jean-Marie Saint-Georges; Chinese Quarter (recto), Sketches of Horses’ Heads (verso), 1921, Paul Caron, Sheet detached from a sketchbook. Graphite gouache and crayon on watercolour wash (recto). Graphite, Conté crayon or crayon (verso), The Montreal Museum of Fine Arts, gift of Jean-Marie Saint-Georges; Doors of Chinese Masonic Temple, Lagauchetière Street (recto), Sketches of Tree Trunks (verso), 1921, Paul Caron, Sheet detached from a sketchbook Graphite, gouache and crayon on watercolour wash (recto) Graphite (verso), The Montreal Museum of Fine Arts, gift of Jean-Marie Saint-Georges; Chinatown, Montreal, 1915-1920, John Y. Johnstone, Oil on canvas, The Montreal Museum of Fine Arts; Chinese Boy, 1908, Emily Carr, Watercolour on paper, Royal BC Museum; In Chinatown (Episode 1: Fook – Luck, Health & Happiness), 2018, Stephanie Chong & Bryce Quan, Video with sound, 12 min. 58 sec.; The Little Daughter of the Chinese Consul, 1942, Unity Bainbridge, Charcoal and pastel, Collection of Deborah and Richard Ryan; The Chinese Girl, 1967, Unity Bainbridge, Charcoal, ink, with pastel and watercolour on paper, Collection of Deborah and Richard Ryan; Eugene Bond, 1936, Unity Bainbridge, Pencil on manilla, Collection of Deborah and Richard Ryan; Study for Drapery, 1936, Unity Bainbridge, Watercolour on manilla Collection of Deborah and Richard Ryan; Chinese Market Gardener, 1937, Unity Bainbridge, Pencil on manilla Collection of Deborah and Richard Ryan; Portrait of Wing Wong, Jim Wong-Chu, After 1977, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f4da1469-19e0-4ed6-932b-55eaf5dd10dc/WhosChinatown_12.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, form left to right: Photograph of the first graduating class from the Vancouver School of Decorative and Applied Arts, 1929, Unidentified photographer, Emily Carr University of Art + Design, Library and Archives; The Paint Box (Vol. 5), 1930, Vancouver School of Art Emily Carr University of Art + Design, Library and Archives; VSDAA Prospectus, 1932-33, Emily Carr University of Art + Design, Library and Archives; VSDAA Prospectus, 1930-31, Emily Carr University of Art + Design, Library and Archives; Behind the Palette (March), 1935, Vancouver School of Art, Emily Carr University of Art + Design, Library and Archives; Portrait of group of women, 1930, Yucho Chow Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Chinese festival scene, Vancouver, B.C., Between 1900 and 1909, Unknown photographer, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Shanghai Alley After Chinatown Riots, 1907, Philip T. Timms, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Chinese Barbershop on East Pender After the Oriental Riots of 1907, 1907, Philip T. Timms, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia; Vancouver Jubilee Night View of Chinese Village, 1936, C.B. Wand, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, UBC; Front cover of the New Vancouver Chinese Telephone Directory, Between 1937 and 1938, Reproduction, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, University of British Columbia. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/02807eba-595d-4419-b747-111e07953b2b/WhosChinatown_09.jpg Exhibitions - Whose Chinatown? – 2021 Detail shot: Ruinscape Wallpaper, 2021, Karen Tam, Printed repositionable wall fabric, Dimensions variable. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7af45bd2-7587-4075-b1d0-9061b599ea04/WhosChinatown_04.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Three blueprints of stores, apartments, and assembly hall for Wing San Esq. on Fraser Ave., 1910, J. Glanville Price, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, UBC; Jumbo’s Cabin, 2018, Marlene Yuen, Risograph printed book. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b7f0169a-5c8b-4775-bffd-93a9ff45dc4f/WhosChinatown_05.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Three blueprints of stores, apartments, and assembly hall for Wing San Esq. on Fraser Ave., 1910, J. Glanville Price, Wallace B. Chung and Madeline H. Chung collection, Rare Books and Special Collections, UBC; Jumbo’s Cabin, 2018, Marlene Yuen, Risograph printed book. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/014767b6-988f-4462-8026-f859376d685d/WhosChinatown_13.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Lagauchetière Street looking east; on the left, the Complexe Guy-Favreau under construction / Rue de Lagauchetière vers l’est ; à gauche, le Complexe Guy-Favreau en construction, 1981, Suzanne Girard, Ink-jet print; Sunday Buffet at the Chinese Catholic Community Centre, Côté Street, Montréal Buffet du dimanche, au Centre communautaire catholique chinois, rue Coté, 1982, Suzanne Girard, Ink-jet print; Wing Tai Chong & Co., at the Double Ten celebrations (October 10), anniversary of the founding of the Republic of China by Dr. Sun Yat-Sen / Wing Tai Chong & Co., lors des célébrations Double Ten (le 10 octobre), anniversaire de la fondation de la République nouvelle par le Dr Sun Yat-Sen, 1981, Suzanne Girard, Ink-jet print; Yen King Restaurant, Montréal / Le restaurant Yen King, Montréal, 1981, Suzanne Girard, Ink-jet print; Hum Association, 3rd floor, room for meeting, celebrating and venerating ancestors. At the back of the room, the altar of the ancestors / Association Hum, 3e étage, local de recontre, de célébration et de vénération des ancêtres. À l’arrière du local, l’autel des ancêtres, 1982, Suzanne Girard, Ink-jet print; Mr. Chou You Hing, sculptor, in his studio on Lagauchetière St. East, Montreal / M. Chou You Hing, sculpteur, dans son atelier sur Lagauchetière est, 1982, Suzanne Girard, Ink-jet print; Unidentified family in Nanaimo Chinatown, c. 1950, Unidentified photographer, Reproduction, Paul Yee fonds, City of Vancouver Archives); Storefront in Victoria Chinatown, 1977, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; 限华 Chinese Only, 2018, Paul Wong, Neon sculpture: glass, plexiglass, electronics, metal; Two Women in Coats, 1968, Fred Herzog, Archival pigment print, Herzog Estate; Black Man Pender, 1958, Fred Herzog, Archival pigment print, Private collection; Chinatown Backyards, 1957, Fred Herzog, Archival pigment print, Herzog Estate; Man with Cane, 1961, Fred Herzog, Archival pigment print Herzog Estate. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/47c264d7-8c5b-4369-9c7c-b04083a1b6ac/WhosChinatown_17.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; Lagauchetière Street, Montréal / Rue Lagauchetière, Montréal, 1976, Marik Boudreau, Ink-jet print; Yuet Sing Cantonese Music Association, Montreal, 1981, Marik Boudreau, Ink-jet print; Confucius Festival, Montreal / Festival de Confucius, Montréal, 1982, Marik Boudreau, Ink-jet print; Wong Wing Foods Inc., Montreal / Aliments Wong Wing Inc., Montréal; Mrs. Zai, Montreal / Mme. Zai, Montréal, 1981, Marik Boudreau Ink-jet print; New World Chop Suey building and neon signage in Edmonton Chinatown, 1979, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; Sidewalk sale in Montreal Chinatown, 2004, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; Documentation of 塑胶狮 Su Jiao Shi sculptures, 2018, Yong Fei Guan, Photo credit: Manpreet Singh. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c6fa612d-43b7-422c-b02e-e09fa9cc0b22/WhosChinatown_19.jpg Exhibitions - Whose Chinatown? – 2021 Two Women in Coats, 1968, Fred Herzog, Archival pigment print, Herzog Estate; Black Man Pender, 1958, Fred Herzog, Archival pigment print, Private collection; Chinatown Backyards, 1957, Fred Herzog, Archival pigment print, Herzog Estate; Man with Cane, 1961, Fred Herzog, Archival pigment print Herzog Estate; Kuo Kong Silk, 1967, Fred Herzog, Archival pigment print, Herzog Estate; Fishseller, 1958, Fred Herzog, Archival pigment print, Private collection; Wo Fat Co. Storefront with political posters, After 1975, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Gee Lam and Garry Kong recording in a sound studio, Between 1976-1981, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Voters casting their ballots, Between 1970-1979, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Boys taking part in a parade, c. 1970s, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Unknown couple at Kwong Hing Co. Meat market and vegetables, East Pender Street, c. 1978, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Universal Art, East Pender Street, c. 1980, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; Chinese Cultural Centre, Calgary, 2015, Morris Lum, Ink-jet print; Xam Yu Seafood Restaurant, Toronto, 2016, Morris Lum, Ink-jet print; Lee’s Community Association of Edmonton, 2015, Morris Lum, Ink-jet print; Ho Sun Hing Printers, Vancouver, 2014, Morris Lum, Ink-jet print; Chinese Freemasons Toronto, Toronto, 2017, Morris Lum, Ink-jet print; Future Location for Winnipeg Chinatown Senior and Residence’s Care Home, Winnipeg 2013, Morris Lum, Ink-jet print; 限华 Chinese Only Television Bumpers, 2019, Paul Wong Series of six 10-seconds television bumpers; Refugee Class of 2000, 2000, Paul Wong, 4 minutes, colour, stereo; Mon Keong School Classroom. 1940s, Yucho Chow, Reproduction, Courtesy: Wongs’ Benevolent Association of Canada; Wong Tong National Convention, 1934, Yucho Chow, Photograph Courtesy: Wongs’ Benevolent Association of Canada. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/38ae4f76-6f82-4069-a353-c74db179234d/WhosChinatown_18.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Dominion Produce Co., c. 1930, Yucho Chow, Photograph Yucho Chow Community Archive: Joseph Dale Eng Family; Ming Wo Store Exterior, c. 1922, Yucho Chow, Reproduction Yucho Chow Community Archive: Wong Chew Lip Family; Chinese Family, 1914, Yucho Chow, Photograph, Yucho Chow Community Archive: Ben & Pearl Wong family; Love Letters to the Harbin Gate, 2018, aiya 哎呀 Collaborative community installation with paper, ink, yarn; Documentation of aiya 哎呀’s Harbin Gate events, 2018, aiya 哎呀, Reproduction, Photo credit: 謝兆龍; Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; In Chinatown (Episode 3: Sau – Longevity), 2018, Stephanie Chong & Bryce Quan, Video with sound, 12 min. 49 sec.; Sai Wah Tong, 2017, Marlene Yuen, Screen printed zine with letterpress printed pull-out poster. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b57f06a1-5f96-4cff-88cf-9a46d949aef1/WhosChinatown_26.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Confucius Festival, Montréal / Festival de Confucius, Montréal, 1982, Marik Boudreau, Ink-jet print; Wong Wing Foods Inc., Montreal / Aliments Wong Wing Inc., Montréal; Mrs. Zai, Montreal / Mme. Zai, Montréal, 1981, Marik Boudreau Ink-jet print; Mrs. Loie and Mrs. Wong, Montréal / Mme. Loie et Mme. Wong, Montréal, 1982, Marik Boudreau, Ink-jet print; Support for Tiananmen Square protests, Montreal / Soutien aux manifestants de la place Tian’anmen, Montréal, 1989, Marik Boudreau, Ink-jet print; Mr. and Mrs. Chang, Montréal / M. Et Mme. Chang, Montréal, 1981 Marik Boudreau, Ink-jet print; Lagauchetière Street looking east; on the left, the Complexe Guy-Favreau under construction / Rue de Lagauchetière vers l’est ; à gauche, le Complexe Guy-Favreau en construction, 1981, Suzanne Girard, Ink-jet print; Sunday Buffet at the Chinese Catholic Community Centre, Côté Street, MontréalBuffet du dimanche, au Centre communautaire catholique chinois, rue Coté, 1982, Suzanne Girard, Ink-jet print; The Pagoda and the Complexe Guy-Favreau under construction / La Pagode et le Complexe GuyFavreau en construction, 1981, Suzanne Girard, Ink-jet print; Yard, St. Dominique Street / Cour, rue St-Dominique, 1981, Suzanne Girard, Ink-jet printl; Wing Tai Chong & Co., at the Double Ten celebrations (October 10), anniversary of the founding of the Republic of China by Dr. Sun Yat-Sen / Wing Tai Chong & Co., lors des célébrations Double Ten (le 10 octobre), anniversaire de la fondation de la République nouvelle par le Dr Sun Yat-Sen, 1981, Suzanne Girard, Ink-jet print; Yen King Restaurant, Montréal / Le restaurant Yen King, Montréal, 1981, Suzanne Girard, Ink-jet print; Hum Association, 3rd floor, room for meeting, celebrating and venerating ancestors. At the back of the room, the altar of the ancestors / Association Hum, 3e étage, local de recontre, de célébration et de vénération des ancêtres. À l’arrière du local, l’autel des ancêtres, 1982, Suzanne Girard, Ink-jet print; Unidentified family in Nanaimo Chinatown, c. 1950, Unidentified photographer, Reproduction, Paul Yee fonds, City of Vancouver Archives; Storefront in Victoria Chinatown, 1977, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; Ching Won Music Association, Cantonese opera rehearsal, 1980, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; Kokuho Rose Prohibited performing during a marathon weekend at Vancouver Co-op Radio, 1978, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; New World Chop Suey building and neon signage in Edmonton Chinatown, 1979, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; Sidewalk sale in Montreal Chinatown, 2004, Paul Yee, Reproduction, Paul Yee fonds, City of Vancouver Archives; Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; Documentation of 塑胶狮 Su Jiao Shi sculptures, 2018, Yong Fei Guan, Photo credit: Manpreet Singh. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/96788c3b-e994-4159-90c4-2bc9a0a6b97a/WhosChinatown_20.jpg Exhibitions - Whose Chinatown? – 2021 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c0973592-9994-4f9f-9193-fd71f61b29b4/WhosChinatown_36.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Schedule for the Montreal Commemoration of Early Chinese Canadian Pioneers and Last Spike, Ceremony, 2003, Collection of Karen Cho; Clipping from a Montreal Chinese newspaper about the Last Spike Campaign, 2003, Collection of Karen Cho; Photos of the ‘Last Spike’ Campaign in Vancouver and Montreal, 2003, Collection of Karen Cho; Negatives taken by Gim Wong of old photographs of himself in the army, Original images from 1944-1945, and 1997. Reprints from 2020, Collection of Karen Cho; The Last Spike lapel pin, Collection of Karen Cho; Silver Bracelet, Between 1939-1945, Collection of Karen Cho; Patriotic Aviation Bond, 1941, Collection of Karen Cho; National Defence Loan Bond, 1938, Collection of Karen Cho; Photos taken during the shoot of Karen Cho’s documentary, "In the Shadow of Gold Mountain," with Gim Wong, 2003, Karen Cho, Photograph, Collection of Karen Cho; Gim Foon Wong’s Motorcycle Goggles, 2005, Collection of Karen Cho; Correspondence between Gim Foon Wong and Karen Cho, 2003-2005, Collection of Karen Cho; Shanghai Chop Suey Menu (Winnipeg, MB), Collection of Karen Tam; Chi Gardens Matchcover (Regina, SK), Collection of Karen Tam; Lichee Garden Postcard (Toronto, ON), Collection of Karen Tam; Golden Dragon Matchcover (Moncton, NB), Collection of Karen Tam; Linda Mae’s Lotus Gardens Matchcover (Calgary, AB), Collection of Karen Tam; Lung Fung Restaurant Matchcover (Montreal, QC), Collection of Karen Tam; The Wayen Matchcover (Vancouver, BC), Collection of Karen Tam; New Lotus Café Matchcover (Montreal, QC), Collection of Karen Tam; Sun Kuo Min Matchcover (Montreal, QC), Collection of Karen Tam; Taste of China Matchcover (Toronto, ON), Collection of Karen Tam; Canton Inn Matchcover (Ottawa, ON), Collection of Karen Tam; Shangri-la Matchcover (Quebec City, QC), Collection of Karen Tam; Nanking Tavern and Restaurant Souvenir Menu (Toronto, ON), Collection of Karen Tam; Lim family at their restaurant, W.K. Gardens, c. 1956-57, Harold Lim, Reproduction, Collection of Imogene Lim; The Blue Beau Combo band, performing at the W.K. Gardens, 1960s, Harold Lim, Reproduction, Collection of Imogene Lim; W.K. Gardens Menu, Collection of Imogene Lim; W.K. Gardens Teacup, Ricebowl, Collection of Imogene Lim, Restaurant Rice Bowl, Collection of Imogene Lim. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b7230724-3f92-485f-8366-e7b3bf8fe41a/WhosChinatown_37.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Souvenir photo from Bamboo Terrace, 1948, Collection of Tom Carter; Postcard for Ming’s, 1960s, Collection of Tom Carter; Postcard of Ming’s and Bamboo Terrace, Late 1950s, Collection of Tom Carter; Souvenir photo from Mandarin Gardens, 1940s, Collection of Tom Carter; Band ensemble at the W.K. Gardens, c. 1950, Photograph, Collection of Tom Carter; Mayling Club Admission Menu-Ticket, c. 1950, Collection of Tom Carter; Coupon for a Chinese smorgasbord meal at the Marco Polo, 1960s, Collection of Tom Carter; Souvenir Photo from Forbidden City, 1956, Collection of Tom Carter; Souvenir photo from the W.K., 1946, Collection of Tom Carter; Souvenir photo from Mandarin Gardens, 1941, Collection of Tom Carter; Bamboo Terrace dishes, c. 1950, Collection of Tom Carter. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f6919817-2b47-4ca4-b761-42a7dbb2202b/WhosChinatown_16.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Documentation of 塑胶狮 Su Jiao Shi sculptures, 2018, Yong Fei Guan, Photo credit: Manpreet Singh; Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; 限华 Chinese Only, 2018, Paul Wong, Neon sculpture: glass, plexiglass, electronics, metal; Two Women in Coats, 1968, Fred Herzog, Archival pigment print, Herzog Estate; Black Man Pender, 1958, Fred Herzog, Archival pigment print, Private collection; Chinatown Backyards, 1957, Fred Herzog, Archival pigment print, Herzog Estate; Man with Cane, 1961, Fred Herzog, Archival pigment print Herzog Estate; Kuo Kong Silk, 1967, Fred Herzog, Archival pigment print, Herzog Estate; Fishseller, 1958, Fred Herzog, Archival pigment print, Private collection. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/067ee0e3-f115-4889-ab18-ce364e063f67/WhosChinatown_25.jpg Exhibitions - Whose Chinatown? – 2021 Two Women in Coats, 1968, Fred Herzog, Archival pigment print, Herzog Estate; Black Man Pender, 1958, Fred Herzog, Archival pigment print, Private collection; Chinatown Backyards, 1957, Fred Herzog, Archival pigment print, Herzog Estate; Man with Cane, 1961, Fred Herzog, Archival pigment print Herzog Estate; Kuo Kong Silk, 1967, Fred Herzog, Archival pigment print, Herzog Estate; Fishseller, 1958, Fred Herzog, Archival pigment print, Private collection; Wo Fat Co. Storefront with political posters, After 1975, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Gee Lam and Garry Kong recording in a sound studio, Between 1976-1981, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Voters casting their ballots, Between 1970-1979, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Boys taking part in a parade, c. 1970s, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Unknown couple at Kwong Hing Co. Meat market and vegetables, East Pender Street, c. 1978, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Universal Art, East Pender Street, c. 1980, Jim Wong-Chu, Reproduction, Jim Wong-Chu fonds, Rare Books and Special Collections, University of British Columbia; Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; Chinese Cultural Centre, Calgary, 2015, Morris Lum, Ink-jet print; Xam Yu Seafood Restaurant, Toronto, 2016, Morris Lum, Ink-jet print; Lee’s Community Association of Edmonton, 2015, Morris Lum, Ink-jet print; Ho Sun Hing Printers, Vancouver, 2014, Morris Lum, Ink-jet print; Chinese Freemasons Toronto, Toronto, 2017, Morris Lum, Ink-jet print; Future Location for Winnipeg Chinatown Senior and Residence’s Care Home, Winnipeg 2013, Morris Lum, Ink-jet print; 限华 Chinese Only Television Bumpers, 2019, Paul Wong Series of six 10-seconds television bumpers; Refugee Class of 2000, 2000, Paul Wong, 4 minutes, colour, stereo; Mon Keong School Classroom. 1940s, Yucho Chow, Reproduction, Courtesy: Wongs’ Benevolent Association of Canada; Wong Tong National Convention, 1934, Yucho Chow, Photograph Courtesy: Wongs’ Benevolent Association of Canada. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c917ccea-b7c2-41ca-85b9-d8a6a6810efe/WhosChinatown_34.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Chinese Cultural Centre, Calgary, 2015, Morris Lum, Ink-jet print; Xam Yu Seafood Restaurant, Toronto, 2016, Morris Lum, Ink-jet print; Lee’s Community Association of Edmonton, 2015, Morris Lum, Ink-jet print; Ho Sun Hing Printers, Vancouver, 2014, Morris Lum, Ink-jet print; Chinese Freemasons Toronto, Toronto, 2017, Morris Lum, Ink-jet print; Future Location for Winnipeg Chinatown Senior and Residence’s Care Home, Winnipeg 2013, Morris Lum, Ink-jet print; Ho Sun Hing Printers, 2020, Marlene Yuen, Letterpress and risograph printed book; Chinese Vegetable Sellers Association, 2017, Marlene Yuen Screen printed cover, bond paper, photocopied zine; 限华 Chinese Only Television Bumpers, 2019, Paul Wong Series of six 10-seconds television bumpers; Refugee Class of 2000, 2000, Paul Wong, 4 minutes, colour, stereo; Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; Head Tax Redress Campaign Banner, Gim Foon Wong, Collection of Karen Cho; Love Letters to the Harbin Gate, 2018, aiya 哎呀 Collaborative community installation with paper, ink, yarn; Documentation of aiya 哎呀’s Harbin Gate events, 2018, aiya 哎呀, Reproduction, Photo credit: 謝兆龍 . Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f53a0207-c7d6-437a-92fe-f0b986ca6668/WhosChinatown_33.jpg Exhibitions - Whose Chinatown? – 2021 Installation view, from left to right: Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools; Dominion Produce Co., c. 1930, Yucho Chow, Photograph Yucho Chow Community Archive: Joseph Dale Eng Family; Ming Wo Store Exterior, c. 1922, Yucho Chow, Reproduction Yucho Chow Community Archive: Wong Chew Lip Family; Chinese Family, 1914, Yucho Chow, Photograph, Yucho Chow Community Archive: Ben & Pearl Wong family; Love Letters to the Harbin Gate, 2018, aiya 哎呀 Collaborative community installation with paper, ink, yarn; Sing Juk Sing : 升竹升, 2010/2020, , Collaboration between Master Wong Toa 黃滔老師 and Mary Sui Yee Wong 黃瑞儀, Video installation, Approx. 8 min., Video, colour, stereo, Filmmaker/Editor: Marlene Millar, Co-Editor: Mary Sui Yee Wong. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/db790478-8491-4de0-815c-0831bb66c8b7/WhosChinatown_15.jpg Exhibitions - Whose Chinatown? – 2021 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/31021ce1-cbcd-4f73-9c2f-880fda029920/WhosChinatown_14.jpg Exhibitions - Whose Chinatown? – 2021 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7f9a33bf-075f-44c2-ad3f-41bc869d0cdd/SingJukSing_MarySuiyeeWong_Still_03.png Exhibitions - Whose Chinatown? – 2021 Video still from collaboration between Master Wong Toa 黃滔老師 and Mary Sui Yee Wong 黃瑞儀, Video installation, Approx. 8 min., Video, colour, stereo, Filmmaker/Editor: Marlene Millar, Co-Editor: Mary Sui Yee Wong https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/5aac23c2-cd18-49b0-b7d2-459e98a957af/WhosChinatown_40.jpg Exhibitions - Whose Chinatown? – 2021 Detail shot: Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1a9e7bef-3338-454c-b346-0168b601e8a5/WhosChinatown_42.jpg Exhibitions - Whose Chinatown? – 2021 Detail shot: Future Heritage(s) of ChinaTOwn, 2018-2020, Linda Zhang, Interactive installation including model gate, board game, game pieces, tables, stools. Photo by SITE Photography. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1612990838196-O6JFZ0XJBMSTPC9XLMZN/3.+Capture-Wordmark-BW.jpg Exhibitions - Whose Chinatown? – 2021 https://www.griffinartprojects.ca/exhibitions/the-sodomite-invasion monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279628824-JPU496MS86KCVCVYZUL2/Riggs_02.jpg Exhibitions - The Sodomite Invasion – 2020 Lyle Ashton Harris, Marlon Taking Pills (with Jack Vincent), Oakland, California, 1994, Chromogenic print, 54.6 x 38.1 cm, Courtesy of the Artist and Salon 94, New York and Vitrine with archival material, Courtesy of the Crista Dahl Media Library & Archive https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279629881-1FC0UOR21B9ECI2U6E5C/Riggs_03.jpg Exhibitions - The Sodomite Invasion – 2020 Lyle Ashton Harris, Marlon Riggs and Cornel West, Black Popular Culture conference, New York, 1991, Chromogenic print, 27.9 x 41.9 cm, Courtesy of the Artist and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279634068-AXANZYEIMOHKJVD3IUSX/Riggs_04.jpg Exhibitions - The Sodomite Invasion – 2020 Vitrine with archival material, Courtesy of the Crista Dahl Media Library & Archive https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279633095-6DKC8O83MCT4PGMDHX4S/Riggs_05.jpg Exhibitions - The Sodomite Invasion – 2020 Vitrine with archival material, Courtesy of the Crista Dahl Media Library & Archive https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279626790-BUB8508NFNG7UP8IXQ4U/Riggs_06.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Lyle Ashton Harris, Marlon Riggs and Robert Shepard, 1991, Chromogenic print, 27.9 x 41.9 cm, Courtesy of the Artist and Salon 94, New York; Lyle Ashton Harris, bell hooks and Marlon Riggs, New York, n.d., Chromogenic print, 54.6 x 38.1 cm, Courtesy of the Artist and Salon 94, New York; Marlon T. Riggs, Clips and trailers of Ethnic Notions, Tongues Untied, Affirmations, Anthem, Color Adjustment, Non, Je Ne Regrette Rien (No Regret), Black Is...Black Ain't, 1986-1994, Color film, Dimensions variable, Courtesy of California Newsreel and Signifyin' Works and Frameline Distribution; Karen Everett, I Shall Not Be Removed: The Life of Marlon Riggs, 1996, color film, 58:50, Courtesy of California Newsreel https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279626791-STU682BSJ7WHP0QEHJHS/Riggs_07.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Karen Everett, I Shall Not Be Removed: The Life of Marlon Riggs, 1996, color film, 58:50, Courtesy of California Newsreel; Lyle Ashton Harris, Marlon Riggs and Cornel West, Black, Popular Culture conference, New York, 1991, Chromogenic print, 27.9 x 41.9 cm, Courtesy of the Artist and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279692739-3C0A4HA5OC195E638P26/DeSana_01.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Watermelon, 1979, Vintage C-print, 40.64 x 50.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, 101 Nudes, 1972, Vintage portfolio of 57 photos, 39.5 x 29.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279697707-4I9FFMVII991CLSEH05B/DeSana_02.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Watermelon, 1979, Vintage C-print, 40.64 x 50.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, 101 Nudes, 1972, Vintage portfolio of 57 photos, 39.5 x 29.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279799711-D9VT1YDJ7Y8U2Y3MBR96/DeSana_18.jpg Exhibitions - The Sodomite Invasion – 2020 Jimmy DeSana, 101 Nudes, 1972, Vintage portfolio of 57 photos, 39.5 x 29.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279697706-9750JEA1629EKSHC2R9I/DeSana_03.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, 101 Nudes, 1972, Vintage portfolio of 57 photos, 39.5 x 29.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, "Female Figure", n.d., Vintage black and white gelatin print, 39.5 x 48.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Stiches, 1984, Cibachrome, 50.8 x 40.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Balloons, 1985, Cibachrome, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, String VII, 1987, Vintage black and white gelatin print, Cibachrome, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279692457-YLMFN3Q5O0GMUJ807HPQ/DeSana_04.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: From left to right: Jimmy DeSana, 101 Nudes, 1972, Vintage portfolio of 57 photos, 39.5 x 29.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, "Female Figure", n.d., Vintage black and white gelatin print, 39.5 x 48.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Stiches, 1984, Cibachrome, 50.8 x 40.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Balloons, 1985, Cibachrome, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, String VII, 1987, Vintage black and white gelatin print, Cibachrome, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279696315-FZU1KQJTSTMXCMIL2195/DeSana_05.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana101 Nudes, 1972, Vintage portfolio of 57 photos, 39.5 x 29.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, "Female Figure", n.d., Vintage black and white gelatin print, 39.5 x 48.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Stiches, 1984, Cibachrome, 50.8 x 40.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Balloons, 1985, Cibachrome, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, String VII, 1987, Vintage black and white gelatin print, 50.8 x 40.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Masking Tape, 1979, Vintage black and white gelatin print, 35.6 x 32 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Matt Wolf, Laurie Simmons Remembers Jimmy DeSana, 2017, Digital film, 3:24, Courtesy of amfAR https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279688131-LM9LRPXD18F2NLZJSV3I/DeSana_06.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Coffee Table, 1979, Vintage black and white gelatin print, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Condom, 1979, Vintage black and white gelatin print, 35.6 x 32 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Refrigerator, 1979, Vintage black and white gelatin print, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Pliers, 1979, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Dildo, n.d., Vintage black and white gelatin print, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Shower, 1979, Vintage black and white gelatin print, 35.6 x 32 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279718702-6DBWBRV0XASSIJUXP624/DeSana_07.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Dildo, n.d., Vintage black and white gelatin print, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Shower, 1979, Vintage black and white gelatin print, 35.6 x 32 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Masking Tape, 1979, Vintage black and white gelatin print, 35.6 x 32 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Matt Wolf, Laurie Simmons Remembers Jimmy DeSana, 2017, Digital film, 3:24, Courtesy of amfAR https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279731438-J9PAFWXOPC1TBM7BH9XA/DeSana_08.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Submission, 1977-1978, Photobook, 21.6 x 14.7 x 1.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Michael Morris & Vincent Trasov, Image Bank Post Card Show, 1977, Hardback - Board, 49 cards + 1 title card, 16 x 10.5 cm; Vito Acconci, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm; Michael Morris, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm; Peter Hujar, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm; Alan Jones, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm; Robert Mapplethorpe, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm; Jimmy DeSana, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm; Ed Ruscha, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm; General Idea, Post Card from Image Bank Post Card Show, 1977, Offset Printed, 16 x 10.5 x 2 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279735514-AOBI1J8DSQTDYUCWFRLU/DeSana_09.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Watermelon, 1979, Vintage C-print, 40.64 x 50.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, 101 Nudes, 1972, Vintage portfolio of 57 photos, 39.5 x 29.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Coffee Table, 1979, Vintage black and white gelatin print, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Condom, 1979, Vintage black and white gelatin print, 35.6 x 32 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Refrigerator, 1979, Vintage black and white gelatin print, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Pliers, 1979, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Dildo, n.d., Vintage black and white gelatin print, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Shower, 1979, Vintage black and white gelatin print, 35.6 x 32 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279739413-1U0IGYJBZMO06LEUBCFV/DeSana_10.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Salvation, 1990, Portfolio of 33 photos and 1 newspaper. clipping, detail, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Aluminum Foil, 1985, Cibachrome, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Candlestick, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Vegetables, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Socks, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Cap, 1985, Cibachrome, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Parka, 1986, Vintage black and white gelatin print, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, "Wrapped Figure" , n.d., Vintage black and white gelatin print, 42.5 x 34.9 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279738868-TAYC6W6TM3FSV7U05LII/DeSana_11.jpg Exhibitions - The Sodomite Invasion – 2020 Jimmy DeSana, Salvation, 1990, Portfolio of 33 photos and 1 newspaper clipping, detail, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279739248-3CFUOGYHNCS9ATLW386I/DeSana_12.jpg Exhibitions - The Sodomite Invasion – 2020 Jimmy DeSana, Salvation, 1990, Portfolio of 33 photos and 1 newspaper clipping, detail, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York and Jimmy DeSana, Aluminum Foil, 1985, Cibachrome, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279777526-A5QV9YG3Z67VZ56GHX9S/DeSana_13.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Tray, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Untitled (Male Nude), 1985, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Eyelashes, n.d., Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Chair, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Crackers, 1986, Cibachrome, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Seashells, 1982, Cibachrome, 40.6 x 50.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Ravioli, 1985, Vintage black and white gelatin print, 45.1 x 37.5 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279789617-9VMZ8C6PTCLAP9GCZGRV/DeSana_14.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Tray, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Untitled (Male Nude), 1985, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Eyelashes, n.d., Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Chair, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Crackers, 1986, Cibachrome, 28 x 35.6 cm,Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Seashells, 1982, Cibachrome, 40.6 x 50.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Ravioli, 1985, Vintage black and white gelatin print, 45.1 x 37.5 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Candlestick, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Vegetables, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Socks, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Cap, 1985, Cibachrome, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279790151-VG41A91NKKPRGIGUHI6Q/DeSana_15.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSanaCandlestick, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Vegetables, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Socks, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Cap, 1985, Cibachrome, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Parka, 1986, Vintage black and white gelatin print, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, "Wrapped Figure" , n.d., Vintage black and white gelatin print, 42.5 x 34.9 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279793419-QHIEBZO1SV40ZXEDCJ7P/DeSana_16.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Salvation, 1990, Portfolio of 33 photos and 1 newspaper clipping, detail, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Tray, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Untitled (Male Nude), 1985, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Eyelashes, n.d., Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Chair, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Crackers, 1986, Cibachrome, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Seashells, 1982, Cibachrome, 40.6 x 50.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Ravioli, 1985, Vintage black and white gelatin print, 45.1 x 37.5 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Candlestick, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Vegetables, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Socks, 1986, Cibachrome, 25.4 x 15.2 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Cap, 1985, Cibachrome, 35.6 x 28 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597279793073-US3WHW0Q9GWIG7AD1CM5/DeSana_17.jpg Exhibitions - The Sodomite Invasion – 2020 Installation view, from left to right: Jimmy DeSana, Salvation, 1990, Portfolio of 33 photos and 1 newspaper clipping, detail, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Tray, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Untitled (Male Nude), 1985, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Eyelashes, n.d., Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Chair, 1986, Cibachrome, 25.4 x 20.3 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Crackers, 1986, Cibachrome, 28 x 35.6 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Seashells, 1982, Cibachrome, 40.6 x 50.8 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York; Jimmy DeSana, Ravioli, 1985, Vintage black and white gelatin print, 45.1 x 37.5 cm, Courtesy of the Jimmy DeSana Trust and Salon 94, New York https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604624205170-B5ILZOUJ1V6ZULCHR2K6/capture-logo-01.png Exhibitions - The Sodomite Invasion – 2020 https://www.griffinartprojects.ca/exhibitions/woosh monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356751766-ZRC6X8BHA4O9D5UHFII4/woosh-01.jpg Exhibitions - WOOSH – 2015 Installation view, from left to right: Kris Martin, Do Not Cross the Red Line, 2012, metal sign, red tape, DV; Liz Magor, KD- The Original, 2000, silicon rubber, food, 14 x 66 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356753528-6D33GJL4M59I5T89HASD/woosh-02.jpg Exhibitions - WOOSH – 2015 Installation view, from left to right: Ron Terada, Jeopardy, 1998, acrylic on canvas, 147.3 x 165.1 cm; Ian Wallace, Magazine Piece, 1969/2015, magazine, tape, DV; Santiago Sierra, NO, 2009, mahogany, N: 81.3 x 25.4 x 127 cm , O: 99.1 x 25.4 x 127 cm; Steven Shearer, Diabolical Conquest, 1997, silkscreen on canvas, 59.7 x 50.8 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356753299-N78KD6YSARO6G5MON09D/woosh-03.jpg Exhibitions - WOOSH – 2015 Installation view, from left to right: Liz Magor, KD- The Original, 2000, silicon rubber, food, 14 x 66 cm; Tatiana Trouve, 29.08.1924, 2010, bronze, paint, 63.5 x 55.9 x 38.1 cm; Stan Douglas, Ballantyne Pier, 18 June 1935, 2008, digital C-print mounted on dibond, 294.6 x 114.3 cm; Jonathan Horowitz, Official Portrait of George W Bush Available for Free From the White House Hung Upside Down, 2001, framed c-print, ink, 33 x 36.8 cm; Alicja Kwade, 17.08.1931, 2012, mirror bronze, 39 x 69 cm; Jason Dodge, In Yerevan, Tumanyan, Armenia, Anijk Voskanyan wove woolen yarn the color of night time sky and the length from the earth to above the weather https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356753994-J2VWMUEQO99Q9JEFKIZT/woosh-04.jpg Exhibitions - WOOSH – 2015 Installation view, from left to right: Ian Wallace, Magazine Piece, 1969/2015, magazine, tape, DV; Santiago Sierra, NO, 2009, mahogany, N: 81.3 x 25.4 x 127 cm , O: 99.1 x 25.4 x 127 cm; Steven Shearer, Diabolical Conquest, 1997, silkscreen on canvas, 59.7 x 50.8 cm; Yevgeniy Fiks, Adopt Lenin, yf2008-015, 2008, metal head, shelf, adoption papers, 25.4 cm high; Santiago Sierra, 100 Beggars, Plaza Estudiantes, Mexico City, 2005, digital C-prints, 23.2 x 32 cm each https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356753644-F3O40CYOEQ64XTIV71DO/woosh-05.jpg Exhibitions - WOOSH – 2015 Installation view, from left to right: Johannes Wohnseifer, Spam Painting #13, 2005, acrylic on aluminum, 100 x 140 cm; Kelly Mark, 1000 Cast Iron Hits, 1996, cast iron, 5.1 x 26.7 x 5.1 cm; Ron Terada, Jeopardy, 1998, acrylic on canvas, 147.32 x 165.1 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356753416-J0I1QNCW2HFRRLX15QU2/woosh-06.jpg Exhibitions - WOOSH – 2015 Installation view, from left to right: Steven Shearer, Diabolical Conquest, 1997, silkscreen on canvas, 59.7 x 50.8 cm; Yevgeniy Fiks, Adopt Lenin, yf2008-015, 2008, metal head, shelf, adoption papers, 25.4 cm tall; Santiago Sierra, 100 Beggars, Plaza Estudiantes, Mexico City, 2005, digital C-prints, 23.2 x 32 cm each https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356757515-UAXADJO31R153MJ29H58/woosh-07.jpg Exhibitions - WOOSH – 2015 Alicja Kwade, 17.08.1931, 2012, mirror bronze, 39 x 69 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356759996-72SJZKJUDCNZVPJBT65C/woosh-08.jpg Exhibitions - WOOSH – 2015 Installation view, from left to right: John McCracken, Woosh, 1995, polyester resin, fibreglas, resin, 30.5 x 228.6 x 7.6 cm; Pier Paulo Calzolari, Untitled, 1989, Burnt salt, burnt felt, dyes, lead, refrigeration unit, 264.2 x 226.1 x 58.4 cm; Andrew Dadson, White Re-Stretched (Silver), 2014, oil on linen, 33 x 43.3 cm; Carsten Nicolai, Milch 20 hz, 2011, pigment print, 128 x 152 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356759623-OWZQ9YYKPLS8Q906HSOM/woosh-09.jpg Exhibitions - WOOSH – 2015 Stan Douglas, Ballantyne Pier, 18 June 1935, 2008, digital C-print mounted on dibond, 294.6 x 114.3 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356755894-466J8HHN2ZR41DSK3ONT/woosh-10.jpg Exhibitions - WOOSH – 2015 Jonathan Horowitz, Official Portrait of George W Bush Available for Free From the White House Hung Upside Down, 2001, framed c-print, 33 x 36.8 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356854540-MWHLOHL0FIJSLY5J7LTS/woosh-11.jpg Exhibitions - WOOSH – 2015 Alfredo Jaar, Three Women, 2010, 18 spotlights, 3 photographs, DV https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597356865654-DUSYOL8IC082T2OVCJGT/woosh-12.jpg Exhibitions - WOOSH – 2015 Steven Shearer, Diabolical Conquest, 1997, silkscreen on canvas, 59.7 x 50.8 cm https://www.griffinartprojects.ca/exhibitions/surrogates monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373497609-IM9I8DWXPJ73KMALWEPO/surrogates-00.jpg Exhibitions - Surrogates – 2016 Sarah Cain, Self-portrait, 2010, acrylic and gouache on sheet music, 59.4 x 46.7 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373468104-0PZNGSUP44LBI2CJXZDT/surrogates-01.jpg Exhibitions - Surrogates – 2016 Installation view, from left to right: Mariah Robertson, 59, 2011, unique chemical treatment on RA-4 paper, 218.4 x 134.6 cm; Kevin Beasley, Untitled, 2014, polyurethane foam, t-shirts, resin, [38.1 x 29.2 x 15.2 cm] x 2 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373469286-WGSNMIB2OU0SCYZ8SC7P/surrogates-02.jpg Exhibitions - Surrogates – 2016 Installation view, from left to right: Annette Kelm, Anonymous, Lilac Clock Bag Buffalo Exchange, 2007, c-prints on Alu-dibond, [48.2 x 58.4 cm] x 4; Stephen Waddell, Pile, 2006, inkjet print, 121.9 x 142.2 cm; Kris Martin, Entscheidungszwanghorror, 2014, bronze, 29.1 x 15.1 x 20.1 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373469988-CK0X35NWOQ6VGR8NE8U7/surrogates-03.jpg Exhibitions - Surrogates – 2016 Installation view, from left to right: Marlo Pascual, Untitled, 2009, digital c-print, potted plant, 96.5 x 134.6 x 91.4 cm; Owen Kydd, Heavy Water, 2015, video on square digital display with media player, 41.3 x 41.3 x 17.8 cm; Walead Beshty, Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C), 2012, colour photographic paper, 127 x 271.8 cm and 76.2 x 101.6 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373468723-ARODIY4Q8ACZEC4WJNVK/surrogates-04.jpg Exhibitions - Surrogates – 2016 Installation view, from left to right: Kim Kennedy Austin, Audel’s Answers on Blue Print Reading, 2006, embroidery floss and masking tape on cross-stitched fabric, 50.8 x 38.1 cm; Tim Lee, Alexander Rodchenko, Spacial Construction No. 11, Square in Square, 1918, 2013, wood; Geoffrey Farmer, Sagger-Safers, Saddled, Stoned and Sanguine, 2013, paper cutouts, wood, glass paint bottle, 38.1 x 22.9 x 15.2 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373469680-5BJ1AL8Q161RI156T892/surrogates-05.jpg Exhibitions - Surrogates – 2016 Installation view, from left to right: Walead Beshty, Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C), 2012, colour photographic paper, 127 x 271.8 cm and 76.2 x 101.6 cm; Myfanwy MacLeod, Exorcist series, 2009, cut film posters, [83.8 x 83.8 cm] x 3; Kim Kennedy Austin, Clear Eyes, Full Hearts, Can’t Lose, 2014, watercolour on paper, 36.8 x 45.1 cm; Kris Martin, Entscheidungszwanghorror, 2014, bronze 29.1 x 15.1 x 20.1 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373484382-DEFROH1TNGNJ2CHHRYWB/surrogates-06.jpg Exhibitions - Surrogates – 2016 Installation view, from left to right: Lyman A. William, The Road through the Forest, 2008, mixed media; Rodney Graham, Pipecleaner Artist, 2013, painted aluminum lightbox, transmounted chromogenic transparency, [230.2 x 371.5 x 17.8 cm] x 2 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373482302-0YO7LYL6M11XPJ51X6JL/surrogates-07.jpg Exhibitions - Surrogates – 2016 Installation view, from left to right: Kim Kennedy Austin, Clear Eyes, Full Hearts, Can’t Lose, 2014, watercolour on paper, 50.8 x 38.1 cm; Kris Martin, Entscheidungszwanghorror, 2014, bronze, 29.1 x 15.1 x 20.1 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373483820-U8IZORN2BJULO4T36YGM/surrogates-08.jpg Exhibitions - Surrogates – 2016 Simon Starling, Inventar –Nr. 8573 (Man Ray), 4M – 400 NM, 2006, 80 6 x 7 cm. black and white transparencies, 2 Gotschmann slide projectors, Kodak PDC dissolve control unit, CD and player, projector table https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373473873-AS26J0775MKC6B380JED/surrogates-09.jpg Exhibitions - Surrogates – 2016 Myfanwy MacLeod, Exorcist series, 2009, cut film posters, [83.8 x 83.8 cm] x 3 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373479782-EF2F3CYH8BZFZ42SKL59/surrogates-10.jpg Exhibitions - Surrogates – 2016 Kevin Beasley, Untitled, 2014, polyurethane foam, t-shirts, resin, [38.1 x 29.2 x 15.2 cm] x 2 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373481127-K38856BLGDOTD3WCDRQS/surrogates-11.jpg Exhibitions - Surrogates – 2016 Walead Beshty, Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C) / Abstract, (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C), 2012, colour photographic paper, 127 x 271.8 cm and 76.2 x 101.6 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373481647-PLIYSB4FXS3U57X2UA97/surrogates-12.jpg Exhibitions - Surrogates – 2016 Kris Martin, Entscheidungszwanghorror, 2014, bronze, 29.1 x 15.1 x 20.1 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597373482801-GQAVNY6F59CYJ1X7UU9N/surrogates-13.jpg Exhibitions - Surrogates – 2016 Marlo Pascual, Untitled, 2009, digital c-print, potted plant, 96.5 x 134.6 x 91.4 cm https://www.griffinartprojects.ca/exhibitions/no-big-picture monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420884938-0R7CSER385S8CA5O3EWK/NoBigPicture_01.jpg Exhibitions - NO BIG PICTURE – 2016 Allen Ruppersberg, Honey, I rearranged the collection, 2002, silkscreen on 70 pound acid-free paper, 55.9 x 35.6 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420885689-P8TWXXETSBMHOW4MEYB2/NoBigPicture_02.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Rememeber, 1991, mixed media on canvas, 96.5 x 172.7 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420887377-JNJAEL8TQ0ATZIEX8FDB/NoBigPicture_03.jpg Exhibitions - NO BIG PICTURE – 2016 Christopher Wool, Untitled (Kolnischer Kunstverein), 1991, 2 offset color lithographs, 96.5 x 63.5 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420885785-S4X1CPU810GWE0TKR0A3/NoBigPicture_04.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Michael Dumoniter, Untitled, 2004, ink and graphite on paper, 38.1 x 29.8 cm; Raymond Pettibon, No title (The End All), 1995, pen and ink on paper, 41.9 x 29.2 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420885482-UEWMQCDFU760T9SXIQT3/NoBigPicture_06.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Untitled, 1985, mixed media on paper, 19.1 x 16.5 cm; Kay Rosen, Cutout, 1993, mixed media print, 30.4 x 38.1 cm; Jeff Wall, Untitled (Edition for Parkett), 1997, silver gelatin contact print, archival paper, 20.3 x 25.4 cm; Cindy Sherman, Untitled, 1975-2001, black and white photograph, 30.5 x 25.4 cm; Andre Pettersen, Max Mara, n.d., c-print, 48.3 x 22.9 cm; Bridget Riley, Untitled, 1975-2001, lithograph, 43.2 x 35.6 cm; Rodney Graham, Drawing for Irradiation Sculpture, 1993, drawing, 26.7 x 17.8 cm; Meuser, Untitled, n.d., mixed media on paper, 31.8 x 22.9 cm; Enn Erisalu, Untitled, 1984, mixed media construction, 25.4 x 21.6 cm; Roy McMakin, Untitled, 2003, graphite on paper, 35.6 x 27.9 cm; Gary Simmons, Shine, Hooch, Backyard Brew, 2001 mpaint and chalk on paper, 16.2 x 16.2 cm; Roy McMakin, Untitled, 2003, graphite on paper, 27.9 x 35.6 cm; Enn Erisalu, Untitled, 1978, mixed media on paper, 22.9 x 17.8 cm; Enn Erisalu, 5ifty, n.d., graphite on paper, 27.9 x 43.2 cm; Kim Kennedy Austin, Principles of Pattern Cutting or Development of Surfaces (SMW 101.04), 2004, ink on paper, 55.9 x 38.1 cm; Niels Bendtsen, Ile Pouf, 2014, light core construction, engineered foam, upholstery, 126 x 66 x 42 cm, courtesy BENSEN and Inform Interiors https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420885031-L2J8KBGLV1656DVOLO2P/NoBigPicture_07.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Untitled, 1985, mixed media on paper, 19.1 x 16.5 cm; Kay Rosen, Cutout, 1993, mixed media print, 30.4 x 38.1 cm; Jeff Wall, Untitled (Edition for Parkett), 1997, silver gelatin contact print, archival paper, 20.3 x 25.4 cm; Cindy Sherman, Untitled, 1975-2001, black and white photograph, 30.5 x 25.4 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420891730-UR22RS6DKTJFCOAX6ZFH/NoBigPicture_09.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: George Stoll, Untitled sponge painting, 1999, burned balsa wood and alkyd, 17.8 x 15.2 cm; Marcel Dzama, Untitiled, 2002, ink and graphite on paper, 335.6 x 27.9 cm; Marcel Dzama, Untitled (Two women on snowbank), 2004, oil on canvas, 20.3 x 25.4 cm; Michael Dumoniter, Untitled, 2005, oil on panel, 15.2 x 20.3 cm; Sylvia Tait, For Enn and Ilana, n.d., ink on paper, 19.1 x 27.9 cm; Royal Art Lodge, 17 January 2002, 2002, watercolour, 27.9 x 21.6 cm; Julie Morstad, Untitled, 2008, watercolour, 44.5 x 36.8 cm; Marcel Dzama, Les Maîtres du mystère, 2005, watercolour, 44.5 x 36.8 cm; Marcel Dzama, Untitled, 2004, mixed media on panel, 12.7 x 8.9 cm; Lucas Aloni, Self-Portrait, 2015, mixed media on paper, 30.5 x 30.5; Jason McLean, Studio View, 1997, mixed media on board, 16.5 x 10.8 cm; Al Neil, WHO, n.d., watercolour, 27.9 x 21.6 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420892043-WK9F596BEJ91AF74V7D8/NoBigPicture_11.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Cindy Sherman, Untitled, 1975-2001, black and white photograph, 30.5 x 25.4 cm; Andre Patterson, Max Mara, n.d., c-print, 48.3 x 22.9 cm; Bridget Riley, Untitled, 1965, lithograph, 43.2 x 35.6 cm; Rodney Graham, Drawing for Irradiation Sculpture, 1993, drawing, 26.7 x 17.8 cm; Meuser, Untitled, 1984, mixed media on canvas, 31.8 x 22.9 cm; Enn Erisalu, Untitled, 1984, mixed media construction, 25.4 x 22.9 cm; Roy McMakin, Untitled, 2003, graphite on paper, 35.6 x 27.9 cm; Gary Simmons, SHine, Hooch, Backyard Brew, 2001, oil on prepared paper, 20.3 x 20.3 cm; Roy McMakin, Untitled, 2003, graphite on paper, 27.9 x 35.6 cm; Enn Erisalu, Untitled, 1978, mixed media on paper, 22.9 x 17.8 cm; Enn Erisalu, 5ify, n.d., graphite on paper, 27.9 x 43.2 cm; Kim Kennedy Austin, Principles of Pattern Cutting or Development of Surfaces(SMW 101.04), 2004, ink on paper, 55.9 x 38.1 cm; Rodney Graham, Tree on the Former Site of Camera Obscura, 1996, c-print, 55.9 x 38.1 cm; Ken Lum, "Prototype for Cushion Party" I, 1990, cushion on canvas, 50.8 x 50.8 x 19.1 cm; Al Neil, Daumal, 1983-84, collage on paper, 21.6 x 30.5 cm; Delia Brown, GTFO: Guerrilla Lounging No. 4, 2002, watercolour on paper, 15.2 x 22.9 cm; George Stoll, Untitled sponge painting, 1999, burned balsa wood and alkyd, 27.9 x 43.2 cm; Marcel Dzama, Untitled , 2002, ink and graphite on paper, 35.6 x 27.9 cm; Marcel Dzama, Untitled (Two women on snowbank), 2004, oil on canvas, 20.3 x 25.4 cm; Niels Bendtsen, Ile Pouf, 2014, light core construction, engineered foam, upholstery, 126 x 66 x 42 cm, courtesy BENSEN and Inform Interiors https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420892147-9K1L18QGXTI9RXSET1IY/NoBigPicture_12.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Rust Stain, 1991, mixed media on linen, 101.6 x 190.5 cm; Richard Artschwager, Untitled, 1997, plywood and pine, 81.3 x 76.2 x 66 cm; Ed Ruscha, IF, 2000, lithograph, 55.9 x 91.4 cm; Ken Lum, Untitled, 1993, graphite on paper, 50.8 x 66 cm; Richard Artschwager, TM-1, 1995, fir plywood and spruce, 91.4 x 76.2 x 76.2 cm; Tom Freidman, Untitled, 2002, 75 Styrofoam cups painted by hand with acrylic paint, glue, 101.6 x 5.1 cm; Enn Erisalu, Trompe L'oeil, 1993, mixed media on canvas, 80 x 95.3 cm; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3 cm; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3 cm; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3 cm; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420892149-MDPBDFYLVBE45ZK2L9VP/NoBigPicture_13.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, White Swipe, 1993, mixed media on canvas, 111.8 x 189.2 cm; Enn Erisalu, Reader Writer, 1991, mixed media on canvas, 127.0 x 188.0 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421058718-Y7DAYUGV9Z3P4SN3U3F7/NoBigPicture_14.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Untitled (two forms), 1982-83, oil on canvas, 111.8 x 189.2 cm; Enn Erisalu, Untitled, 1982, oil on canvas, 152.4 x 71.1 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420892372-LT7O3P0421T2SXZMATOO/NoBigPicture_15.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Zinc, 1990, mixed media on canvas, 144.8 x 177 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420895393-SIVMGWSXRWQ6V7S3DOVF/NoBigPicture_17.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Trompe L'oeil, 1993, mixed media on canvas, 80 x 95.3 cm; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3; Enn Erisalu; Untitled, 1974, oil on prepared paper, 20.3 x 20.3; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3; Enn Erisalu, 140 x 178 cm, 1990, mixed media on canvas, 147.3 x 177.8 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420897782-RFC3C6P087B2X9HL1O00/NoBigPicture_18.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 45.1 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 33 x 81.3 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 77.5 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 50.2 x 50.2; Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 60.3 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 35.6 x 74.9 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420899244-EEZTWVGIQN3DP5MZCTHP/NoBigPicture_20.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Richard Artschwager, Untitled, 1997, plywood and pine, 81.3 x 76.2 x 66 cm; Ed Ruscha, IF, 2000, lithograph, 55.9 x 91.4 cm; Ken Lum, Untitled, 1993, graphite on paper, 50.8 x 66 cm; Tom Friedman, Untitled, 2002, 75 styrofoam cups painted by hand with acrylic paint, glue, 101.6 x 5.1 cm; Richard Artschwager, TM-1, 1995, fir plywood and spruce, 91.4 x 76.2 x 76.2 cm; Ken Lum, Untitled, 1987, enamel on wood, 182.9 x 121.9 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420898925-QVKY57SY2ZZC81517GIK/NoBigPicture_21.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Ken Lum, Untitled, 1987, enamel on wood, 182.9 x 121.9 cm; Richard Artschwager, TM-1, 1995, fir plywood and spruce, 91.4 x 76.2 x 76.2 cm; John Baldessari, I will never make anymore boring art, 2000, wallpaper, screen print on vinyl, 38.1 x 68.6 cm; Christopher Wool, Untitled (Run Dog Run), 1991, 3 offset color lithographs, 86.4 x 68.6 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421127046-75K3DGWKFJWQ4T1BBT8M/NoBigPicture_24.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3; Enn Erisalu, Untitled, 1974, oil on prepared paper, 20.3 x 20.3 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421127119-YP5LRAFLBMSL510URVZR/NoBigPicture_25.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Untitled, 1982, oil on canvas, 96.5 x 142.2 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420903344-WILFSN4MXQ6SZVO3W38Q/NoBigPicture_26.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Andreas Gursky, Alba, 1989, c-print, 61 x 78.7 cm; Andreas Gursky, Rhurtal, 1989, c-print, 61 x 86.4 cm; Thomas Ruff, Haus 12 III, 1989-98, c-print, 30.5 x 45.7 cm; Thomas Ruff, Haus 2 II, 1989-98, c-print, 34.3 x 45.7 cm; Thomas Ruff, Haus 8 I, 1989-98, c-print, 34.3 x 45.7 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420904852-U3T3N65OIQEEKWAI49K8/NoBigPicture_28.jpg Exhibitions - NO BIG PICTURE – 2016 Gerhard Richter, 128 Fotos von Einem Bild, 1978, artist book and photo, 17.1 x 24.8 x 2.5 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420905923-PY32Y7YS70EUO8MMVAG1/NoBigPicture_29.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Notebooks https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420904195-JHVJTTCQ2XAJCIYIVCUR/NoBigPicture_31.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Zinc, 1990, mixed media on canvas, 144.8 x 177 cm; Enn Erisalu, White Swipe, 1993, mixed media on canvas, 111.8 x 189.2 cm; Richard Artschwager, Untitled, 1997, plywood and pine, 81.3 x 76.2 x 66 cm; Christof Klute, Phaenomenologica, albertus-Magnus 0 Universität, Koln, 2002, c-print, 104.1 x 83.8 cm; Jeff Wall, Diagonal composition, 1993, c-print, 41.9 x 45.7 cm; Andeas Gursky, Alba, 1989, c-print, 61 x 78.7 cm; Thomas Ruff, Ruhrtal, 1989-98, c-print, 34.3 x 45.7 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420905608-U2U6A7ZLVMSHRT0QS21M/NoBigPicture_32.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Rust Stain, 1991, mixed media on linen, 101.6 x 190.5 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421163020-49RE9A54PMX8JSI195XI/NoBigPicture_33.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 60.3 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420907330-B149XSQV22GV4EDW2YWO/NoBigPicture_34.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Untitled, 1988, mixed media construction, 50.2 x 50.2 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421191431-3H0L5T7EXEXYTB509APG/NoBigPicture_35.jpg Exhibitions - NO BIG PICTURE – 2016 Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 45.1 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597420907858-FTYV8FWDPP89WP8XUH60/NoBigPicture_36.jpg Exhibitions - NO BIG PICTURE – 2016 Installation view, from left to right: Enn Erisalu, Untitled (two forms), 1982-83, oil on canvas, 162.6 x 76.2 cm; Enn Erisalu, Untitled, 1982, oil on canvas, 152.4 x 71.1 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 45.1 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 33 x 81.3 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 77.5 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 50.2 x 50.2 cm; Enn Erisalu, Untitled, 1988, mixed media construction, 30.5 x 60.3 cm https://www.griffinartprojects.ca/exhibitions/kitchen-midden monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374849716-02INT3QXTDU7BCHKKEHX/KitchenMidden_03.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374850886-0OIANQWSK84A8NLY89XI/KitchenMidden_04.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374850434-46YKAVFIFR686Z985V9K/KitchenMidden_08.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374863261-VX8B8SHXGLMNALMYLPMB/KitchenMidden_09.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374853792-TQ5DML33RQUVA1E469JU/KitchenMidden_11.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374860675-W5YPGQ3ZPW5PYAGSXKJW/KitchenMidden_12.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374878852-ANZTKHGQI2PY9IG6BUVG/KitchenMidden_13.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374880140-IPWN4QQ3LMM60BR9CROK/KitchenMidden_14.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374885235-LQ3CJWGXMGZ3YM37CM95/KitchenMidden_15.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374881607-5CULEE82RCTS3GQ7ILVQ/KitchenMidden_18.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374884299-O8O188GOXD3WPZT19S81/KitchenMidden_19.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374884018-FOXB8TRRSOKRP7RGRV16/KitchenMidden_20.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374889063-DEPIZ45PVTSDMN297N5R/KitchenMidden_22.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374891023-HTFU9UY5HWCWHUOET02D/KitchenMidden_23.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374890452-3KMCCWVJE7JGNXEXLE99/KitchenMidden_24.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374892179-RTMLHGNKYPGAT25FZGCB/KitchenMidden_26.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374891344-A5X0XV5SJR8HON5AGLRS/KitchenMidden_27.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374894150-EK7E4FZMZU0MWF0RK5BG/KitchenMidden_28.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374899099-M7H0VG4LAVHGHVAGJE5Z/KitchenMidden_30.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374897998-WE5L444ZAM6POFJH57V5/KitchenMidden_31.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374898591-TOMMAMU7DH2OP7M6TS0I/KitchenMidden_32.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374909700-QWMBHWB72GNJCZ1YAO2O/KitchenMidden_33.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374913865-2BGZAEYD5XCG0MUBUOEO/KitchenMidden_35.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374908243-K2SVMMJ90OCW60GGD8O8/KitchenMidden_37.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374933073-2PHR7A4NU446X4UHY21F/KitchenMidden_38.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374932054-QYTQ7OOJSFIEEK544VJ2/KitchenMidden_39.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374931628-2WGI5QQ60FJKTDA9QWXZ/KitchenMidden_41.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374933265-2TVOXK52RZF297J3KFPK/KitchenMidden_42.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374934000-S7VQSIMIIIOBLJ1RWYS3/KitchenMidden_44.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374934124-BUIZ92UJ5KRHJXMHQM6R/KitchenMidden_45.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374942419-JE9W1P5GJZGYGJWZPVFR/KitchenMidden_47.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374944271-H3ZKGW1788K2QLLSDO7B/KitchenMidden_51.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374943595-NHCNCE14Y19WY6JZMQLI/KitchenMidden_53.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374945462-U7O7YPRO3STPGBR1XW4J/KitchenMidden_55.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374945716-UGGVZH7FWV0MZLR368Y2/KitchenMidden_56.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597374945268-KINH9O84S6H2RPJG7L7O/KitchenMidden_57.jpg Exhibitions - Kitchen Midden – 2016 Installation view https://www.griffinartprojects.ca/exhibitions/lewis-baltz-portfolios monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375185463-D493W51SYCJW7NWO31Y0/LewisBaltzPortfolios_01.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Joe Deal, Untitled View (Alburquerque), 1975, Gelatin silver prints, 34.9 x 34.9 cm each, Collection of the Vancouver Art Gallery, Vancouver Art Gallery Acquisitions Fund; Lewis Baltz, Continuous Fire Polar Circle, 1985, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus; Carl Andre, 36 Ace Zinc Square, 2007 Sculpture, Zinc, 243 x 243 cm, Collection of Brigitte and Henning Freybe; Bernd and Hilla Becher, Hochofen Völklingen, Saarland, D, 1986/2003, Gelatin silver print, 24.6 x 18 cm, Collection of Claudia Beck and Andrew Gruft https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375183336-EV0KN9SIZL5GJJGQU88H/LewisBaltzPortfolios_02.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Jeff Wall, Rock Surface, 2006, Gelatin silver prints, 50.2 x 40.2 cm, Collection of Claudia Beck and Andrew Gruft; Carl Andre, 36 Ace Zinc Square, 2007 Sculpture, Zinc, 243 x 243 cm, Collection of Brigitte and Henning Freybe; Robert Adams, Tract House & Outdoor Theater, Colorado Springs, 1974/1981, Gelatine silver print, 35.4 x 27.8 cm, Collection of Claudia Beck and Andrew Gruft https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375187114-CY7RQL310CXKTQFFKL5F/LewisBaltzPortfolios_03.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Carl Andre, 36 Ace Zinc Square, 2007 Sculpture, Zinc, 243 x 243 cm, Collection of Brigitte and Henning Freybe; Bernd and Hilla Becher, Hochofen Völklingen, Saarland, D, 1986/2003, Gelatin silver print, 24.6 x 18 cm, Collection of Claudia Beck and Andrew Gruft; Jeff Wall, Rock Surface, 2006, Gelatin silver prints, 50.2 x 40.2 cm, Collection of Claudia Beck and Andrew Gruft https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375184299-ZRUEN87V8GWDBHBSNSAH/LewisBaltzPortfolios_04.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Jeff Wall, Rock Surface, 2006, Gelatin silver prints, 50.2 x 40.2 cm, Collection of Claudia Beck and Andrew Gruft; Carl Andre, 36 Ace Zinc Square, 2007 Sculpture, Zinc, 243 x 243 cm, Collection of Brigitte and Henning Freybe; Robert Adams, Tract House & Outdoor Theater, Colorado Springs, 1974/1981, Gelatine silver print, 35.4 x 27.8 cm, Collection of Claudia Beck and Andrew Gruft https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375190259-NVX6UJ3NZIOAFA26F9E7/LewisBaltzPortfolios_05.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Joe Deal, Untitled View (Alburquerque), 1975, Gelatin silver prints, 34.9 x 34.9 cm each, Collection of the Vancouver Art Gallery,Vancouver Art Gallery Acquisitions Fund https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375182156-C3ILQRI3GUOBG2I6YCE5/LewisBaltzPortfolios_06.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Houston A & B, 1972, Vintage silbergelatinabzug, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375228298-EAD6G9EVFZVK3TTOYPAL/LewisBaltzPortfolios_07.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Joe Deal, Untitled View (Alburquerque), 1975, Gelatin silver prints, 34.9 x 34.9 cm each, Collection of the, Vancouver Art Gallery,Vancouver Art Gallery Acquisitions Fund; Lewis Baltz, Houston A & B, 1972, Vintage silbergelatinabzug, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375234411-JA4JR2VTPDYOQ2662T1H/LewisBaltzPortfolios_08.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Nevada, Element #1-15 , 1977, Gelatine silver prints, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375228900-KC61VTC0CONKAZAMFE3S/LewisBaltzPortfolios_09.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Lewis Baltz, Houston A & B, 1972, Vintage silbergelatinabzug, 20.3 x 25.4 cm each, Collection of David Knaus; Lewis Baltz, Nevada, Element #1-15 , 1977, Gelatine silver prints, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375237404-1EOCOG7MS87IRKPGHZAZ/LewisBaltzPortfolios_10.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Lewis Baltz, Nevada, Element #1-15 , 1977, Gelatine silver prints, 20.3 x 25.4 cm each, Collection of David Knaus; Lewis Baltz, Continuous Fire Polar Circle, 1985, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375237421-88W1K5BEL0K72Z0RLQ1L/LewisBaltzPortfolios_11.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Continuous Fire Polar Circle, 1985, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375248321-6LRBAK0KM14P8SB4N0Z9/LewisBaltzPortfolios_12.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Lewis Baltz, Continuous Fire Polar Circle, 1985, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus; Lewis Baltz, Near Reno, 1986, Gelatin silver prints, 15.9 x 24.1 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375282295-1T2VQLL9LW16ETIRW67Z/LewisBaltzPortfolios_13.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Near Reno, 1986, Gelatin silver prints, 15.9 x 24.1 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375291725-OR251XH3TCYTI0CGAIKS/LewisBaltzPortfolios_14.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Lewis Baltz, Fos Secteur 80, Element #1-21, 1987, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus; Robert Adams, Tract House & Outdoor Theater, Colorado Springs, 1974/1981, Gelatine silver print, 35.4 x 27.8 cm, Collection of Claudia Beck and Andrew Gruft https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375300183-1JICPV72BD2UAJLIBP1Z/LewisBaltzPortfolios_15.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Installation view, from left to right: Lewis Baltz, Fos Secteur 80, Element #1-21, 1987, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus; Jeff Wall, Rock Surface, 2006, Gelatin silver prints, 50.2 x 40.2 cm, Collection of Claudia Beck and Andrew Gruft https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375294792-TYUOTGYUT76B96ILEN17/LewisBaltzPortfolios_16.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Fos Secteur 80, Element #1-21, 1987, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375289089-60U1G9SYT2EM73F5GHP5/LewisBaltzPortfolios_17.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Houston A & B, 1972, Vintage silbergelatinabzug, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375337150-E7P2JGT04A0OZAGXEQ7V/LewisBaltzPortfolios_18.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Carl Andre, 36 Ace Zinc Square, 2007 Sculpture, Zinc, 243 x 243 cm, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375331359-LBTR05GS2Z97GPRT3NH2/LewisBaltzPortfolios_19.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Robert Adams, Tract House & Outdoor Theater, Colorado Springs, 1974/1981, Gelatine silver print, 35.4 x 27.8 cm, Collection of Claudia Beck and Andrew Gruft https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375338453-32B0CLYEKMZ521GAAGG3/LewisBaltzPortfolios_20.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Fos Secteur 80, Element #1-21, 1987, Gelatin silver prints, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375336889-L8KFU56NOUX0ILISHWB3/LewisBaltzPortfolios_21.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Near Reno, 1986, Gelatin silver prints, 15.9 x 24.1 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375334950-NCAJPX7AJF6YQ0DG53QI/LewisBaltzPortfolios_22.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Houston A & B, 1972, Vintage silbergelatinabzug, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375339049-LPQXHHSADUU6CEK7NNKS/LewisBaltzPortfolios_23.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Lewis Baltz, Nevada, Element #1-15 , 1977, Gelatine silver prints, 20.3 x 25.4 cm each, Collection of David Knaus https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597375344664-JVIFR8L49MBXCCG6MX96/LewisBaltzPortfolios_24.jpg Exhibitions - Lewis Baltz Portfolios – 2017 Carl Andre, 36 Ace Zinc Square, 2007 Sculpture, Zinc, 243 x 243 cm, Collection of Brigitte and Henning Freybe https://www.griffinartprojects.ca/exhibitions/a-cool-breeze monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421882878-DJMJS56FMWCS2KJUV197/ACoolBreeze1.jpg Exhibitions - A Cool Breeze – 2017 Neil Campbell, Corolla 2 (golden), 2011, Acrylic on styrene, 213.4 x 29.2 cm, Collection of Denis Walz https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421884251-06HAZJH71EPLX1UB4EM9/ACoolBreeze2.jpg Exhibitions - A Cool Breeze – 2017 Neil Campbell, Corolla 2 (golden), 2011, Acrylic on styrene, 213.4 x 29.2 cm, Collection of Denis Walz https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421886446-4IROGUGBUT80C3Y4XGN6/ACoolBreeze3.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Neil Campbell, Corolla 2 (golden), 2011, Acrylic on styrene, 213.4 x 29.2 cm, Collection of Denis Walz; Brian Fisher, Visitation, 1985, Acrylic on canvas, 71 x 71 cm, Courtesy of Winchester Gallery; Brian Fisher, Purple Mandala, 1985, Acrylic on canvas, 71 x 71 cm, Courtesy of Winchester Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421885244-R6FN616JL7LUUKHT09V7/ACoolBreeze4.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Brian Fisher, Visitation, 1985, Acrylic on canvas, 71 x 71 cm, Courtesy of Winchester Gallery; Brian Fisher, Purple Mandala, 1985, Acrylic on canvas, 71 x 71 cm, Courtesy of Winchester Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421891389-3SWJ6WVSCKY520JALM1F/ACoolBreeze5.jpg Exhibitions - A Cool Breeze – 2017 Brian Fisher, Visitation, 1985, Acrylic on canvas, 71 x 71 cm, Courtesy of Winchester Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421891226-PKYWCB9EM49O1A4N7TXN/ACoolBreeze6.jpg Exhibitions - A Cool Breeze – 2017 Brian Fisher, Purple Mandala, 1985, Acrylic on canvas, 71 x 71 cm, Courtesy of Winchester Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421884400-KKCU6VD8C4VG9HP1T6EW/ACoolBreeze7.jpg Exhibitions - A Cool Breeze – 2017 Phillip K. Smith III, Lozenge 6 Horizontal, 2014, Acrylic, plywood, custom electronics, 182.9 x 30.5 x 21.6 cm, Courtesy the artist and Royale Projects, Los Angeles https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421887792-ZPNGQ8DLRKBB8QY6NDI9/ACoolBreeze8.jpg Exhibitions - A Cool Breeze – 2017 Phillip K. Smith III, Lozenge 6 Horizontal, 2014, Acrylic, plywood, custom electronics, 182.9 x 30.5 x 21.6 cm, Courtesy the artist and Royale Projects, Los Angeles https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421887480-VR7DHOQJUJ4AUQLW9N2X/ACoolBreeze9.jpg Exhibitions - A Cool Breeze – 2017 Phillip K. Smith III, Lozenge 6 Horizontal, 2014, Acrylic, plywood, custom electronics, 182.9 x 30.5 x 21.6 cm, Courtesy the artist and Royale Projects, Los Angeles https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421888243-OWEJSOIAL3LO7HK5VAEB/ACoolBreeze10.jpg Exhibitions - A Cool Breeze – 2017 Phillip K. Smith III, Lozenge 6 Horizontal, 2014, Acrylic, plywood, custom electronics, 182.9 x 30.5 x 21.6 cm, Courtesy the artist and Royale Projects, Los Angeles https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421889584-PJRLA8NTQ4JXXZV3HWRF/ACoolBreeze11.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Helen Pashgian, Untitled (Column #5), 2010, Glass, acrylic on canvas, 233.7 x 54.6 x 49.5 cm, Collection of Brigitte and Henning Freybe; Neil Campbell, Axel, 2017, Acrylic on canvas, Variable dimensions, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421890718-QQ7LZ37H94GLZNGWXA1F/ACoolBreeze12.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Helen Pashgian, Untitled (Column #5), 2010, Glass, acrylic on canvas, 233.7 x 54.6 x 49.5 cm, Collection of Brigitte and Henning Freybe; Michael Morris, Atlantis/Jericho, 1970/2017, Mirror, Variable dimensions, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Purchased with the support of the Canada Council for the Arts Acquisition Assistance program and the Morris and Helen Belkin Foundation, 2010; Neil Campbell, Axel, 2017, Acrylic on canvas, Variable dimensions, Courtesy of the artist; Phillip K. Smith III, Arced Line (Single Push), 2014, Painted fiberglass, 60.4 x 198.1 x 28.8 cm, Courtesy the artist and Royale Projects, Los Angeles https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421890302-BQENIX7TJL0QMJLQOMB7/ACoolBreeze13.jpg Exhibitions - A Cool Breeze – 2017 Neil Campbell, Axel, 2017, Acrylic on canvas, Variable dimensions, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421890473-CZ88R05H9R9F3B5ZV6YC/ACoolBreeze14.jpg Exhibitions - A Cool Breeze – 2017 Helen Pashgian, Untitled (Column #5), 2010, Glass, acrylic on canvas, 233.7 x 54.6 x 49.5 cm, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597421895959-QZ76AB3WDI7POAIMMQ6G/ACoolBreeze15.jpg Exhibitions - A Cool Breeze – 2017 Michael Morris, Atlantis/Jericho, 1970/2017, Mirror, Variable dimensions, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Purchased with the support of the Canada Council for the Arts Acquisition Assistance program and the Morris and Helen Belkin Foundation, 2010 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422031424-PGIT0C6CABT3HAW6O7OJ/ACoolBreeze16.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Gordon Smith, Winter, 1969, Oil on canvas, 50.8 x 50.8 cm, Collection of Elsie Jang; Michael Morris, Atlantis/Jericho, 1970/2017, Mirror, Variable dimensions, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Purchased with the support of the Canada Council for the Arts Acquisition Assistance program and the Morris and Helen Belkin Foundation, 2010; John McCracken, Woosh, 2005, Resin, fiberglass, plywood, 30.5 x 231.1 x 7.6 cm, Collection of Brigitte and Henning Freybe; Gordon Smith, Untitled, 1966-67, Oil on canvas, 139.2 x 164.7 cm, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Gift of June Bellman, 2002 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422032467-T6MINWI8GKSMBTZIJI95/ACoolBreeze17.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Phillip K. Smith III, Arced Line (Single Push), 2014, Painted fiberglass, 60.4 x 198.1 x 28.8 cm, Courtesy the artist and Royale Projects, Los Angeles; Michael Morris, Atlantis/Jericho, 1970/2017, Mirror, Variable dimensions, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia.Purchased with the support of the Canada Council for the Arts Acquisition Assistance program and the Morris and Helen Belkin Foundation, 2010; Mary Corse Untitled (Beveled White Inner Band), 2010, Glass, acrylic on canvas, 244 x 122 cm, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422030865-CKKMH2JCNRZ0AUY9R55W/ACoolBreeze18.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Phillip K. Smith III, Arced Line (Single Push), 2014, Painted fiberglass, 60.4 x 198.1 x 28.8 cm, Courtesy the artist and Royale Projects, Los Angeles; Mary Corse, Untitled (Beveled White Inner Band), 2010, Glass, acrylic on canvas, 244 x 122 cm, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422032253-W4154A9L4TXFP6NKILAH/ACoolBreeze19.jpg Exhibitions - A Cool Breeze – 2017 Phillip K. Smith III, Arced Line (Single Push), 2014, Painted fiberglass, 60.4 x 198.1 x 28.8 cm, Courtesy the artist and Royale Projects, Los Angeles https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422033309-NJ44M2C59GN7M8D6O2F1/ACoolBreeze20.jpg Exhibitions - A Cool Breeze – 2017 Mary Corse, Untitled (Beveled White Inner Band), 2010, Glass, acrylic on canvas, 244 x 122 cm, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422032475-A2XDERNK9ITG0ABQ7G6T/ACoolBreeze21.jpg Exhibitions - A Cool Breeze – 2017 Gordon Smith, Winter, 1969, Oil on canvas, 50.8 x 50.8 cm, Collection of Elsie Jang https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422033131-BN1PMJZ6C3M4BZVEZR2U/ACoolBreeze22.jpg Exhibitions - A Cool Breeze – 2017 John McCracken, Woosh, 2005, Resin, fiberglass, plywood, 30.5 x 231.1 x 7.6 cm, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422034144-2MC8PTJI88BKBZ8UIZ92/ACoolBreeze23.jpg Exhibitions - A Cool Breeze – 2017 Joan Balzar, Fusion, 1967, Acrylic on canvas and neon light, 148 x 213.5 cm, Collection of the Morris and Helen, Belkin Art Gallery, The University of British Columbia. Gift of Alexander Cotter, 1998 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422034053-G4ZX7KJ5WH7KQACHI0U9/ACoolBreeze24.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: John McCracken, Woosh, 2005, Resin, fiberglass, plywood, 30.5 x 231.1 x 7.6 cm, Collection of Brigitte and Henning Freybe; Joan Balzar, Fusion, 1967, Acrylic on canvas and neon light, 148 x 213.5 cm, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Gift of Alexander Cotter, 1998 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422056692-P1QXYOZGQ97N1Y50A622/ACoolBreeze25.jpg Exhibitions - A Cool Breeze – 2017 Joan Balzar, Fusion, 1967, Acrylic on canvas and neon light, 148 x 213.5 cm, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Gift of Alexander Cotter, 1998 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422055662-W81Q8NYZ2XR85KNASQPH/ACoolBreeze26.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Laddie John Dill, Light Sentence, 1971, Glass, argon gas, 223.5 x 15 cm, Collection of Brigitte and Henning Freybe; De Wain Valentine, Ring Agate, 1968, Cast polyester resin, 48.3 x 13.9 cm plus vitrine, Collection of Brigitte and Henning Freybe; Gordon Smith, Suspended Red, 1968, Oil on canvas, 86.4 x 86.4 cm, Private collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422095972-PC8IJUOHK8V9EZ6HIZ1G/ACoolBreeze27.jpg Exhibitions - A Cool Breeze – 2017 De Wain Valentine, Ring Agate, 1968, Cast polyester resin, 48.3 x 13.9 cm plus vitrine Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422053941-2V0YK7BIZ5TXVWDUDNKV/ACoolBreeze28.jpg Exhibitions - A Cool Breeze – 2017 De Wain Valentine, Ring Agate, 1968, Cast polyester resin, 48.3 x 13.9 cm plus vitrine, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422052863-D5T3F6W46YIUZTM7AXHR/ACoolBreeze29.jpg Exhibitions - A Cool Breeze – 2017 Laddie John Dill, Light Sentence, 1971, Glass, argon gas, 223.5 x 15 cm, Collection of Brigitte and Henning Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422059600-489URLWQEBRD27773U0X/ACoolBreeze30.jpg Exhibitions - A Cool Breeze – 2017 Gordon Smith, Suspended Red, 1968, Oil on canvas, 86.4 x 86.4 cm, Private collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422057973-XBU1YPVXYGV17Z7UJUL5/ACoolBreeze31.jpg Exhibitions - A Cool Breeze – 2017 Installation view, from left to right: Gordon Smith, Untitled, 1966-67, Oil on canvas, 139.2 x 164.7 cm, Collection of the Morris and Helen Belkin Art, Gallery, The University of British Columbia. Gift of June Bellman, 2002; De Wain Valentine, Ring Agate, 1968Cast polyester resin, 48.3 x 13.9 cm plus vitrine, Collection of Brigitte and Henning Freybe; Laddie John Dill, Light Sentence, 1971, Glass, argon gas, 223.5 x 15 cm, Collection of Brigitte and Henning Freybe; Gordon Smith, Suspended Red, 1968, Oil on canvas, 86.4 x 86.4 cm, Private collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422060500-D1JAIDXMRV6K37PFZ70N/ACoolBreeze32.jpg Exhibitions - A Cool Breeze – 2017 Gordon Smith, Untitled, 1966-67, Oil on canvas, 139.2 x 164.7 cm, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Gift of June Bellman, 2002 https://www.griffinartprojects.ca/exhibitions/modernism-in-iran monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432454614-CAKF357O5Z6X51ZJQ3S3/modernism-in-iran-01.jpg Exhibitions - Modernism in Iran – 2018 Monir Shahroudy Farmanfarmaian, Don’t muddy the water, 1979, Glass, paint, ink, 30.5 cm x 30.5 cm, Collection of Houman M. Sarshar, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432449834-OYR3WZ3LC52APNUJ85KV/modernism-in-iran-02.jpg Exhibitions - Modernism in Iran – 2018 Installation view, from left to right: Mansour Ghandriz, Untitled, 1960, Oil on canvas, 98.5 cm x 63.5 cm, Collection of Houman M. Sarshar; Parviz Tanavoli, Here no one opens any gates, 1970, Bronze, 59 cm x 58.5 cm x 8 cm, Collection of the Artist; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432452922-5FOACO323XXHLHZ35TYY/modernism-in-iran-03.jpg Exhibitions - Modernism in Iran – 2018 Mansour Ghandriz, Untitled, 1960, Oil on canvas, 98.5 cm x 63.5 cm, Collection of Houman M. Sarshar, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432466496-76F8DZ6B6U0JZCAHWJD5/modernism-in-iran-04.jpg Exhibitions - Modernism in Iran – 2018 Installation view, from left to right: Bahman Mohasses, Untitled, 1966, Oil on canvas, 4 cm x 63 cm, Collection of Houman M. Sarshar; Mohammad Ehsaei, Eshgh, 1988 – present, Oil on canvas, 108 cm x 108 cm, Collection of the Artist; Mohammad Ehsaei, Eternal Alphabeth Series (Allah), 1968 – 2009, Oil on board, 14 cm x 84 cm, Private Collection; Faramarz Pilaram, Untitled, 1975, Oil on canvas, 70 cm x 99 cm, Private Collection; Faramarz Pilaram, Untitled, 1975, Oil on canvas, 70 cm x 99 cm, Private Collection; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432465730-YKQNIMZCKBHIC1OM73HN/modernism-in-iran-06.jpg Exhibitions - Modernism in Iran – 2018 Installation view, from left to right: Behjat Sadr, Siyah o Sefid, 1961, Acrylic on linen, 156 cm x 32.5 cm, Collection of Houman M. Sarshar; Mohsen Vaziri-Moghadam, Ritmo Continuo (Hakat-e modām), 1963, Mixed media, 82 cm x 35.5 cm, Collection of Houman M. Sarshar; Mohsen Vaziri-Moghadam, Untitled, 1968, Mixed media, 110 cm x 170 cm, Collection of Houman M. Sarshar; Bahman Mohasses, Untitled, 1967, Oil on board, 70 cm x 46 cm, Collection of Houman M. Sarshar; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432484791-IE21LOU1XOHS5TPKS5AJ/modernism-in-iran-07.jpg Exhibitions - Modernism in Iran – 2018 Mohsen Vaziri-Moghadam, Untitled, 1968, Mixed media, 110 cm x 170 cm, Collection of Houman M. Sarshar, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432467472-F9G46OT70QRLQUM9OCIR/modernism-in-iran-05.jpg Exhibitions - Modernism in Iran – 2018 Mohsen Vaziri-Moghadam, Ritmo Continuo (Hakat-e modām), 1963, Mixed media, 82 cm x 35.5 cm, Collection of Houman M. Sarshar, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432482361-TMUUKC1EEIYGX7T4WPJ6/modernism-in-iran-08.jpg Exhibitions - Modernism in Iran – 2018 Installation view, from left to right: Mohammad Ehsaei, Eternal Alphabeth Series (Allah), 1968 – 2009, Oil on board, 14 cm x 84 cm, Private Collection; Faramarz Pilaram, Untitled, 1975, Oil on canvas, 70 cm x 99 cm, Private Collection; Faramarz Pilaram, Untitled, 1975, Oil on canvas, 70 cm x 99 cm, Private Collection; Faramarz Pilaram, Untitled, 1970, Oil on canvas, 153.5 cm x 41.5 cm, Private Collection; Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432482448-WD8HRJ4KJ0AONDTENLZI/modernism-in-iran-09.jpg Exhibitions - Modernism in Iran – 2018 Installation view, from left to right: Farideh Lashai, Ceramic Vase, 1960, Ceramic, 25.5 cm x 7 cm, Collection of Houman M. Sarshar; Farideh Lashai, Ceramic Vase, 1960, Ceramic, 30.5 cm x 7.5 cm, Collection of Houman M. Sarshar; Farideh Lashai, Ceramic Vase, 1960, Ceramic, 30.5 cm x 8.5 cm, Collection of Houman M. Sarshar; Sirak Melkonian, Untitled, 1978, Oil on canvas, 60 cm x 70 cm, Collection of the Artist; Sirak Melkonian, Untitled, 1977, Oil on canvas, 99 cm x 69 cm, Collection of the Artist; Photo by Rachel Topham Photography https://www.griffinartprojects.ca/exhibitions/zero-ground monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432716036-BVKTBPOFNA6RICS2ZO91/zerogroundinstall1.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Kathy Slade, Alas, poor YORICK!, 2002, Oil on canvas with stick, 188 x 35.5 cm, Courtesy of the artist; Denzil Hurley, Glyph D/ZF, 2014-16, Oil on canvas, 188 x 35.5 cm, Courtesy of the artist; Denzil Hurley, Coupled Glyph A2, 2014-16, Oil on canvas on panel with sticks, 106.5 x 112 cm, Courtesy of the artist; Denzil Hurley, GlyphA/ZF, 2014-15, Oil on canvas on board with green metal pole, 147 x 61 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432718058-7D1ZOV6X82ZEOEHLAYEG/zerogroundinstall2.jpg Exhibitions - zero, ground – 2018 Kathy Slade, Alas, poor YORICK!, 2002, Embroidery on cotton, 29.8 x 40.6 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432716056-T8692U7W1M61TVFNB06R/zerogroundinstall3.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Denzil Hurley, Glyph D/ZF, 2014-16, Oil on canvas, 188 x 35.5 cm, Courtesy of the artist; Denzil Hurley, Coupled Glyph A2, 2014-16, Oil on canvas on panel with sticks, 106.5 x 112 cm, Courtesy of the artist; Denzil Hurley, GlyphA/ZF, 2014-15, Oil on canvas on board with green metal pole, 147 x 61 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432718190-Y4VEIBD23R2WLBAL19AT/zerogroundinstall4.jpg Exhibitions - zero, ground – 2018 Tacita Dean, LA Exuberance 1-15, 2016, 3-color blend lithograph on paper, 82 x 92 x 3 cm each, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432718475-FLOZWYQTJ1ZUVOJ56IUP/zerogroundinstall5.jpg Exhibitions - zero, ground – 2018 Tacita Dean, LA Exuberance 13, 2016, 3-color blend lithograph on paper, 82 x 92 x 3 cm each, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432734675-FOGTXV1U84FVDPCOGCEP/zerogroundinstall6.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Frank Stella, Tomlinson Court (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Marriage of Reason and Squalor (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Getty Tomb (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Die Fahne Hoch (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Arbeit Macht Frei (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Clinton Plaza (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Arundel Castle (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Bethlehem’s Hospital (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Club Onyx Seven Steps (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432735253-7WLWLISHTC99JU9ZZXBF/zerogroundinstall7.jpg Exhibitions - zero, ground – 2018 Frank Stella, Club Onyx Seven Steps (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432734853-V98HNY5UAJB4B08P9JU1/zerogroundinstall8.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Frank Stella, Arbeit Macht Frei (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Clinton Plaza (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Arundel Castle (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Bethlehem’s Hospital (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Frank Stella, Club Onyx Seven Steps (Black Series 1), 1967, lithograph, 42 x 59 cm, Private Collection; Andy Warhol, JFK Close-up in Black, 1968, Screen print, 58 x 58 x 3.9 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432734861-BRBJE0KK46I54TG2F5KI/zerogroundinstall9.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Rodney Graham, Untitled, 1976, Polaroid, 10.6 x 8.5 cm, Private Collection; Beate Terfloth, Vancouver Wall Drawing, 2018, Graphite, 373.4 x 134.6 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432734784-K99XUKIHE6ZJUQE19863/zerogroundinstall10.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Wolfgang Tillmans, Studio, 2012, inkjet print on paper, 30.5 x 40.6 cm, Private Collection; Myfanwy Macleod, Muladhara, 2016, Transmounted lightjet print, 182.9 x 146 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432756429-8388WH2T8JKJY0WDHQH8/zerogroundinstall11.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Philipp Lachenmann,R-SERIES DJ #9 (Donald Judd), 1995, Cibachrome on dibond, 180 x 120 cm, Private Collection; Antonia Hirsch, Mobilemobile I, 2016, Dibond, spring steel, stainless steel, 175.3 x 175.3 x 175.3 cm, Private Collection; Bettina Pousttchi, Erwin, 2012, Street bollards, powder coated, 184 x 84 x 48 cm, Private Collection; Damian Moppett, Figure and Ground I, 2016, Oil on canvas, 213.36 x 187.96 cm, Private Collection; Damian Moppett, Figure and Ground II, 2016, Oil on canvas, 213.36 x 187.96 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432756549-QVEVUX83NVTHXI1VIZAJ/zerogroundinstall12.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Antonia Hirsch, Mobilemobile I, 2016, Dibond, spring steel, stainless steel, 175.3 x 175.3 x 175.3 cm, Private Collection; Damian Moppett, Figure and Ground I, 2016, Oil on canvas, 213.36 x 187.96 cm, Private Collection; Damian Moppett, Figure and Ground II, 2016, Oil on canvas, 213.36 x 187.96 cm, Private Collection; Tara Donovan, Untitled, 2015, Ink on paper, 113.5 x 4.5 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432755074-61D9JF84R9OTBJ8JE4RV/zerogroundinstall13.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Philipp Lachenmann, R-SERIES DJ #9 (Donald Judd), 1995, Cibachrome on dibond, 180 x 120 cm, Private Collection; Antonia Hirsch, Mobilemobile I, 2016, Dibond, spring steel, stainless steel, 175.3 x 175.3 x 175.3 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432756085-SQBZQPIJST4319781811/zerogroundinstall14.jpg Exhibitions - zero, ground – 2018 Installation view, from left to right: Amber Frid-Jimenez, Burning ballet mécanique, 2018, Video, self, burnt ink on plywood, 16 min, 190.5 x 203.2 cm, Courtesy of the artist; Stan Douglas, Hogan’s Alley, 2014, digital c-print on dibond aluminum, 157.5 x 309.9 x 7.6 cm https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597432756307-W8NPG5FSUR35IB08QI4O/zerogroundinstall15.jpg Exhibitions - zero, ground – 2018 Amber Frid-Jimenez, Burning ballet mécanique, 2018, Video, self, burnt ink on plywood, 16 min, 190.5 x 203.2 cm, Courtesy of the artist https://www.griffinartprojects.ca/exhibitions/flower-petal-tongues monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433197119-K038UI48RP5C99OSKE00/FlowerPetalTongues_1.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Judy Radul, Silver Screen, 2012, plexiglass, 16 foot theatrical curtain, 224 x 76 x 33 cm, Courtesy of Catriona Jeffries, Vancouver; Germaine Koh, NO NO NO / ON ON ON, 2009, printed plastic signs with self-adhesive vinyl, 38 x 30.5 cm, Collection of Donna and Robert Poile https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433197847-06LNGSWD4ZGQ4H9D1KE5/FlowerPetalTongues_2.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Valérie Blass, Je suis une image, 2014, forton, modified hanging system, underwear, synthetic hair extensions, 127 x 46 x 71 cm, Collection of Joe Friday & Grant Jameson; Judy Radul, Silver Screen, 2012, plexiglass, 16 foot theatrical curtain, 224 x 76 x 33 cm, Courtesy of Catriona Jeffries, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433197706-TJ6MBU8OE4RDRR9SBMJ9/FlowerPetalTongues_3.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Joyce Wieland, The Arctic belongs to itself, 1973, 48/50 lithograph, 32.5 x 42.5 cm. Collection of Joe Friday & Grant Jameson; Valérie Blass, Je suis une image, 2014, forton, modified hanging system, underwear, synthetic hair extensions, 127 x 46 x 71 cm, Collection of Joe Friday & Grant Jameson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433197621-CA9HRZC4II0JMIZR94KY/FlowerPetalTongues_4.jpg Exhibitions - Flower Petal Tongues – 2018 Valérie Blass, Je suis une image, 2014, forton, modified hanging system, underwear, synthetic hair extensions, 127 x 46 x 71 cm, Collection of Joe Friday & Grant Jameson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433197694-1ARHW4U88BX9NLZG0ABF/FlowerPetalTongues_5.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Janet Werner, Jo, 2014, Oil on canvas, 78.5 x 61 cm, Collection of Jim Ruyter; Sharon Hayes, May 1st, 2012, 5 Letterpress prints (framed), Edition of 5, 36.8 x 50.2 cm, Collection of Joe Friday & Grant Jameson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433218912-OAVZNJVNKHQY8JQNS4IU/FlowerPetalTongues_6.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Sharon Hayes, May 1st, 2012, 5 Letterpress prints (framed), Edition of 5, 36.8 x 50.2 cm Collection of Joe Friday & Grant Jameson; Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm, Private Collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433221082-FYBMKJ5F4IYGPIEBUO3Z/FlowerPetalTongues_7.jpg Exhibitions - Flower Petal Tongues – 2018 Sharon Hayes, May 1st, 2012, 5 Letterpress prints (framed), Edition of 5, 36.8 x 50.2 cm, Collection of Joe Friday & Grant Jameson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433220651-VZUS5EQL9WLYR9TPWK6W/FlowerPetalTongues_8.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Judy Radul, Silver Screen, 2012, plexiglass, 16 foot theatrical curtain, 224 x 76 x 33 cm, Courtesy of Catriona Jeffries, Vancouver; Annette Kelm, Backstage, 2004, c-print, 4 parts, 40.5 x 150 cm, Collection of Joe Friday & Grant Jameson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433220396-772RSAK9METHGYSRVK1D/FlowerPetalTongues_9.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Jenine Marsh, Untitled Arrangement 1, 2016, Flowers, synthetic rubber, polyacrylic, dental floss, 22.9 x 7.6 x 5 cm, Private collection, Toronto; Liz Magor, Red Dot, 2015, wool, plastic, 54 x 88 x 4 cm, Collection of Donna and Robert Poile https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433221133-O06H6E94LTK2K54QTSR3/FlowerPetalTongues_10.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Janet Werner, Jo, 2014, Oil on canvas, 78.5 x 61 cm, Collection of Jim Ruyter; Cynthia Daignault, Light into twilight, emptiness into waiting presence, 2013, Oil on linen, 244 x 213 cm, Private Collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433243956-OKE22U40AF6479Z9XJ03/FlowerPetalTongues_11.jpg Exhibitions - Flower Petal Tongues – 2018 Janet Werner, Jo, 2014, Oil on canvas, 78.5 x 61 cm, Collection of Jim Ruyter https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433243266-HQOT7JCJYXCSLTMK5CQG/FlowerPetalTongues_12.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Cynthia Daignault, Light into twilight, emptiness into waiting presence, 2013, Oil on linen, 244 x 213 cm, Private Collection, Vancouver; Joyce Wieland, Hand Flower Penis Film Study, 1963, Ink drawing, 25.4 x 20.3 cm, Collection of Joe Friday & Grant Jameson; Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm, Private Collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433243730-E25U5DCS6Y4Q75G2TL36/FlowerPetalTongues_13.jpg Exhibitions - Flower Petal Tongues – 2018 Liz Magor, Still Alive, 2016, polymerized gypsum, deerskin jacket, 48 x 86 x 27 cm, Private Collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433242336-XUQI18GX5C1NOYERPP3C/FlowerPetalTongues_14.jpg Exhibitions - Flower Petal Tongues – 2018 Jana Sterbak, Cones on fingers, 1979 (1995), ed. 4/15, Gelatin silver print, 51 x 36.5 cm, Collection of Joe Friday & Grant Jameson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433260693-NU3HLNNZPZB18APW3I14/FlowerPetalTongues_15.jpg Exhibitions - Flower Petal Tongues – 2018 Maria Hupfield, YES YES YES NO NO NO, 2013, Video, 9:41, Courtesy of Robin and Malcolm Anthony https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433261214-TG9F0RONA4YERNNIDY3V/FlowerPetalTongues_16.jpg Exhibitions - Flower Petal Tongues – 2018 Installation view, from left to right: Joyce Wieland, Hand Flower Penis Film Study, 1963, Ink drawing, 25.4 x 20.3 cm, Collection of Joe Friday & Grant Jameson; Annette Kelm, Backstage, 2004, c-print, 4 parts, 40.5 x 150 cm, Collection of Joe Friday & Grant Jameson; Jenine Marsh, Untitled Arrangement 1, 2016, Flowers, synthetic rubber, polyacrylic, dental floss, 22.9 x 7.6 x 5 cm, Private collection, Toronto, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433261325-CMB9TDBDIX7VUVC14JZG/FlowerPetalTongues_17.jpg Exhibitions - Flower Petal Tongues – 2018 Jenine Marsh, Untitled Arrangement 1, 2016, Flowers, synthetic rubber, polyacrylic, dental floss, 22.9 x 7.6 x 5 cm, Private collection, Toronto, Courtesy of the artist https://www.griffinartprojects.ca/exhibitions/the-poets-have-always-preceded monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433673577-DG1U4IUVH3SN0QU819HW/thepoetshavealwayspreceded_install1.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Fran Herndon, Fleece + Dolmen, 1961, Acrylic on Canvas, 88.9 x 114.3 cm, Collection of Scott Watson; bill bisset, Nine various paintings, 1974, acrylic on board, 27 x 30 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, morocco, 1976, acrylic on board, 25 x 50 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Untitled, 1992, acrylic on board, 27 x 30 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, 3 wizards, 1983, acrylic on board, 61 x 45.5 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Untitled, 1983, acrylic on board, 56 x 50 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, circa 1968, acrylic on board, 47 x 71, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1965, acrylic on board, 47 x 71 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1971, acrylic on board, 38 x 51 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, dancing kiyots, 1986, acrylic on board, 62 x 62 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1972, acrylic on board, 25.5 x 31 cm, Collection of Karen Tallman and Brian Debeck; Geoffrey Farmer, Actor / Dancer / Carver, 2003, lightjet print, basket, wood, rope, VHS video loop, video camera, monitor, various materials, dimensions variable, Private Collection, Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433673955-42JCA9BTEHBYDD1LTFA6/thepoetshavealwayspreceded_install2.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Judith Copithorne, Poster for Poem Drawings, 1969, Print, 49.5 cm x 33 cm, Courtesy of the artist; Judith Copithorne, Release, 1969, ink, paper, 20.32 x 25.4 cm, Courtesy of the artist; Robin Blaser, Untitled, n.d., acrylic, collage, bird wing, glass bulb, 86.3 x 112 x 12 cm, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Gift from the Estate of Robin Blaser, donated by David Farwell; Fran Herndon, Everything as Expected, 1955, Mixed media, 48.42 x 71.12 cm, Collection of Karen Tallman and Brian DeBeck; Fran Herndon, Black Angel, 1955, Mixed media, 48.42 x 71.12 cm, Collection of Christos Dikeakos; Fran Herndon, White Rabbit, 1954, Lithograph, 17.78 x 25.4 cm, Collection of David Farwell; Jess, Section Through Hairy Skin, 1954, Mixed media, 63.5 x 63.5 cm, Collection of the David Farwell; Jess, The poet’s lofty brow, 1954, ink on paper, 17.78 x 25.4 cm, Collection of the David Farwell https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433672666-AW7J2H47YTPCV0V9Y8UZ/thepoetshavealwayspreceded_install3.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Judith Copithorne, Poster for Poem Drawings, 1969, Print, 49.5 cm x 33 cm, Courtesy of the artist; Judith Copithorne, Release, 1969, ink, paper, 20.32 x 25.4 cm, Courtesy of the artist; Robin Blaser, Untitled, n.d., acrylic, collage, bird wing, glass bulb, 86.3 x 112 x 12 cm, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia. Gift from the Estate of Robin Blaser, donated by David Farwell. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433673890-FC8F9DEUWGHMXN1JDSOU/thepoetshavealwayspreceded_install4.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Fran Herndon, Everything as Expected, 1955, Mixed media, 48.42 x 71.12 cm, Collection of Karen Tallman and Brian DeBeck; Fran Herndon, Black Angel, 1955, Mixed media, 48.42 x 71.12 cm, Collection of Christos Dikeakos; Fran Herndon, White Rabbit, 1954, Lithograph, 17.78 x 25.4 cm, Collection of David Farwell; Jess, Section Through Hairy Skin, 1954, Mixed media, 63.5 x 63.5 cm, Collection of the David Farwell; Jess, The poet’s lofty brow, 1954, ink on paper, 17.78 x 25.4 cm, Collection of the David Farwell; Jess/ Robert Duncan, Broadside, 1966, Print on paper, 50.8 x 88.9 cm, Collection of Karen Tallman and Brian DeBeck; Roy Kiyooka, David, Gladys Max & Daphne, Double Exposure, 1981, photograph, 90 x 80 cm, Collection of Daphne Marlatt https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433674106-UL0QEZEBUN5NTM6QAS68/thepoetshavealwayspreceded_install5.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: bill bisset, Nine various paintings, 1974, acrylic on board, 27 x 30 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, morocco, 1976, acrylic on board, 25 x 50 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Untitled, 1992, acrylic on board, 27 x 30 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, 3 wizards, 1983, acrylic on board, 61 x 45.5 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Untitled, 1983, acrylic on board, 56 x 50 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, circa 1968, acrylic on board, 47 x 71, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1965, acrylic on board, 47 x 71 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1971, acrylic on board, 38 x 51 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, dancing kiyots, 1986, acrylic on board, 62 x 62 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1972, acrylic on board, 25.5 x 31 cm, Collection of Karen Tallman and Brian Debeck; Judith Copithorne, Poster for Poem Drawings, 1969, Print, 49.5 cm x 33 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433697533-W49HE6NUO18091XG4XM0/thepoetshavealwayspreceded_install6.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: bill bisset, Nine various paintings, 1974, acrylic on board, 27 x 30 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, morocco, 1976, acrylic on board, 25 x 50 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Untitled, 1992, acrylic on board, 27 x 30 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, 3 wizards, 1983, acrylic on board, 61 x 45.5 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Untitled, 1983, acrylic on board, 56 x 50 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, circa 1968, acrylic on board, 47 x 71, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1965, acrylic on board, 47 x 71 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1971, acrylic on board, 38 x 51 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, dancing kiyots, 1986, acrylic on board, 62 x 62 cm, Collection of Karen Tallman and Brian Debeck; bill bisset, Nine various paintings, 1972, acrylic on board, 25.5 x 31 cm, Collection of Karen Tallman and Brian Debeck https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433697569-W7NCQ0LOH138RBBGQIBX/thepoetshavealwayspreceded_install7.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Roy Kiyooka, Fontaine Bleu Dream Machine, 1977, Print portfolio, 18 framed images, 35 x 60 cm, Collection of Denis Walz; Al Neil, Pythagoras, 1984, mixed media,acrylic on board, 25 x 50 cm, Collection of Christos Dikeakos; Al Neil, Easy Street, 1982, mixed media, 45 x 53 cm, Collection of Denis Walz; Al Neil, Untitled, 1982, Mixed media, 45 x 60 cm, Collection of Denis Walz; Carole Itter, Talk Walks Tongue Around Teeth, 1968, 10 at 10 x 14” framed, Pen and pencil on paper, 25.4 at 25.4 x 35.5 cm, Courtesy the artist; Carole Itter, Untitled, 1962, Ink drawing, 40 x 47 cm, Courtesy of the artist; Carole Itter, Untitled, 1962- 63, drawing, 35 x 45 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433698108-WKXF47FKGAK0O1M23435/thepoetshavealwayspreceded_install8.jpg Exhibitions - the poets have always preceded – 2019 Roy Kiyooka, Fontaine Bleu Dream Machine, 1977, Print portfolio, 18 framed images, 35 x 60 cm, Collection of Denis Walz https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433696299-VZVERHJQMA0ELYO2TF4C/thepoetshavealwayspreceded_install9.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Carole Itter, Talk Walks Tongue Around Teeth, 1968, 10 at 10 x 14” framed, Pen and pencil on paper, 25.4 at 25.4 x 35.5 cm, Courtesy the artist; Carole Itter, Untitled, 1962, Ink drawing, 40 x 47 cm, Courtesy of the artist; Carole Itter, Untitled, 1962- 63, drawing, 35 x 45 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433697086-QSOD35GWK6EMNMPROAAQ/thepoetshavealwayspreceded_install10.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Rhoda Rosenfeld, from Maps of the World, 1977, graphite on paper, 110 x 80 cm, Collection of Meredith and Peter Quartermain; Rhoda Rosenfeld, Geobiology from Maps of the World, 1970-73, silver gelatin prints, 36 x 28 cm, Courtesy of the artist; Roy Kiyooka, Fontaine Bleu Dream Machine, 1977, Print portfolio, 18 framed images, 35 x 60 cm, Collection of Denis Walz https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433713686-APQ3JIC1VK7CW11T415E/thepoetshavealwayspreceded_install11.jpg Exhibitions - the poets have always preceded – 2019 Rhoda Rosenfeld, Geobiology from Maps of the World, 1970-73, silver gelatin prints, 36 x 28 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433717620-XM91Y1FCK1JHQI5P4W2C/thepoetshavealwayspreceded_install12.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Marian Penner Bancroft, for Susan/seasons after, 1979, silver gelatin prints, 16 27.94 x 35.56 cm, Private Collection; Dennis Wheeler, Homage to Artaud, 1969, graphite, paper, board, glass, 35.5 x 28 cm, Collection of Karen Tallman and Brian DeBeck; Pierre Coupey, Painting the Lion from a Claw (for DMcN), 1976, Acrylic on canvas, 152.4 x 152.4 cm, Private Collection, West Vancouver; Christos Dikeakos, Language Mask for Robin Blaser, 1985, Mixed media, 63 x 82 cm, Collection of David Farwell https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433716289-BAQX5X0FGLZKNYO18LYW/thepoetshavealwayspreceded_install13.jpg Exhibitions - the poets have always preceded – 2019 Marian Penner Bancroft, for Susan/seasons after, 1979, silver gelatin prints, 16 27.94 x 35.56 cm, Private Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433717436-7QWDFXMQLB49RSRR6DUU/thepoetshavealwayspreceded_install14.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Trudy Rubenfeld, Scenes from Painting Without End , 1983-84, c prints, 30 x 25 cm, Courtesy of the artist; Trudy Rubenfeld, Scenes from Painting Without End , 1983-84, c prints, 30 x 25 cm, Courtesy of the artist; Nancy Shaw, Picture Window (Green Acres), 1987, photography, 82 x 61 cm, Collection of Gillian Wood; Nancy Shaw, Vista (From Affordable Tedium), 1988, photography, 28 x 22 cm, Collection of Gillian Wood; Nancy Shaw, Vista (From Affordable Tedium), 1988, photography, 28 x 22 cm, Collection of Gillian Wood; Judith Copithorne, Untitled, 1992, Lettraset, 21.59 x 27.94 cm, Courtesy of the artist; Judith Copithorne, Untitled, 1992, Lettraset, 21.59 x 27.94 cm, Courtesy of the artist; Judith Copithorne, Untitled, 1992, Lettraset, 21.59 x 27.94 cm, Courtesy of the artist; Judith Copithorne, Untitled, 1992, Lettraset, 21.59 x 27.94 cm, Courtesy of the artist; Pierre Coupey, After Olson I, 1987, Graphite on Arches paper, 76.2 x 52.15 cm, Private Collection, West Vancouver; Pierre Coupey, After Olson IV, 1987, Graphite on Arches paper, 76.2 x 52.15 cm , Private Collection, West Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433717437-CCE6GOJAIEME03BM8MZL/thepoetshavealwayspreceded_install15.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Pierre Coupey, After Olson I, 1987, Graphite on Arches paper, 76.2 x 52.15 cm, Private Collection, West Vancouver; Pierre Coupey, After Olson IV, 1987, Graphite on Arches paper, 76.2 x 52.15 cm, Private Collection, West Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433735097-78NCYF1PL3KM7VW6KE8S/thepoetshavealwayspreceded_install16.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Geoffrey Farmer, Banana and Grass, 2014,paint, foam, grass, metal stand, 2 wooden wall façades, window, sandbags, banana: 67 x 12 x 12 in. (170 x 31 x 31 cm), grass: 76 x 21 x 21 in. (193 x 54 x 54 cm), each wall façade: 96 x 48 x 3 in. (244 x 122 x 7 cm), Private Collection, Vancouver; Peter Culley, Area A, 2003-2014, photography, dimensions variable, Courtesy of the artist’s estate; Judy Radul, Clapping until mildy exhausted. about endings (black and white stills and typography), 1998, black and white stills and typography, 75 x 98 cm, Courtesy of the artist and Catriona Jeffries; Roy Kiyooka, Untitled, 1985, photograph, 215 x 21 cm, Collection of Karen Tallman and Brian DeBeck; Robert Duncan, Broadside, 1983, 41 x 50 inches, Collection of Meredith and Peter Quartermain; Jack Spicer, The Oaks (Broadside), 2005, 43 x 36 cm, Collection of Meredith and Peter Quartermain; bill bissett, Untitled, 1984, mixed media, 32 x 40 cm, Collection of Scott Watson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433734875-93HHEF1R7WEZE2FYJ7VQ/thepoetshavealwayspreceded_install17.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Geoffrey Farmer, Banana and Grass, 2014,paint, foam, grass, metal stand, 2 wooden wall façades, window, sandbags, banana: 67 x 12 x 12 in. (170 x 31 x 31 cm), grass: 76 x 21 x 21 in. (193 x 54 x 54 cm), each wall façade: 96 x 48 x 3 in. (244 x 122 x 7 cm), Private Collection, Vancouver; Judy Chartrand, If this is what you call being ‘Civilized’, I’d rather go back to being a ‘SAVAGE’, 1997, Ceramic and glaze, 30 x 30 x 8 cm, Collection of Maryon Adelaar; Peter Culley, Area A, 2003-2014, photography, dimensions variable, Courtesy of the artist’s estate https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433735833-D6E2ZUZVENTT9IPTL02J/thepoetshavealwayspreceded_install18.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Judy Radul, Clapping until mildy exhausted. about endings (black and white stills and typography), 1998, black and white stills and typography, 75 x 98 cm, Courtesy of the artist and Catriona Jeffries; Roy Kiyooka, Untitled, 1985, photograph, 215 x 21 cm, Collection of Karen Tallman and Brian DeBeck; Stan Douglas, Monodramas, 1991, video, dimensions variable, Courtesy of the artist and Maryon Adelaar; Robin Blaser, Nomad, 1995, 53 x 74 cm, Collection of Meredith and Peter Quartermain; Robert Duncan, Broadside, 1983, 41 x 50 inches, Collection of Meredith and Peter Quartermain; Jack Spicer, The Oaks (Broadside), 2005, 43 x 36 cm, Collection of Meredith and Peter Quartermain; bill bissett, Untitled, 1984, mixed media, 32 x 40 cm, Collection of Scott Watson https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433734659-RJSBH7ONM61IW1VHL7U5/thepoetshavealwayspreceded_install19.jpg Exhibitions - the poets have always preceded – 2019 Trudy Rubenfeld, undone, 2017, digital video, 3 minutes, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433734412-WAGWXO8ZVTB6XHGJJXBH/thepoetshavealwayspreceded_install20.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Judy Chartrand, If this is what you call being ‘Civilized’, I’d rather go back to being a ‘SAVAGE’, 1997, Ceramic and glaze, 30 x 30 x 8 cm, Collection of Maryon Adelaar; Peter Culley, Area A, 2003-2014, photography, dimensions variable, Courtesy of the artist’s estate https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433765686-6MOLPDGZ58KM50NW8S9Z/thepoetshavealwayspreceded_install21.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Judy Radul, Postmodern Screen, 2012, Magazine, plexi, highlighters, 142 x 36 x 43 cm, Courtesy of the artist and Catriona Jeffries, Vancouver; Beau Dick (Kwakwaka’wakw), Bookwus Costume, 2016, multimedia, 161 cm x 55cm x 115cm, Collection of Michael O’Brian; Beau Dick (Kwakwaka’wakw), Winatkagilas, 2017, wood, wool, dimensions variable, Collection of Sarah Macauley; Tiziana La Melia, Who is the Boss of My Dreams?, 2015, multi media, dimensions variable, Courtesy of the artist and Unit 17; Tiziana la Melia, D-O-G, 2017, Mirror steel, light source, dimensions variable, Courtesy of the artist and Unit 17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433777598-NXA2ICS4EMGF9H4YTO1Q/thepoetshavealwayspreceded_install22.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Beau Dick (Kwakwaka’wakw), Bookwus Costume, 2016, multimedia, 161 cm x 55cm x 115cm, Collection of Michael O’Brian; Beau Dick (Kwakwaka’wakw), Winatkagilas, 2017, wood, wool, dimensions variable, Collection of Sarah Macauley https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433766322-1HPWUVMAHKR4SZA8DYBY/thepoetshavealwayspreceded_install23.jpg Exhibitions - the poets have always preceded – 2019 Installation view, from left to right: Tiziana La Melia, Who is the Boss of My Dreams?, 2015, multi media, dimensions variable, Courtesy of the artist and Unit 17; Tiziana la Melia, D-O-G, 2017, Mirror steel, light source, dimensions variable, Courtesy of the artist and Unit 17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433765238-R2C9VL5EQA0M3X5X23MM/thepoetshavealwayspreceded_install24.jpg Exhibitions - the poets have always preceded – 2019 Tiziana la Melia, D-O-G, 2017, Mirror steel, light source, dimensions variable, Courtesy of the artist and Unit 17 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597433766312-76RV7BRH7TXHYG1HVFXA/thepoetshavealwayspreceded_install25.jpg Exhibitions - the poets have always preceded – 2019 Carole Itter, Snake, 1967, Driftwood and ink, 87 x 7 x 18 cm, Courtesy of the artist https://www.griffinartprojects.ca/exhibitions/personne monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434337436-I2JRDR2GIKNPST829TQ4/personne_1.jpg Exhibitions - Person/ne – 2019 Stephen Waddell, Restorer, 2014, 2014, Archival pigment print, 83.8 × 66 cm, Private collection, West Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434339040-2NJ57K77XM03UPGB32U8/personne_2.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Léon Maurice Henri Coupey, Eleven postcards, 1864-1925, Ink, graphite, crayon on card, 15.24 x 8.89 cm approx. each, Collection Pierre Coupey, West Vancouver; Léon Maurice Henri Coupey, Fifteen postcards, 1864-1925, Ink, graphite, crayon on card, 15.24 x 8.89 cm approx. each, Collection Holly Coupey, Toronto; Léon Maurice Henri Coupey, Eleven Postcards, 1864-1925, Ink, graphite, crayon on card, 15.24 x 8.89 cm approx. each, Collection Pierre Coupey, West Vancouver; Léon Maurice Henri Coupey, Four Postcards, 1864-1925, Ink, graphite, crayon on card, 15.24 x 8.89 cm approx. each, Collection Annik Coupey-Smith, Eastbourne UK https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434342066-31UAQLSFM84NHU0TT3N8/personne_3.jpg Exhibitions - Person/ne – 2019 Léon Maurice Henri Coupey, Fifteen postcards, 1864-1925, Ink, graphite, crayon on card, 15.24 x 8.89 cm approx. each, Collection Holly Coupey, Toronto https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434339942-EBMKB0395GZMUNQWTJYR/personne_4.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Ann Newdigate, Sentences: She had never touched a camera before, 1986, Cotton warp. Mixed media, weft: silk, linen, wool, synthetic blends, 198.12 x 198.12 cm, Collection of the Artist; Unknown, Five war rugs, untitled, c. 2000-2005, Wool, 48.42 x 71.12 cm, Collection of Laing and Kathleen Brown; Christian Boltanski, Christian Boltanski et ses frères (Christian Boltanski and his brothers), 1969, Photograph, 30 x 24.5 cm, Private Collection, West Vancouver; Duane Linklater, Untitled 2 (a poem for Jimmie Durham), 2014, Collage, Sage and DK cigarette boxes, labels, poem excerpt, 46.6 x 38.9 x 3.8 cm, Private Collection, West Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434379081-B0ZU4GN4ALZELOKDNBF3/personne_5.jpg Exhibitions - Person/ne – 2019 Unknown, Five war rugs, untitled, c. 2000-2005, Wool, Dimensions variable, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434399198-W1RA0KEZE90DSHQCHFZI/personne_6.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Unknown, Kwakwa̱ka̱ʼwakw, Unknown, Dance Apron, c. 1900, Mixed Media, 57 x 88 x 12 cm, Collection of Laing and Kathleen Brown; Ann Newdigate, Sentences: Fanakalo and the Vanishing Signs, 1993, Cotton warp, Mixed Media, weft: silk, linen, cotton, wool, synthetic blends, 167.64 x 137.15 cm, Collection of the Artist; Ann Newdigate, Sentences: She had never touched a camera before, 1986, Cotton warp. Mixed media, weft: silk, linen, wool, synthetic blends, 198.12 x 198.12 cm, Collection of the Artist; Unknown, Five war rugs, untitled, c. 2000-2005, Wool, Dimensions variable, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434398949-VZUPVOH2T46SWG8BQ7F6/personne_7.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Shawn Hunt, Moon Ancestor, 2019, Mixed Media, wooden mask, Dimensions variable, Inna and Michael O'Brian Collection; Stephan Balkenhol, Figure: Woman in purple dress (Figurensäule: Frau mit violletem Kleid), 2005, Sculpture, Wawa wood, painted, acrylic on board, 165.5 x 35 x 25.5 cm, Private Collection, West Vancouver; Sonny Assu, Longing #29, 2013, Bronze, 48.3 x 22.9 x 30.5 cm, Collection of Bruce Wright; Yevgeniy Fiks, Adopt Lenin, 2008, Metal and Adoption Certificate, 22 x 16 cm, 29 x 23 cm, Collection of Laing and Kathleen Brown; Norman Tait, Weeping Volcano Woman, n.d, Alder, hair (horse), 45.7 x 33 x 25.4 cm, Inna and Michael O'Brian Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434399153-JG5MKYLFB53LOQMQFAL6/personne_8.jpg Exhibitions - Person/ne – 2019 Weeping Volcano Woman, n.d, Alder, hair (horse), 45.7 x 33 x 25.4 cm, Inna and Michael O'Brian Collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434398913-0TNFROR58S5ATI8XQHWA/personne_9.jpg Exhibitions - Person/ne – 2019 Yevgeniy Fiks, Adopt Lenin, 2008, Metal and Adoption Certificate, 22 x 16 cm, 29 x 23 cm, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434398193-U83FKA5HTR1CWAEXW7D7/personne_10.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Zoe Kreye, Headjug, Ritual Object for Pleasure and Dionysus, 2018, Ceramic, Dimensions Variable, Collection of the Artist; Ricarda Roggan, Apokryphen (Kurt Tucholsky, Handscheuhe), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Martin Luthere, Holzstuck), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Martin Heidegger, Taschenuer), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Ernst Junger, Zundholzer), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Christoph Martin Wieland, Rindenstuck), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Arthur Schnitzler, Brille), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434413338-QUZQ359H34YE96ELMX7P/personne_11.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Ricarda Roggan, Apokryphen (Kurt Tucholsky, Handscheuhe), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Martin Luthere, Holzstuck), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Martin Heidegger, Taschenuer), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Ernst Junger, Zundholzer), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Christoph Martin Wieland, Rindenstuck), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Ricarda Roggan, Apokryphen (Arthur Schnitzler, Brille), 2014, Silver bromide print, 50.8 x 52.8 x 3.3 cm, Private Collection, West Vancouver; Zoe Kreye, Headjug, Ritual Object for Pleasure and Dionysus, 2018, Ceramic, Dimensions Variable, Collection of the Artist; Janet Werner, Back (landscape), 2018, Oil on canvas, 70 x 78.7 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Ruth, 2019, Oil on canvas, 50.8 x 40.6 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Little G, 2018, Oil on canvas, 78.7 x 61 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Welch St., 2019, Oil on canvas, 91.4 x 61 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Still life,, 2018, Oil on canvas, 70 x 78.7 cm, Courtesy of the artist and Parisian Laundry, Montreal https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434413890-0QIP6WWRBRTXDCOSZ0UW/personne_12.jpg Exhibitions - Person/ne – 2019 Zoe Kreye, Headjug, Ritual Object for Pleasure and Dionysus, 2018, Ceramic, Dimensions Variable, Collection of the Artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434414939-4B2MUVX0DDUSHKJZP6LC/personne_13.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Janet Werner, Back (landscape), 2018, Oil on canvas, 70 x 78.7 cm, Courtesy of the artist and Vivianeart, Calgary; Janet Werner, Ruth, 2019, Oil on canvas, 50.8 x 40.6 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Little G, 2018, Oil on canvas, 78.7 x 61 cm, Courtesy of the artist and Vivianeart, Calgary; Janet Werner, Welch St., 2019, Oil on canvas, 91.4 x 61 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Still life, 2018, Oil on canvas, 70 x 78.7 cm, Courtesy of the artist and Vivianeart, Calgary; Janet Werner, Kit, 2019, Oil on canvas, 61 x 55.9 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Beacon, 2019, Oil on canvas, 121.9 x 91.4 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Double Lips, 2018, Oil on canvas, 50.8 x 61 cm, Courtesy of the artist and Vivianeart, Calgary; Janet Werner, Frost., 2019, Oil on canvas, 61 x 50.8 cm, Courtesy of the artist and Vivianeart, Calgary https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434416380-2XRXCWC5IN331M7XKBWD/personne_14.jpg Exhibitions - Person/ne – 2019 Janet Werner, Still life, 2018, Oil on canvas, 70 x 78.7 cm, Courtesy of the artist and Vivianeart, Calgary https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434416511-8P0KKU8A5YKOR7NR1VAU/personne_15.jpg Exhibitions - Person/ne – 2019 Janet Werner, Double Lips, 2018, Oil on canvas, 50.8 x 61 cm, Courtesy of the artist and Vivianeart, Calgary https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434433013-AXM725NU8QWX0CQ4098U/personne_16.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Janet Werner, Kit, 2019, Oil on canvas, 61 x 55.9 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Beacon, 2019, Oil on canvas, 121.9 x 91.4 cm, Courtesy of the artist and Parisian Laundry, Montreal; Janet Werner, Double Lips, 2018, Oil on canvas, 50.8 x 61 cm, Courtesy of the artist and Vivianeart, Calgary; Janet Werner, Frost., 2019, Oil on canvas, 61 x 50.8 cm, Courtesy of the artist and Vivianeart, Calgary; Sophie Calle, The Dice, 2000, Ivory dice set in red leather box with satin lining (printed with gold text), suede and, leather interior, die, display box, 8.9 x 7.3 x 7.3 cm, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434434345-B6GZAVS33FVD9E8VW3RH/personne_17.jpg Exhibitions - Person/ne – 2019 Sophie Calle, The Dice, 2000, Ivory dice set in red leather box with satin lining (printed with gold text), suede and leather interior, die, display box, 8.9 x 7.3 x 7.3 cm, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434436986-7ZK1NHEL0PTJI5TB48KG/personne_18.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Mahdyar Jamshidi, The Ecology of Pain: Pooran Farrokhzad, 2016, Black and White inkjet photograph, 116 x 82.50 cm, each, Courtesy of the Artist; Lam Wong, 間 / MA, 2019, Mixed Media, Dimensions variable, Courtesy of the Artist; Stan Douglas, Pembury Estate, 2017, C-print on dibond , 156.6 x 306.6 x 10.8 cm, Private Collection, West Vancouver https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434437249-0PE1PZFT0S0KWHV1OI7W/personne_19.jpg Exhibitions - Person/ne – 2019 Lam Wong, 間 / MA (detail), 2019, Mixed Media, Dimensions variable, Courtesy of the Artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434436474-MMFOJEBW3ARIPCQBUGE2/personne_20.jpg Exhibitions - Person/ne – 2019 Mahdyar Jamshidi, The Ecology of Pain: Pooran Farrokhzad, 2016, Black and White inkjet photograph, 116 x 82.50 cm, each, Courtesy of the Artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434454870-HG581IM7YEWUGWPNUS2Z/personne_21.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Stan Douglas, Pembury Estate, 2017, C-print on dibond , 156.6 x 306.6 x 10.8 cm, Private Collection, West Vancouver; Lam Wong, 間 / MA (detail), 2019, Mixed Media, Dimensions variable, Courtesy of the Artist; Sima Khorammi, Sima’s Story, 1989, 16mm b/w, 20 minutes, Courtesy of the artist; Ai Wei Wei, Handcuffs, 2012, Huali wood, 40 x 13 x 2.5 cm, Collection of Bruce Wright; Sislej Xhafa, Beh-rang, 2004, Mirror steel, light source, Single channel video, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434454726-1J2DTEURB2C4KBCVX6N8/personne_22.jpg Exhibitions - Person/ne – 2019 Sislej Xhafa, Beh-rang, 2004, Mirror steel, light source, Single channel video, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434454375-AAQA6QUWPRP25HNACK75/personne_23.jpg Exhibitions - Person/ne – 2019 Installation view, from left to right: Sima Khorammi, Sima’s Story, 1989, 16mm b/w, 20 minutes, Courtesy of the artist; Ai Wei Wei, Handcuffs, 2012, Huali wood, 40 x 13 x 2.5 cm, Collection of Bruce Wright; Sislej Xhafa, Beh-rang, 2004, Mirror steel, light source, Single channel video, Collection of Laing and Kathleen Brown https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434454699-8Y8WJV05FMS2VYFGVX03/personne_24.jpg Exhibitions - Person/ne – 2019 Ai Wei Wei, Handcuffs, 2012, Huali wood, 40 x 13 x 2.5 cm, Collection of Bruce Wright https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434454683-9BXIOIO8SZCBUEEPJUUI/personne_25.jpg Exhibitions - Person/ne – 2019 Emily Jacir, Crossing Surda (a record of going to and from work), 2002, DVD, 132’ 48” and 32’ 45” videos, Collection of Laing and Kathleen Brown https://www.griffinartprojects.ca/exhibitions/monsoon monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434735732-PX6QQEL912QAC29B7P6S/monsoon_01.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Katie Ohe, deluge 2, 2014, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Ron Moppett; Katie Ohe, Monsoon 2, 2006, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of L. Frederick Valentine; Katie Ohe, Carpet, 1974, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Artist; Katie Ohe, Monsoon, 2005, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of L. Frederick Valentine; Katie Ohe, Janet’s Crown, 2000, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Ron Moppett; Katie Ohe, Horizontal Loop, 1972, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Artist; Katie Ohe, Typhon, 2008, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Ron Moppett https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434738876-MQWSHZ4M1ZC13F0U7L2A/monsoon_02.jpg Exhibitions - MONSOON – 2019 Katie Ohe, Weeping Bees, 2007, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Ray Todd https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434738818-1BUSKURFASIZ3Z82MY6J/monsoon_03.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Katie Ohe, deluge 2, 2014, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Ron Moppett; Katie Ohe, Monsoon 2, 2006, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of L. Frederick Valentine; Katie Ohe, Carpet, 1974, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Artist; Katie Ohe, Monsoon, 2005, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of L. Frederick Valentine; Katie Ohe, Janet’s Crown, 2000, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Ron Moppett; Katie Ohe, Horizontal Loop, 1972, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Artist; Katie Ohe, Typhon, 2008, Colour silkscreen on paper, 15.9 x 15.9 cm, Collection of Ron Moppett; Katie Ohe, Carpet, 1976-77, Bronze, Dimensions variable, ed. 2/2, Collection of Illingworth Kerr Gallery, Alberta University of the Arts; Katie Ohe, Carpet, 1976-77, Bronze, Dimensions variable, ed. 1/2, Collection of the Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434738376-U8KSTTA2MPYXZBNY5EJC/monsoon_04.jpg Exhibitions - MONSOON – 2019 Evan Penny, Anamorphic Projection, Variation #1, 1995, Resin, pigment, flocking, 325.1 x 81.3 x 5.1 cm, Collection of the Artist, Courtesy of TrépanierBaer https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434738189-MLIEU2TN8WM4D0QXYHP3/monsoon_05.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Katie Ohe, Carpet, 1976-77, Bronze, Dimensions variable, ed. 2/2, Collection of Illingworth Kerr Gallery, Alberta University of the Arts; Katie Ohe, Carpet, 1976-77, Bronze, Dimensions variable, ed. 1/2, Collection of the Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434753784-D3AO0L3BYM6D3NUGN6QN/monsoon_06.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Christian Eckart, Curved Monochrome Painting - 5th Variation #2005-1, 2002, Extreme-effect acrylic urethane on hand formed aluminum panel, 213.4 x 83.8 x 10.2 cm, Courtesy of TrépanierBaer Gallery; Evan Penny, Male Torso Model, 2016, Silicone, hair, pigment, aluminum, wood, 48.3 x 22.9 x 19 cm, Collection of the Artist, Courtesy of TrépanierBaer; Katie Ohe, Walking, 1977, Bronze, 70 x 25 x 18 cm, Collection of TransCanada Artwork; Robin Arseneault, Mask (edition 1 of 2; series of 10), 2016, Carbon Archival Inkjet Print on Hahnememuhle, Bamboo Paper, 91.4 x 91.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Robin Arseneault, Mask (edition 1 of 2; series of 10), 2016, Carbon Archival Inkjet Print on Hahnememuhle Bamboo Paper, 91.4 x 91.4 cm, Collection of Mike Hilton and Carrie Dayman; Katie Ohe, Horizontal Loop, 1973, Chrome plated steel, Dimensions variable, Collection of Artist, Courtesy of Herringer Kiss Gallery; Isla Burns, Puja Kadali, 2012, Steel, wood, 198.1 x 50.8 cm, Collection of the Artist, Courtesy of Wallace Galleries; Katie Ohe, “Crack Pot” Pot, c. 1963, Stoneware, 22.9 x 19 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434753533-P2YS7AGUDW96SQRR3JE5/monsoon_07.jpg Exhibitions - MONSOON – 2019 Christian Eckart, Curved Monochrome Painting - 5th Variation #2005-1, 2002, Extreme-effect acrylic urethane on hand formed aluminum panel, 213.4 x 83.8 x 10.2 cm, Courtesy of TrépanierBaer Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434753784-DNRQQQKVK8UK4B9WMW01/monsoon_08.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Robin Arseneault, The Egoist, 2018, Glaze and 24k gold lustre on ceramic, 24.1 x 39.4 x 3.5 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Robin Arseneault, Bullseye, 2018, Glaze and 24k gold lustre on ceramic, 22 x 24.1 x 2.5 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Isla Burns, Puja Kadali, 2012, Steel, wood, 198.1 x 50.8 cm, Collection of the Artist, Courtesy of Wallace Galleries; Robin Arseneault, Divide, 2018, Archival print on Entrada Rag Bright, mounted on DiBond, 101.6 x 152.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434753937-L3T3ZAAKR00B4L22I2R6/monsoon_09.jpg Exhibitions - MONSOON – 2019 Isla Burns, Puja Kadali, 2012, Steel, wood, 198.1 x 50.8 cm, Collection of the Artist, Courtesy of Wallace Galleries https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434753397-67PEWNDE54C7UGFODJ0E/monsoon_10.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Robin Arseneault, Sad Eyes, 2018, Glaze and 24k gold lustre on ceramic, 24.1 x 39.4 x 3.5 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Robin Arseneault, The Egoist, 2018, Glaze and 24k gold lustre on ceramic, 24.1 x 39.4 x 3.5 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Robin Arseneault, Bullseye, 2018, Glaze and 24k gold lustre on ceramic, 22 x 24.1 x 2.5 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434771845-DOFLJQA9ZY9MVD0JDG69/monsoon_11.jpg Exhibitions - MONSOON – 2019 Robin Arseneault, Bullseye, 2018, Glaze and 24k gold lustre on ceramic, 22 x 24.1 x 2.5 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434771908-NJHY9D0BEJS0TDHB7A4W/monsoon_12.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Robin Arseneault, Divide, 2018, Archival print on Entrada Rag Bright, mounted on DiBond, 101.6 x 152.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Robin Arseneault, Squeeze, 2018, Archival print on Entrada Rag Bright, mounted on DiBond, 101.6 x 152.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Robin Arseneault, Drip, 2018, Archival print on Entrada Rag Bright, mounted on DiBond, 101.6 x 152.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434773381-8EBVE2T87LQISHWU8ZX2/monsoon_13.jpg Exhibitions - MONSOON – 2019 Robin Arseneault, Divide, 2018, Archival print on Entrada Rag Bright, mounted on DiBond, 101.6 x 152.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434772664-QKLFLURRUBM8Z2BCU3HD/monsoon_14.jpg Exhibitions - MONSOON – 2019 Katie Ohe, Monsoon, 2006, Polished welded steel, automobile paint, internal mechanical rotary system, Dimensions Variable, Collection of the Alberta Foundation for the Arts and Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434772759-XW8SSSS2GO714UV0T68V/monsoon_15.jpg Exhibitions - MONSOON – 2019 Katie Ohe, Monsoon, 2006, Polished welded steel, automobile paint, internal mechanical rotary system Dimensions Variable, Collection of the Alberta Foundation for the Arts and Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434788508-YA7V4475Q2J5FUCI39WI/monsoon_16.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Evan Penny, Male Torso Model, 2016, Silicone, hair, pigment, aluminum, wood, 48.3 x 22.9 x 19 cm, Collection of the Artist, Courtesy of TrépanierBaer; Katie Ohe, Walking, 1977, Bronze, 70 x 25 x 18 cm, Collection of TransCanada Artwork; Robin Arseneault, Mask (edition 1 of 2; series of 10), 2016, Carbon Archival Inkjet Print on Hahnememuhle Bamboo Paper, 91.4 x 91.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery; Robin Arseneault, Mask (edition 1 of 2; series of 10), 2016, Carbon Archival Inkjet Print on Hahnememuhle Bamboo Paper, 91.4 x 91.4 cm, Collection of Mike Hilton and Carrie Dayman https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434788670-ZVI7400L2Z6JWY6E074R/monsoon_17.jpg Exhibitions - MONSOON – 2019 Evan Penny, Male Torso Model, 2016, Silicone, hair, pigment, aluminum, wood, 48.3 x 22.9 x 19 cm, Collection of the Artist, Courtesy of TrépanierBaer https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434788937-03N1A8ZMVFF3JUCKIP0E/monsoon_18.jpg Exhibitions - MONSOON – 2019 Katie Ohe, Walking, 1977, Bronze, 70 x 25 x 18 cm, Collection of TransCanada Artwork https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434789018-LL722VJSW4JEZ57M6ST6/monsoon_19.jpg Exhibitions - MONSOON – 2019 Robin Arseneault, Mask (edition 1 of 2; series of 10), 2016, Carbon Archival Inkjet Print on Hahnememuhle Bamboo Paper, 91.4 x 91.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery, Collection of Mike Hilton and Carrie Dayman https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434789014-LIOLZG4OKOYYHYHMXZAQ/monsoon_20.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Katie Ohe, Mind Over Bearing, 2018, Silicone, hair, pigment, aluminum, wood, 102.9 x 22.9 x 19 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery; Katie Ohe, Horizontal Loop, 1973, Chrome plated steel, Dimensions variable, Collection of Artist, Courtesy of Herringer Kiss Gallery; Katie Ohe, Father’s Prayer, c. 1998, Steel, 45.7 x 12.7 x 40.6 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery; Katie Ohe, Doodle Tower, 2018, Aluminum, steel, automobile paint, 68.6 x 12.7 x 12.7 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434806200-M3TMVBDSJ5XTSW0YIAMR/monsoon_21.jpg Exhibitions - MONSOON – 2019 Katie Ohe, Mind Over Bearing, 2018, Silicone, hair, pigment, aluminum, wood, 102.9 x 22.9 x 19 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434807313-MVHYQV6ADDIN3V1UE6GY/monsoon_22.jpg Exhibitions - MONSOON – 2019 Katie Ohe, “Crack Pot” Pot, c. 1963, Stoneware, 22.9 x 19 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434808497-CWE2KLZHN30Q3QIHPVGU/monsoon_23.jpg Exhibitions - MONSOON – 2019 Katie Ohe, Horizontal Loop, 1973, Chrome plated steel, Dimensions variable, Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434807389-S89531T90U2Q7G63KUK8/monsoon_24.jpg Exhibitions - MONSOON – 2019 Installation view, from left to right: Robin Arseneault, Mask (edition 1 of 2; series of 10), 2016, Carbon Archival Inkjet Print on Hahnememuhle Bamboo Paper, 91.4 x 91.4 cm, Collection of the Artist, Courtesy of Jarvis Hall Gallery, Collection of Mike Hilton and Carrie Dayman; Katie Ohe, Horizontal Loop, 1973, Chrome plated steel, Dimensions variable, Collection of Artist, Courtesy of Herringer Kiss Gallery; Christian Eckart, Endless Line Painting, CNC Type #1905, 2001, 1/4” aluminum plate with unique aluminum extrusion, 170.18 x 114.93 x 12.7 cm, Collection of Yves Trépanier and Cheryl Gottselig; Katie Ohe, Venetian Puddle, 1977, Chrome plated steel, 24.9 x 96.5 x 9.5 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434820701-0KOQMEA2JLV8O2ZG0D80/monsoon_25.jpg Exhibitions - MONSOON – 2019 Christian Eckart, Endless Line Painting, CNC Type #1905, 2001, 1/4” aluminum plate with unique aluminum extrusion, 170.18 x 114.93 x 12.7 cm, Collection of Yves Trépanier and Cheryl Gottselig https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597434821885-NPZ0OB4Z7YM5UQXK5583/monsoon_26.jpg Exhibitions - MONSOON – 2019 Katie Ohe, Venetian Puddle, 1977, Chrome plated steel, 24.9 x 96.5 x 9.5 cm, Collection of Artist, Courtesy of Herringer Kiss Gallery https://www.griffinartprojects.ca/exhibitions/now-bulletin monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776627971-VSFOAQ7BPVMGQ4YXDKCK/Griffin_GNK_6.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: NOW Bulletin: Monday, May 29, 1972 offset print xerox on coloured paper; Garry Neill Kennedy, Remembering Names (New York Tech), c1990s, yellow ink on yellow lined paper, Collection of the Artist; Garry Neill Kennedy, Remembering Names (Cal Arts), 1974, ink on paper, Collection of the Artist; Garry Neill Kennedy, Summary Drawing, 1977, graphite and coloured pencil on paper, Collection of the Artist; June Leaf, Portrait of Dion and John, 1987, oil on canvas; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605333622076-V8WY30VVQQNNC6K29VRC/GNK_Griffin_1.jpg Exhibitions - NOW BULLETIN – 2020 NOW Bulletin: Monday, May 29, 1972 offset print xerox on coloured paper https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776640288-SUJWITDZPF42UJIAR4KE/Griffin_GNK_13.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Garry Neill Kennedy, Remembering Names (New York Tech), c1990s, yellow ink on yellow lined paper, Collection of the Artist; Garry Neill Kennedy, Remembering Names (Cal Arts), 1974, ink on paper, Collection of the Artist; Garry Neill Kennedy, Summary Drawing, 1977, graphite and coloured pencil on paper, Collection of the Artist; June Leaf “Dear Garry Of The Golden Years)” letter, August 11, 1997 ink on paper; June Leaf “Dear Kennedys, I’m Remembering the Smelt Hunt” letter, n.d., Ink on paper; June Leaf, Portrait of Dion and John, 1987 oil on canvas; photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605333589235-IM3EQRNDB31RDDFWZ0M4/GNK_Griffin_4.jpg Exhibitions - NOW BULLETIN – 2020 Lawrence Weiner, Portrait of Garry Neill Kennedy, 1990, photograph with irregular matte https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776627140-E90Y418KNDYI7TWRTRI3/Griffin_GNK_5.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Garry Neill Kennedy, Q (from QUID PRO QUO), 2015, acrylic on canvas, Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, Gift of the artist, 2015; Lawrence Weiner, Wave After Wave, Marian Goodman Gallery: 3 April 2002, signed NYC, 2002 offset lithography, folded poster; Lawrence Weiner, Unter Den Linden, n.d., rubber stamp with red ink on paper; Lawrence Weiner, A Box Made of Wood Built Upon the Ashes of a Box Made of Wood, n.d., die-cut stencil on pulp board; Lawrence Weiner, Placed Over a Space…, Chinese Chance New York City exhibition announcement, n.d., colour lithograph on paper; Lawrence Weiner, Northern Polar Circuit, 1986, ink drawing with blue ink rubber stamp marks on folded paper; Lawrence Weiner, All Built In The Same Erector Set, January 28, 2000 photocopy of a thermal fax; Lawrence Weiner, Mi Casa Es Su Casa, n.d., original drawing on cut card, in folk art frame; Lawrence Weiner, Far Away Hills…, September, 1986, ink and watercolour drawing on paper; Lawrence Weiner (with Cathy Busby and Garry Neill Kennedy), Leafing through Posters: November 1965—April 1986 and printer’s dummy, 2020 video, 17 min 58 sec; Lawrence Weiner, Portrait of Garry Neill Kennedy, 1990, photograph with irregular matte; Garry Neill Kennedy, Untitled Drawings, 2019, ink on paper; Garry Neill Kennedy, 3 Reproductions: Mr. Garry Neill Kennedy with Mr. Michael Snow, 1971, black and white photograph; Garry Neill Kennedy, Studio International: Journal of Modern Art, Vol.184, No. 948, page 141 October, 1972, Letterpress; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776641015-94DI4JTIUN2DU0SADU78/Griffin_GNK_15.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Garry Neill Kennedy, Studio International: Journal of Modern Art, Vol.184, No. 948, page 141 October, 1972 Letterpress; Garry Neill Kennedy, My Grade Four Class, Cote de Neiges School in Montreal, P.Q. 1946, 1970, digital print photograph with ink; Garry Neill Kennedy, My Grade Four Class, Cote de Neiges School in Montreal, P.Q. 1946, c. 1946, original archival photograph; Garry Neill Kennedy, St. Catharines Saints Basketball Team (circa 1953), 1953, original archival photograph; Garry Neill Kennedy, St. Catharines Saints Basketball Team (circa 1953), 2019, digital print photograph with ink, Collection of the Artist; Garry Neill Kennedy, Remembering Names (St. Catharines), 1969, two pages, graphite on lined paper; Garry Neill Kennedy, Remembering Names (Montreal), 1969, two pages, graphite on lined paper; photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776627597-180RMYU20XI2LD38XYOI/Griffin_GNK_2.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Joseph Beuys, Poster, 1973, silkscreen on newsprint, edition 82/180; Joseph Beuys, Two Untitled Drawings, n.d., graphite on paper napkins; Joseph Beuys, “Dear Garry Kennedy” Letter, 1976, ink on paper; Donald Judd, De Toqueville, 1971, offset print on paper; Bruce Nauman, Body Pressure, 1974, poster, offset printing on pink paper; Richards Jarden, Running in Place (simulation), 1970, offset lithographs, six black and white photographs, text card, manila envelope; Richards Jarden, Falling, 1970, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, High Tide (simulation), 1970s, offset lithographs, six black and white photographs, text card, manila envelope; Richards Jarden, Sunset (simulation), 1970s, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, TRAFFIC JAM, 1970, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, Cinderella, 1970, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, Facial Angle, 1970s, offset lithographs, ten black and white photographs, text card, manila envelope; Richards Jarden, Untitled (proposed layout for Avalanche Magazine, Fall 1971), 1970, black and white contact print photographs on paper; Andy Warhol, Vote McGovern, 1972, silkscreen, Gemini G.E.L. Los Angeles, edition 250; Andy Warhol, Letter on Andy Warhol films, Inc. letterhead, 1972, ink on paper; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605333666043-BR5KWH9CPZ2W07KZ7NVN/GNK_Griffin_2.jpg Exhibitions - NOW BULLETIN – 2020 Joseph Beuys, Poster, 1973, silkscreen on newsprint, edition 82/180 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776636978-3H3Q1OCZT8QI3Y4YZ1MJ/Griffin_GNK_10.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Joseph Beuys, Poster, 1973, silkscreen on newsprint, edition 82/180; Joseph Beuys, Two Untitled Drawings, n.d., graphite on paper napkins; Joseph Beuys, “Dear Garry Kennedy” Letter, 1976, ink on paper; Vitrine: Joseph Beuys, Intuition Box, 1968, wood; Richard Artschwager, Blip, c. 1970s, resin with felt base; Richard Artschwager, Blip, c. 1980s, rubber on paper; Sherrie Levine, 2 Shoes for $2, 1977, black leather with brown laces, a pair of size 2 boy’s shoes; N.E. Thing Co., Art Is All Over, 1972, button/metal pin; Susanna Heller, Two Buoys Sculpture, 1980, wood & nickel chain; N.E. Thing Co., NETCo VSI Business Card, c. 1969, offset printing two sides on card stock, Donald Judd, De Toqueville, 1971, offset print on paper; Bruce Nauman, Body Pressure, 1974 poster, offset printing on pink paper; Richards Jarden, Running in Place (simulation), 1970, offset lithographs, six black and white photographs, text card, manila envelope; Richards Jarden, Falling, 1970, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, High Tide (simulation), 1970s, offset lithographs, six black and white photographs, text card, manila envelope; Richards Jarden, Sunset (simulation), 1970s, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, TRAFFIC JAM, 1970, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, Cinderella, 1970, offset lithographs, seven black and white photographs, text card, manila envelope; Richards Jarden, Facial Angle, 1970s, offset lithographs, ten black and white photographs, text card, manila envelope; Richards Jarden, Untitled (proposed layout for Avalanche Magazine, Fall 1971), 1970, black and white contact print photographs on paper; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776637853-0UJDETW0BCTTB8ZPKVHQ/Griffin_GNK_12.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Martha Wilson Posturing, 1973 colour photograph in original frame chosen by artist; June Leaf, Merry Christmas Everyone, June and Robert, n.d., painting on tin can; Robert Frank, Letter (and envelope), Feb 22, 1974, ink on paper; Robert Frank, Untitled Photostat, 1985, photo collage (on NSCAD letterhead); Robert Frank, Laguna Beach, California, postcard signed June & Robert, c. 1984 postcard; June Leaf, Photograph of June Leaf and Garry Kennedy, c. 1986, colour photograph; June Leaf Garry’s Eye, n.d., graphite on paper; June Leaf “Dear Garry Of The Golden Years)” letter, August 11, 1997 ink on paper; June Leaf “Dear Kennedys, I’m Remembering the Smelt Hunt” letter, n.d., Ink on paper; June Leaf, Portrait of Dion and John, 1987 oil on canvas; photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605333605266-QNUQVR6DQIQQYN4TYV1Q/GNK_Griffin_5.jpg Exhibitions - NOW BULLETIN – 2020 June Leaf “Dear Garry Of The Golden Years)” letter, August 11, 1997 ink on paper https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776641253-AHM16A2YZTHCYQEL7WHP/Griffin_GNK_14.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Martha Wilson Posturing, 1973 colour photograph in original frame chosen by artist; June Leaf, Merry Christmas Everyone, June and Robert, n.d., painting on tin can; Robert Frank, Letter (and envelope), Feb 22, 1974, ink on paper; Robert Frank, Untitled Photostat, 1985, photo collage (on NSCAD letterhead); Robert Frank, Laguna Beach, California, postcard signed June & Robert, c. 1984 postcard; June Leaf, Photograph of June Leaf and Garry Kennedy, c. 1986, colour photograph; June Leaf Garry’s Eye, n.d., graphite on paper; June Leaf “Dear Garry Of The Golden Years)” letter, August 11, 1997 ink on paper; June Leaf “Dear Kennedys, I’m Remembering the Smelt Hunt” letter, n.d., Ink on paper; June Leaf, Portrait of Dion and John, 1987 oil on canvas; Garry Neill Kennedy, GARRY NEILL KENNEDY, 1986, graphite, ink, yellow pencil crayon, eight drawings on gridded vellum paper, Collection of the Artist; Garry Neill Kennedy, An Eye for An Eye, 2014, silkscreen print with six colour variations; photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776632804-4B71BN7T5E10K63HS4AS/Griffin_GNK_7.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Joseph Beuys, Poster, 1973, silkscreen on newsprint, edition 82/180; Joseph Beuys, Two Untitled Drawings, n.d., graphite on paper napkins; Joseph Beuys, “Dear Garry Kennedy” Letter, 1976, ink on paper; Donald Judd, De Toqueville, 1971, offset print on paper; Bruce Nauman, Body Pressure, 1974 poster, offset printing on pink paper; Gerald Ferguson, Maintenance Painting #54, 1979, latex on canvas; Gerald Ferguson, Maintenance Painting #77, 1979, latex on canvas; Kaspar Koenig, 6136, n.d., colour photocopy with ink on paper; Garry Neill Kennedy, Four Seasons – Spring, 1998, paint colour chips and drawings; Garry Neill Kennedy, Four Seasons – Summer, 1998, paint colour chips and drawings; Garry Neill Kennedy, Four Seasons – Fall, 1998, paint colour chips and drawings; Garry Neill Kennedy, Four Seasons – Winter, 1998, paint colour chips and drawings, Collection of the Artist; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776627780-B5WRYYR16VV4MD3TX2GZ/Griffin_GNK_3.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Garry Neill Kennedy, GARRY NEILL KENNEDY, 1986, graphite, ink, yellow pencil crayon, eight drawings on gridded vellum paper, Collection of the Artist; Garry Neill Kennedy, American History Painting (Cross Section), 1991-2011, Photograph, Collection of the Artist; Kaspar Koenig, Various Postcards, Drawings, Printed Matter / Correspondence, dates various, offset lithography and ink on paper; Garry Neill Kennedy, An Eye for An Eye, 2014, silkscreen print with six colour variations; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605333608703-T9RZTVB3AVPLMIF49GUV/GNK_Griffin_3.jpg Exhibitions - NOW BULLETIN – 2020 Kaspar Koenig, Various Postcards, Drawings, Printed Matter https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776632441-EJQ8V0JZMD5ZATXO6PNW/Griffin_GNK_8.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Emmett Williams, Portrait of Garry Neill Kennedy, 1970, silkscreen, artist proof (framed with Group Portrait); Emmett Williams, Group Portrait, 1970, silkscreen, artist proof (framed with Portrait of Garry Neill Kennedy); Emmett Williams, Letter, n.d., ink on paper; James Lee Byars, The Black Book (100 Questions), 1971, black tissue paper (with gold offset lithograph), (verso) typed list of 100 questions on paper; James Lee Byars, Letter on American Airlines Letterhead, n.d., red ballpoint ink on paper; Jan Dibbets, Art & Project Bulletin 56, June, 1972, offset lithograph, one fold; Sol Lewitt, Art & Project Bulletin 43, September, 1971, folded offset lithograph on paper; Sol Lewitt, Letter, n.d., ink on paper; Gilbert & George, The Greeting Cards, Early Days, 1973, offset lithography on card stock; Gilbert & George, The Greeting Cards, London Dry, 1973, offset lithography on card stock; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776627091-RLT8FP1GONAK8KE9W2CU/Griffin_GNK_4.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Gilbert & George, The Greeting Cards, Early Days, 1973, offset lithography on card stock; Gilbert & George, The Greeting Cards, London Dry, 1973, offset lithography on card stock; John Giorno, Poetry Reading, Sept. 18, 1973, offset lithograph on coloured card; John Giorno, Party Invitation Announcement on the Occasion of the Publication of His Book, 1973, offset print; Richard Deacon, Performance at University of Essex, c.1970, offset print, two-sided (signed); John Baldessari, Ingres from Ingres and Other Parables, 1970/72, off-set prints; Miriam Schapiro, December 1974, 1974, silkscreen; David Askevold, Dog Sense, 1986, photograph; David Askevold, Halifax Travelogue, March 1969, Bus Route 12, Midway between every block, 1969, twenty-two black & white photographs; David Askevold, Dashiell Hammett & Martin Shubik (Banbrock),1970, print; David Askevold, The Two Hanks, n.d., three black & white photographs; Ian Murray, The Artist Sees in Many Ways, 1971, photographic print; Ian Murray, Artist’s Gesture, 1970, photo-booth printout, signed on back; Ian Murray, The Artist’s Studio, 1970, photographic print on matte board, signed on back; Ian Murray, The Artist Does a Bit Part, 1970 photo-booth printout; Dan Graham, Ziggurat Skyscraper (signed on back), 1969, photograph; Dan Graham, Horizontal Roll, 1971, performance documentation; Garry Neill Kennedy, Remembering Names (Montreal), 1969, two pages, graphite on lined paper; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776627321-ZHPAN631K5P65YBXGF4E/Griffin_GNK_1.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Emmett Williams, Portrait of Garry Neill Kennedy, 1970, silkscreen, artist proof (framed with Group Portrait); Emmett Williams, Group Portrait, 1970, silkscreen, artist proof (framed with Portrait of Garry Neill Kennedy); Garry Neill Kennedy, Q (from QUID PRO QUO), 2015, acrylic on canvas, Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, Gift of the artist, 2015; Lawrence Weiner, Wave After Wave, Marian Goodman Gallery: 3 April 2002, signed NYC, 2002, offset lithography, folded poster; Lawrence Weiner, Unter Den Linden, n.d., rubber stamp with red ink on paper; Lawrence Weiner, A Box Made of Wood Built Upon the Ashes of a Box Made of Wood, n.d., die-cut stencil on pulp board; Lawrence Weiner, Placed Over a Space..., Chinese Chance New York City exhibition announcement, n.d., colour lithograph on paper; Lawrence Weiner, Northern Polar Circuit, 1986, ink drawing with blue ink rubber stamp marks on folded paper; Lawrence Weiner, All Built In The Same Erector Set, January 28, 2000, photocopy of a thermal fax; Lawrence Weiner, Mi Casa Es Su Casa, n.d., original drawing on cut card, in folk art frame; Lawrence Weiner, Far Away Hills..., September, 1986, ink and watercolour drawing on paper; Lawrence Weiner (with Cathy Busby and Garry Neill Kennedy), Leafing through Posters: November 1965— April 1986 and printer’s dummy, 2020, video, 17 min 58 sec; David Askevold, Dog Sense, 1986, photograph; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605572238570-ZN5DM23EFGF76JUF0DFM/Q.jpg Exhibitions - NOW BULLETIN – 2020 Garry Neill Kennedy, Q (from QUID PRO QUO), 2015, acrylic on canvas, Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, Gift of the artist, 2015 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776636615-G083HQYV3X03A1F927V1/Griffin_GNK_11.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Lawrence Weiner, Wave After Wave, Marian Goodman Gallery: 3 April 2002, signed NYC, 2002 offset lithography, folded poster; Lawrence Weiner, Unter Den Linden, n.d., rubber stamp with red ink on paper; Lawrence Weiner, A Box Made of Wood Built Upon the Ashes of a Box Made of Wood, n.d., die-cut stencil on pulp board; Lawrence Weiner, Placed Over a Space…, Chinese Chance New York City exhibition announcement, n.d., colour lithograph on paper; Lawrence Weiner, Northern Polar Circuit, 1986, ink drawing with blue ink rubber stamp marks on folded paper; Lawrence Weiner, All Built In The Same Erector Set, January 28, 2000 photocopy of a thermal fax; Lawrence Weiner, Mi Casa Es Su Casa, n.d., original drawing on cut card, in folk art frame; Lawrence Weiner, Far Away Hills…, September, 1986, ink and watercolour drawing on paper; Lawrence Weiner (with Cathy Busby and Garry Neill Kennedy), Leafing through Posters: November 1965—April 1986 and printer’s dummy, 2020 video, 17 min 58 sec; Vitrine: Lawrence Weiner, Posters: November 1965 – April 1986, 1986offset lithography (co-published by Art Metropole and NSCAD Press), 178 pp; Lawrence Weiner, [TURNED] RED AS WELL AS BLACK, March, 1972, postcard; Lawrence Weiner, MOVED PICTURES NYC, c. 1970s, offset printing; Lawrence Weiner, Ships At Sea NOT Ducks on a Pond, n.d., Postcard; Lawrence Weiner, Within Forward Motion, n.d., letterpress on card; Lawrence Weiner, 5 GALLONS WATER BASE TEMPERA PAINT POURED DIRECTLY ON THE FLOOR…, 1969, postcard; Lawrence Weiner, De Pis En Pire, n.d., postcard; David Askevold, Dog Sense, 1986, photograph; photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604776635212-GY82B1ZWA9PSV332DU24/Griffin_GNK_9.jpg Exhibitions - NOW BULLETIN – 2020 Installation view, from left to right: Leafing through Posters: November 1965—April 1986 and printer’s dummy, 2020 video, 17 min 58 sec, David Askevold, Dog Sense,1986, photograph; David Askevold, Halifax Travelogue, March 1969, Bus Route 12, Midway between every block, 1969, twenty-two black & white photographs; David Askevold, Dashiell Hammett & Martin Shubik (Banbrock),1970, Print; David Askevold, The Two Hanks, n.d., three black & white photographs; Ian Murray, The Artist Sees in Many Ways, 1971, photographic print; Ian Murray, Artist’s Gesture, 1970, photo-booth printout, signed on back; Ian Murray, The Artist’s Studio, 1970, photographic print on matte board, signed on back; Ian Murray,The Artist Does a Bit Part, 1970, photo-booth printout; Dan Graham, Ziggurat Skyscraper (signed on back), 1969, photograph; Dan Graham, Horizontal Roll, 1971, performance documentation; Garry Neill Kennedy, Remembering Names (St. Catharines), 1969, two pages, graphite on lined paper; Garry Neill Kennedy, Remembering Names (Montreal), 1969, two pages, graphite on lined paper; photo Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1605333605066-26POFFXUND4Z011L029O/GNK_Griffin_6.jpg Exhibitions - NOW BULLETIN – 2020 Dan Graham, Horizontal Roll, 1971, performance documentation https://www.griffinartprojects.ca/exhibitions/civilization-inverted monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422607617-MYS9BIM5BDRWAHDEDSSF/Civilization-inverted-01.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Civilization Coordinates (Scrap Books), 2015, Mahogany, 71.12 x 109.22 x 59.59 cm, Shlesinger-Walbohm Family Collection, Toronto; Paul P., Brian Howard, 2017, Ash wood, mahogany and lacquer, Three parts: 55 x 65 cm, 31 x 30 x 42 cm, 33 x, 31.5 x 45 cm, Collection of Anouchka Freybe; Paul P., Portrait of Nancy Mitford as a Reflection of her Gay Friends, 2014-2017, Collage and ink on paper, 61 x 83 cm, Courtesy the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422608589-FSM2JMNH4PWQXC2BDRND/Civilization-inverted-02.jpg Exhibitions - Civilization (inverted) – 2017 Paul P., Civilization Coordinates (Scrap Books), 2015, Mahogany, 71.12 x 109.22 x 59.59 cm, Shlesinger-Walbohm Family Collection, Toronto https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422608613-W8Q0CD9WLFOI6I7QRQE9/Civilization-inverted-03.jpg Exhibitions - Civilization (inverted) – 2017 Paul P., Civilization Coordinates (Scrap Books), 2015, Mahogany, 71.12 x 109.22 x 59.59 cm, Shlesinger-Walbohm Family Collection, Toronto https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422606499-5H72CPLFRPKLDRI3446M/Civilization-inverted-04.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Brian Howard, 2017, Ash wood, mahogany and lacquer, Three parts: 55 x 65 cm, 31 x 30 x 42 cm, 33 x 31.5 x 45 cm, Collection of Anouchka Freybe; Paul P., Portrait of Nancy Mitford as a Reflection of her Gay Friends, 2014-2017, Collage and ink on paper, 61 x 83 cm, Courtesy the artist; Edouard Manet, Portrait of Baudelaire, 1867/68, Etching, 10 x 12 cm, Collection of Ian Wallace https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422607810-FNWHMGAV9R3JNMUV5RXJ/Civilization-inverted-05.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2016, Oil on canvas, 55 x 46 cm, Courtesy of the artist; Paul P., Untitled, 2016, Oil on canvas, 27 x 22 cm, Courtesy of the artist; Paul P., Untitled, 2011, Oil on canvas, 27 x 22 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422687927-CJ6U00IMA4V5O6319GGL/Civilization-inverted-06.jpg Exhibitions - Civilization (inverted) – 2017 Paul P., Untitled, 2012, Ash wood, mahogany and lacquer, Three Parts: 55 x 65 cm, 31 x 30 x 42 cm, 33 x 31.5 x 45 cm, Collection of Anouchka Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422659031-SIBYMUPORHF0BW5E7BQM/Civilization-inverted-07.jpg Exhibitions - Civilization (inverted) – 2017 Paul P., Untitled, 2012, Ash wood, mahogany and lacquer, Three Parts: 55 x 65 cm, 31 x 30 x 42 cm, 33 x 31.5 x 45 cm, Collection of Anouchka Freybe https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422657276-0QJ8XE06MJ6HERJ1W5T0/Civilization-inverted-08.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2016, Oil on canvas, 27 x 22 cm, Courtesy of the artist; Paul P., Untitled, 2016, Oil on canvas, 27 x 22 cm, Courtesy of the artist; Paul P., Untitled, 2011, Oil on canvas, 27 x 22 cm, Courtesy of the artist; Paul P., Untitled, 2012, Oil on canvas, 24 x 19 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422658389-D56859W8EZXT7EUTH83W/Civilization-inverted-09.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Brian Howard, 2017, Ash wood, mahogany and lacquer, Three parts: 55 x 65 cm, 31 x 30 x 42 cm, 33 x 31.5 x 45 cm, Collection of Anouchka Freybe; Paul P., Portrait of Nancy Mitford as a Reflection of her Gay Friends, 2014-2017, Collage and ink on paper, 61 x 83 cm, Courtesy the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422656207-YDDMO1DOZBP0ECQWNGJR/Civilization-inverted-10.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled (Forest Fire Sunset, Wreck Beach), 2017, Watercolour on paper, 15 x 24 cm, Courtesy of the artist; Paul P., Untitled (Forest Fire Sunset, Wreck Beach), 2017, Watercolour on paper, 15 x 24 cm, Courtesy of the artist; Paul P., Untitled, 2012, Oil on canvas, 33 x 24 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422722817-P9BHDU3TXK694WXFX7GL/Civilization-inverted-11.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2012, Oil on canvas, 33 x 24 cm, Courtesy of the artist; Roy Arden, Greg Girard with Coat, 1981-85, Cibachrome print, Ed. 7/10, 45 x 40.5 cm, Collection of Paul P.; Paul P., Hamish St Clair-Erskine, 2014, Mahogany, lacquer with patinated brass hinges (unique), 180 x 126 cm, 42 x 33 x 40 cm, Courtesy of the artist; Paul P., Untitled, 2017, Oil on canvas, 35 x 27 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, 27 x 19 cm, Collection of Roy Arden https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422723365-1M806RJ46ROLHP3H1CWN/Civilization-inverted-12.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled (Wreck Beach), 2017, Ink on paper, 20 x 14 cm, Courtesy of the artist; Paul P., Scribe's Table (Brion/Bryan), 2017, Nordic birch, 32 x 42 cm, Courtesy of the artist; Brion Gyson, Errata 1/2, 1978, Ink on paper, 20 x 28 cm, Collection of Bryan Mulvihill; Wang Ya-Bing, Mountain brush stand, 2016, Ceramic from porcelain factory, Jiagdezhen, 20 x 20 x 18 cm, Collection of Bryan Mulvihill; Paul P., Untitled, 2016, Oil on canvas, 55 x 46 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422723293-5M9QHNV25DCUMOT6O4U7/Civilization-inverted-13.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled (Wreck Beach), 2017, Ink on paper, 20 x 14 cm, Courtesy of the artist; Paul P., Scribe's Table (Brion/Bryan), 2017, Nordic birch, 32 x 42 cm, Courtesy of the artist; Brion Gyson, Errata 1/2, 1978, Ink on paper, 20 x 28 cm, Collection of Bryan Mulvihill; Wang Ya-Bing, Mountain brush stand, 2016, Ceramic from porcelain factory, Jiagdezhen, 20 x 20 x 18 cm, Collection of Bryan Mulvihill https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422723857-B1PAWA0WIENOXRUQUHKT/Civilization-inverted-14.jpg Exhibitions - Civilization (inverted) – 2017 IInstallation view, from left to right: Paul P., Untitled (Forest Fire Sunset, Wreck Beach), 2017, Watercolour on paper, 15 x 24 cm, Courtesy of the artist; Paul P., Untitled (Forest Fire Sunset), 2017, Watercolour on paper, 15 x 24 cm, Courtesy of the artist; Paul P., Untitled, 2014, Hand woven wool rug (ed. 2), 236 x 160 cm, Courtesy of the artist; Paul P., Untitled (three low tables), 2013 Mahogany (unique), 35 x 42 x 33 cm, 35 x 42 x 33 cm, 41 x 48 x 33 cm, Courtesy of the artist; Scott Burton:Individual Behaviour Tableau, exhibition poster, University Art Museum, Berkeley, 1980, 56 x 28 cm, Courtesy of Berkeley Art Museum and Pacific Film https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422722638-F29RDC1F9YN8EZ38VG8U/Civilization-inverted-15.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled (Forest Fire Sunset, Wreck Beach), 2017, Watercolour on paper, 15 x 24 cm, Courtesy of the artist; Paul P., Untitled (Forest Fire Sunset, Wreck Beach), 2017, Watercolour on paper, 15 x 24 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422754425-A62D3BYVPAXHOF6VZHFN/Civilization-inverted-16.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2014, Hand woven wool rug (ed. 2), 236 x 160 cm, Courtesy of the artist; Paul P., Untitled (three low tables), 2013 Mahogany (unique), 35 x 42 x 33 cm, 35 x 42 x 33 cm, 41 x 48 x 33 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422753468-3QNJOLADX3PF2TZ76UM6/Civilization-inverted-17.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2014, Hand woven wool rug (ed. 2), 236 x 160 cm, Courtesy of the artist; Paul P., Untitled (three low tables), 2013 Mahogany (unique), 35 x 42 x 33 cm, 35 x 42 x 33 cm, 41 x 48 x 33 cm, Courtesy of the artist; Scott Burton:Individual Behaviour Tableau, exhibition poster, University Art Museum, Berkeley, 1980, 56 x 28 cm, Courtesy of Berkeley Art Museum and Pacific Film https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422752779-ND6N2KPJLORQ6DELA36W/Civilization-inverted-18.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Scott Burton:Individual Behaviour Tableau, exhibition poster, University Art Museum, Berkeley, 1980, 56 x 28 cm, Courtesy of Berkeley Art Museum and Pacific Film; Paul P., Untitled, 2013, Oil on canvas, 22 x 16 cm, Courtesy of the artist; Paul P., Untitled, 2013 Oil on canvas, 22 x 16 cm, Courtesy of the artist; Paul P., Untitled, 2017, 27 x 22 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422752861-ND780I3N4I9JOVJPOQCH/Civilization-inverted-19.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2013, Oil on canvas, 22 x 16 cm, Courtesy of the artist; Paul P., Untitled, 2013 Oil on canvas, 22 x 16 cm, Courtesy of the artist; Paul P., Untitled, 2017, 27 x 22 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422753366-DJZ3CWF0UMZD6AG7NMXS/Civilization-inverted-20.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Roy Arden, Greg Girard with Coat, 1981-85, Cibachrome print, Ed. 7/10, 45 x 40.5 cm, Collection of Paul P.; Paul P., Hamish St Clair-Erskine, 2014, Mahogany, lacquer with patinated brass hinges (unique), 180 x 126 cm, 42 x 33 x 40 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422783842-HO7BPR96UUV3HCVRN77W/Civilization-inverted-21.jpg Exhibitions - Civilization (inverted) – 2017 Paul P., Hamish St Clair-Erskine, 2014, Mahogany, lacquer with patinated brass hinges (unique), 180 x 126 cm, 42 x 33 x 40 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422820838-54Y3M3NK9741RXWO2RZN/Civilization-inverted-21b.jpg Exhibitions - Civilization (inverted) – 2017 Roy Arden, Greg Girard With Coat, 1981-85, Cibachrome print, Ed. 7/10, 45 x 40.5 cm, Collection of Paul P. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422783798-ZSQE0C20S66YIPDRFOHG/Civilization-inverted-22.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2017, Oil on canvas, 35 x 27 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, 27 x 19, Collection of Roy Arden; Baron Adolph de Meyer, Marchese Casati, 1912, Photogravure, 16 x 22 cm, Collection of Ian Wallace; Paul P., Writing Table for Nancy Mitford (Blitz Era), 2013, Mahogany (unique), 75 x 90 x 41.5 cm, 43 x 33 x 33 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, 55 x 46 cm, Shlesinger-Walbohm Family Collection, Toronto; Sunny Suits, Joey at home, Brooklyn, 2013, Digital C print, 15 x 21 cm, Private collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422784110-V2U595CWTFMZS7K24HNI/Civilization-inverted-22b.jpg Exhibitions - Civilization (inverted) – 2017 Sunny Suits, Joey at home, Brooklyn, 2013, Digital C print, 15 x 21 cm, Private collection https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422783897-SFW74MF0RPDUS29S286T/Civilization-inverted-23.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2017, Oil on canvas, 35 x 27 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, 27 x 19, Collection of Roy Arden; Baron Adolph de Meyer, Marchese Casati, 1912, Photogravure, 16 x 22 cm, Collection of Ian Wallace; Paul P., Writing Table for Nancy Mitford (Blitz Era), 2013, Mahogany (unique), 75 x 90 x 41.5 cm, 43 x 33 x 33 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, 55 x 46 cm, Shlesinger-Walbohm Family Collection, Toronto https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422865801-0AB2932GAOE0VL16XCTI/Civilization-inverted-24.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Paul P., Untitled, 2017, Oil on canvas, 35 x 27 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, 27 x 19, Collection of Roy Arden https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422865312-J6Y8CWE97HK5GG5DW56L/Civilization-inverted-25.jpg Exhibitions - Civilization (inverted) – 2017 Installation view, from left to right: Baron Adolph de Meyer, Marchese Casati, 1912, Photogravure, 16 x 22 cm, Collection of Ian Wallace; Paul P., Writing Table for Nancy Mitford (Blitz Era), 2013, Mahogany (unique), 75 x 90 x 41.5 cm, 43 x 33 x 33 cm, Courtesy of the artist; Paul P., Untitled, 2015, Oil on canvas, 55 x 46 cm, Shlesinger-Walbohm Family Collection, Toronto https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422867091-D8DVVRMSY3NXVTI1U1EE/Civilization-inverted-26.jpg Exhibitions - Civilization (inverted) – 2017 Paul P., Writing Table for Nancy Mitford (Blitz Era), 2013, Mahogany (unique), 75 x 90 x 41.5 cm, 43 x 33 x 33 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1597422867843-Y22SX63NVYXE79VOS1BY/Civilization-inverted-27.jpg Exhibitions - Civilization (inverted) – 2017 Trolley Bus(Bryan Mulvihill), Sur La Mer (Calligrafitti), 2015, Acrylic and pigments on found painting, 51 x 61 cm, Courtesy of the artist https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1604631836222-H31KRTTKXGR0LSDXCHN2/CivilizationTitle.png Exhibitions - Civilization (inverted) – 2017 https://www.griffinartprojects.ca/exhibitions/teeth-loan-and-trust-company-consolidated-the-trylowsky-collection monthly 0.5 2022-09-21 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/fc2293c3-d571-41de-be13-39e67adad993/2021_Griffin_Teeth_Loan_01.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Lincoln Clarkes, Cyclists Series, 2011, C-print, 17”x21”, 6 photographs of same dims, the Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/6df5bc7a-0a1e-4db6-9ad7-e5fc304af9ca/2021_Griffin_Teeth_Loan_02.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Neil Wedman, Laughing Gas, 1998, oil on linen, 39”x40”, The Trylowsky Collection; Jamie Dolinko, Zenon’s Staircase, c-print, 19”x23” The Trylowsky Collection; Kim Kennedy Austin, The Blind Assassin, 2000, ink on paper, 37”x25”, The Trylowsky Collection; Alex Tedlie Stursberg, Float (Egg), 2018, Bronze sculpture, 12”x11”x12”, The Trylowsky Collection; Rodney Graham, “Are you a doctor sir?”, 1989, 2 posters 23.5”x31.4” each, The Trylowsky Collection, Photo By Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4274ca75-30ba-41bf-9b06-3c29778d3a7f/2021_Griffin_Teeth_Loan_03.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Tim Barber, Ladder, Vancouver, 2003, c-print, 16x24, The Trylowsky Collection; Tim Barber, Su In cab, 2003, c-print, 16x24, The Trylowsky Collection; Tim Barber, Untitled (Cloud), 2003, c-print, 16x24, The Trylowsky Collection; Tim Barber, Ladder, Vancouver, 2003, c-print, 16x24, The Trylowsky Collection; Tim Barber, Su In cab, 2003, c-print, 16x24, The Trylowsky Collection; Addad Hannah, Young Couple at a Playground (From the Russians Series), 2011 HD Video, 4 mins 17 secs, Edition of 5, The Trylowsky Collection; Neil Wedman, Laughing Gas, 1998, oil on linen, 39”x40”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d5626105-94b6-42da-a91d-f7f13a1808ed/2021_Griffin_Teeth_Loan_04.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Detail Shot of Laughing Gas, 1998, oil on linen, 39”x40”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/17490cc2-5984-4cc0-95f4-7acd6c934eb4/2021_Griffin_Teeth_Loan_05.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Kelly Lycan, The shape of things panel 5, 2018, house paint and cardstock paper, 10”x13”, The Trylowsky Collection; Jamie Dolinko, Smile yellow/black, 2009, Coloured ink on paper, 8”x10”,The Trylowsky Collection; Brian White, Little Sparta, 1996 acrylic on board, 16”x20”, The Trylowsky Collection; Jan Wade, Untitled, 1990, ink on paper, 15.5”x19”, The Trylowsky Collection; Julie Morstad, Untitled, 2005, ink on paper, 13”x15”; Roy Arden, Sunflower Pinhole, 2005, c-print pinhole camera photograph, 12”x15”, The Trylowsky Collection; Jason Maclean, Studio View, 2003, ink on paper, 13”x15,The Trylowsky Collection; Heather Passmore, Disappearing Drawings, 2007, photography/drawing, 22”x14”, The Trylowsky Collection; Robert Linsley, Camera Obscura (from One Hundred Views of Mount Baker), 1997, c-print, 20.5”x16.5”, The Trylowsky Collection; Marcel Dzama, Untitled, 2000, watercolour with root beer, 18”x19”, The Trylowsky Collection; David Korty, Smile, 2012, ink on paper, 16”x22”, The Trylowsky Collection; Mia Thomsett, Danger High Voltage, 2003, acrylic on board, 12”x14.5”, The Trylowsky Collection; Peter Schuyff, Untitled, 2007, Oil on panel on found drawing, 12”x15”, The Trylowsky Collection; Kim Kennedy Austin, This Fellow is on Top of the World (Butter Fruit, July 1947), 2019, acrylic paint and flocking on paper, 20”x15”, The Trylowsky Collection; Eric Metcalfe, Sperm Alphabet, 1997, watercolour on paper, 16”x17”, The Trylowsky Collection; Oraf, Untitled (Self-portrait), 1990s, photograph, 14”x11.75”, The Trylowsky Collection; Neil Wedman, Unnumbered Flying Saucer Study, 2010/2011, conte crayon on laid paper, 11”x9”, The Trylowsky Collection; John Andersson, Untitled (gold eye), 1995, ink on Tylenol with gold frame, 7.5”x7.5”, The Trylowsky Collection; Michael Dumontier, Untitled, 2000, acrylic on board, 14”x8”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/009cf985-ec33-4fd1-b2c8-8c1cf03fa666/2021_Griffin_Teeth_Loan_06.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Kelly Wood, Sucker, 1996, trans-mounted c-print, 48”x72”, The Trylowsky Collection; Ryan Quast, Black can, 2017, gesso oil and enamel, 6.5”x6.5”x8”, The Trylowsky Collection; T&T (Ton Romano/Tyler Brett), The Delivery, 2004, digital c-print, 97.5”x25”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f276d1c1-667a-47cd-888f-e4f34ed3ac4e/2021_Griffin_Teeth_Loan_07.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Evan Lee, Weeds, 1999, c-print, 30”x30”, The Trylowsky Collection; Mark Gilbert, Untitled, 1999, 2 c-print, 29”x25” each, The Trylowsky Collection; Shannon Oksanen, Nana Mouskouri, 1997, graphite on paper, 21”x21”, The Trylowsky Collection; Hannah Dubois, Recurring View 1968/2020/2012/2019, 2019, injetprint, 36.5”x25”, The Trylowsky Collection; Christos Dikeakos, Second Avenue 1969, 1998, transmouted c-print, 18”x26”, The Trylowsky Collection; Ron Terada, After On Kawara (Oct.28.1998), 1998, acrylic on canvas, 10”x8”, The Trylowsky Collection; David Korty, Untitled, 2012, watercolour on paper, 22”x26”, The Trylowsky Collection; Kim Kenndy Austin, Figure 1a p.23 (From K Structure Series), 2005, Watercolour on paper, 22”x30”, The Trylowsky Collection; Graham Gillmore, Pencil Me In, 2010, watercolour on archival worksheets, 26”x27”, The Trylowsky Collection; Matthew McWilliams, Paper Works (Blue) #4, 2010, pigment print on folded paper, 32.5”x24”, The Trylowsky Collection; Cameron Kerr, Marble Study (Retina Pattern), 2008, watercolour on paper, 21.5”x27.5”, The Trylowsky Collection; Kelly Lycan, Vase #2, 2015, gold laminated colour digital print, 24”x27”, The Trylowsky Collection; Neil Wedman, Newspapers #9, 2011, India ink and pencil on paper, 22.5”x27”, The Trylowsky Collection; Cameron Kerr, Untitled (Thought Form), 2008, watercolour on paper, 17”x21”, The Trylowsky Collection; Eric Metcalfe, Abstraction 8:2 minutes, 2017, watercolour on paper, 17”x20”, The Trylowsky Collection; Eric Metcalfe, “But on the other hand”, 2015, watercolour on paper, 17”x20”, The Trylowsky Collection; Jean MacRae, Chipped Enamel, 2021, ceramic/enamel, 13”x123”x5”, The Trylowsky Collection; Richard Attila Lukacs, Arbor Vitae, 2000, oil and tar on canvas, 60”x48”, The Trylowsky Collection; Tony Romano, The Lost Rose (Part 1 & 2), 2005, 35mm transfer to video, The Trylowsky Collection; Tim Lee, Ted Williams 1941, 2003, single channel video loop, 9 min 22 sec, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c0229489-7fc3-4599-9234-fc812db63dd4/2021_Griffin_Teeth_Loan_08.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Evan Lee, Weeds, 1999, c-print, 30”x30”, The Trylowsky Collection; Mark Gilbert, Untitled, 1999, 2 c-print, 29”x25” each, The Trylowsky Collection; Shannon Oksanen, Nana Mouskouri, 1997, graphite on paper, 21”x21”, The Trylowsky Collection; Hannah Dubois, Recurring View 1968/2020/2012/2019, 2019, injetprint, 36.5”x25”, The Trylowsky Collection; Christos Dikeakos, Second Avenue 1969, 1998, transmouted c-print, 18”x26”, The Trylowsky Collection; Ron Terada, After On Kawara (Oct.28.1998), 1998, acrylic on canvas, 10”x8”, The Trylowsky Collection; David Korty, Untitled, 2012, watercolour on paper, 22”x26”, The Trylowsky Collection; Kim Kenndy Austin, Figure 1a p.23 (From K Structure Series), 2005, Watercolour on paper, 22”x30”, The Trylowsky Collection; Graham Gillmore, Pencil Me In, 2010, watercolour on archival worksheets, 26”x27”, The Trylowsky Collection; Matthew McWilliams, Paper Works (Blue) #4, 2010, pigment print on folded paper, 32.5”x24”, The Trylowsky Collection; Cameron Kerr, Marble Study (Retina Pattern), 2008, watercolour on paper, 21.5”x27.5”, The Trylowsky Collection; Kelly Lycan, Vase #2, 2015, gold laminated colour digital print, 24”x27”, The Trylowsky Collection; Neil Wedman, Newspapers #9, 2011, India ink and pencil on paper, 22.5”x27”, The Trylowsky Collection; Cameron Kerr, Untitled (Thought Form), 2008, watercolour on paper, 17”x21”, The Trylowsky Collection; Eric Metcalfe, Abstraction 8:2 minutes, 2017, watercolour on paper, 17”x20”, The Trylowsky Collection; Eric Metcalfe, “But on the other hand”, 2015, watercolour on paper, 17”x20”, The Trylowsky Collection; Jean MacRae, Chipped Enamel, 2021, ceramic/enamel, 13”x123”x5”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/17f97c1e-789e-4acf-9469-1d8e95ac49c9/2021_Griffin_Teeth_Loan_09.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Cameron Kerr, Untitled (Thought Form), 2008, watercolour on paper, 17”x21”, The Trylowsky Collection; Eric Metcalfe, Abstraction 8:2 minutes, 2017, watercolour on paper, 17”x20”, The Trylowsky Collection; Eric Metcalfe, “But on the other hand”, 2015, watercolour on paper, 17”x20”, The Trylowsky Collection; Richard Attila Lukacs, Arbor Vitae, 2000, oil and tar on canvas, 60”x48”, The Trylowsky Collection; Rodney Graham, Painting, 2005, oil on canvas, 15.5”x19”, The Trylowsky Collection; Rodney Graham, Artist Bar, 1950s, 2016, C-print, 24”x30”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e7838428-f40e-4e9a-8d13-a0981729388a/2021_Griffin_Teeth_Loan_10.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Tim Lee, Ted Williams 1941, 2003, single channel video loop, 9 min 22 sec, The Trylowsky Collection; Parvin Peivandi, Paths that never cross again, 2021, beeswax, steel, vintage photograph, dimensions variable, The Trylowsky Collection; Tony Romano, The Lost Rose (Part 1 & 2), 2005, 35mm transfer to video, The Trylowsky Collection; Ryan Quast, Black can, 2017, gesso oil and enamel, 6.5”x6.5”x8”, The Trylowsky Collection; Tom Burrows, Akvavit, cast pigment polymer resin, 32”x88”, The Trylowsky Collection; Robert Kleyn, Untitled, 1989/2020, gouache on gesso and cardboard, 38”x34”x6”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/653ca7cc-25db-4f54-bc6b-0ad3702a9bc4/2021_Griffin_Teeth_Loan_11.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Kelly Wood, Sucker, 1996, trans-mounted c-print, 48”x72”, The Trylowsky Collection; Ryan Quast, Black can, 2017, gesso oil and enamel, 6.5”x6.5”x8”, The Trylowsky Collection; Tom Burrows, Akvavit, cast pigment polymer resin, 32”x88”, The Trylowsky Collection; Robert Kleyn, Untitled, 1989/2020, gouache on gesso and cardboard, 38”x34”x6”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1e0a4bc6-ed74-4e15-a28d-b05692968a0f/2021_Griffin_Teeth_Loan_12.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Detail of Black can, 2017, gesso oil and enamel, 6.5”x6.5”x8”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/7a9abb24-8217-44a9-a0b3-a7fbdeb19a33/2021_Griffin_Teeth_Loan_13.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Tom Burrows, Akvavit, cast pigment polymer resin, 32”x88”, The Trylowsky Collection; Robert Kleyn, Untitled, 1989/2020, gouache on gesso and cardboard, 38”x34”x6”, The Trylowsky Collection; Vikky Alexander, Punta Gorda Reflected, 2006, inkjet mounted on plexiglass, 36”x48”, The Trylowsky Collection; Karin Bubaš, Red Coat and Mountain Vista, 2017, archival pigment print with matte uv laminate, 48”x48”, The Trylowsky Collection; Neil Campbell, Portal, 2015, MDF, The Trylowsky Collection; Rodney Graham, Tree with Bench, Vancouver, B.C., 1996, transmounted colour photograph, 52”x62.5”, Edition of 5, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b238896c-77aa-421a-a19e-9de83ad5b961/2021_Griffin_Teeth_Loan_14.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Detail shot of display case with: Tony Romano, Posters for The Lost Rose, 2005, variable dimensions, The Trylowsky Collection; Ron Terada, After On Kawara (Oct.28.1998), 1998, cardboard with newsprint,10”x8”, The Trylowsky Collection; T&T (Tony Romano/Tyler Brett), Carchitecture, 2002, from a series of 6 digital c- print, 8”x12”, The Trylowsky Collection; T&T (Tony Romano/Tyler Brett), Carchitecture, 2002, from a series of 6 digital c- print, 8”x12”, The Trylowsky Collection; Eric Metcalfe, Port Moody, 2012, 8.5”x9.25”x1”, The Trylowsky Collection; Marcel Duchamp, Tzank Check, 1919, facsimile from the Green Box, 23”x12”, Collection of Christos Dikeakos, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/cf5cc42f-0f6b-4add-8e14-56abefd986ad/2021_Griffin_Teeth_Loan_15.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Karin Bubaš, Red Coat and Mountain Vista, 2017, archival pigment print with matte uv laminate, 48”x48”, The Trylowsky Collection; Neil Campbell, Portal, 2015, MDF, The Trylowsky Collection; Rodney Graham, Tree with Bench, Vancouver, B.C., 1996, transmounted colour photograph, 52”x62.5”, Edition of 5, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1a9bb23e-020e-466b-9895-e35e7c138c4e/2021_Griffin_Teeth_Loan_16.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Graham Gillmore, I Barely Touched You, 2003, 47”x35, The Trylowsky Collection; Derek Root, Ponti, 1997, encaustic on canvas, 36”x42”, The Trylowsky Collection; Isabelle Pauwels, Untitled, 2001, fluorescent light tube, dimensions variable, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/32d3fd77-206f-483e-a972-1ef445d3ea5f/2021_Griffin_Teeth_Loan_17.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Marcel Duchamp, Fluttering Hearts, 1961, silkscreen print, 15”x18”, Private Collection; Holly Ward, Control Panel #1, 2003, wood, styrofoam, glue, acrylic, paint, vinyl sticker, 16”x12”x3”, The Trylowsky Collection; Lotta Antonsson, Untitled, 2017, c-print and shell, 10”x13.5”, Private Collection; Lotta Antonsson, Untitled (Figure), 1998, ink on vellum, 13”x10.5”, The Trylowsky Collection; Shannon Oksanen, James, 1998, graphite, gesso on canvas, 19”x14.5”, The Trylowsky Collection; Shannon Oksanen, Claire Pouting, 1998, graphite, gesso on canvas, 33.5”x28”,Courtesy: Collection of William and Deborah Gibson; Myfanwy MacLeod, Untitled (Cell), acrylic on celluloid, 14”x5”, The Trylowsky Collection; Myfanwy MacLeod, Self-Portrait, 1997, acrylic on celluloid, 24”x26”, The Trylowsky Collection; Jerry Allen, Patty Hearst, 2000, oil on canvas, 21”x21”, The Trylowsky Collection; Ron Terada, See Other Side of Sign, 2006, pigment ink print, 46”x57”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/53375ed0-51ba-4696-a62d-7c9473487e1b/2021_Griffin_Teeth_Loan_18.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Shannon Oksanen, Claire Pouting, 1998, graphite, gesso on canvas, 33.5”x28”,Courtesy: Collection of William and Deborah Gibson; Myfanwy MacLeod, Untitled (Cell), acrylic on celluloid, 14”x5”, The Trylowsky Collection; Myfanwy MacLeod, Self-Portrait, 1997, acrylic on celluloid, 24”x26”, The Trylowsky Collection; Jerry Allen, Patty Hearst, 2000, oil on canvas, 21”x21”, The Trylowsky Collection; Ron Terada, See Other Side of Sign, 2006, pigment ink print, 46”x57”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2163d29e-ebfc-4994-b9d1-6281313a559c/2021_Griffin_Teeth_Loan_19.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Marcel Duchamp, Fluttering Hearts, 1961, silkscreen print, 15”x18”, Private Collection; Holly Ward, Control Panel #1, 2003, wood, styrofoam, glue, acrylic, paint, vinyl sticker, 16”x12”x3”, The Trylowsky Collection; Lotta Antonsson, Untitled, 2017, c-print and shell, 10”x13.5”, Private Collection; Lotta Antonsson, Untitled (Figure), 1998, ink on vellum, 13”x10.5”, The Trylowsky Collection; Shannon Oksanen, James, 1998, graphite, gesso on canvas, 19”x14.5”, The Trylowsky Collection; Shannon Oksanen, Claire Pouting, 1998, graphite, gesso on canvas, 33.5”x28”,Courtesy: Collection of William and Deborah Gibson, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/0a4428ba-2306-4178-9a68-cd0478a9c067/2021_Griffin_Teeth_Loan_20.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Claire Greenshaw, As Good As You’ve Been to This World, 2006, c-print, 18”x24”, The Trylowsky Collection; Marida Talamona, Drawings from Casa Malaporte, 1996, variable dimensions, Courtesy of Arni Haraldsson; Arni Haraldsson, Villa Malaporte (1938-42) Capri, Adalberto Libera w/ Curzio Malaparte architects, 1996, c-print, 28.5”x39.5”, Courtesy of the artist; Archival display cases with books, cards, etc. Courtesy of Patrik Andersson & Zenon Trylowsky, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2e3cf23b-0b45-456f-8304-9a815ab33215/2021_Griffin_Teeth_Loan_21.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Eric Metcalfe, Vase, ceramic, 11”x9”12.5”, The Trylowsky Collection; Tom Burrows, Hematoma, cast pigment polymer resin, 32”x48”, The Trylowsky Collection; Kelly Lycan, Curtain for a Bronze Tinfoil Ball, 2011/2015, colour digital print, 26”x34”, The Trylowsky Collection; Al McWilliams, For Zenon, 2000, silver dye bleach print, glass, lead on aluminum, 15”x28”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e0a66106-b6cd-4b2c-bf7f-6abb284cc974/2021_Griffin_Teeth_Loan_22.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Parvin Peivandi, Paths that never cross again, 2021, beeswax, steel, vintage photograph, dimensions variable, The Trylowsky Collection; David Korty, Untitled, 2012, watercolour on paper, 22”x28”, The Trylowsky Collection; Eric Metcalfe, Vase, watercolour on paper, 26”x34”, The Trylowsky Collection; Eric Metcalfe, Vase, ceramic, 11”x9”12.5”, The Trylowsky Collection; Tom Burrows, Hematoma, cast pigment polymer resin, 32”x48”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1e01d3fd-725c-4371-918b-6786fd87e3b7/2021_Griffin_Teeth_Loan_23.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Detail shot of Paths that never cross again, 2021, beeswax, steel, vintage photograph, dimensions variable, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/728def23-b2cd-42b2-8a17-27c579f7038d/2021_Griffin_Teeth_Loan_24.jpg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Rodney Graham, Painting, 2005, oil on canvas, 15.5”x19”, The Trylowsky Collection; Rodney Graham, Artist Bar, 1950s, 2016, C-print, 24”x30”, The Trylowsky Collection; Tim Lee, Ted Williams 1941, 2003, single channel video loop, 9 min 22 sec, The Trylowsky Collection; Parvin Peivandi, Paths that never cross again, 2021, beeswax, steel, vintage photograph, dimensions variable, The Trylowsky Collection; David Korty, Untitled, 2012, watercolour on paper, 22”x28”, The Trylowsky Collection; Eric Metcalfe, Vase, watercolour on paper, 26”x34”, The Trylowsky Collection; Eric Metcalfe, Vase, ceramic, 11”x9”12.5”, The Trylowsky Collection; Jean MacRae, Chipped Enamel, 2021, ceramic/enamel, 13”x123”x5”, The Trylowsky Collection; Kelly Wood, Sucker, 1996, trans-mounted c-print, 48”x72”, The Trylowsky Collection; Ryan Quast, Black can, 2017, gesso oil and enamel, 6.5”x6.5”x8”, The Trylowsky Collection; Tom Burrows, Akvavit, cast pigment polymer resin, 32”x88”, The Trylowsky Collection, Photo by Rachel Topham Photography https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/1623445892114-M67PSU77KAJ1H8EIT5RG/image-asset.jpeg Exhibitions - Teeth, Loan and Trust Company, Consolidated: The Trylowsky Collection - 2021 Neil Wedman, Laughing Gas, 1998, Oil on linen https://www.griffinartprojects.ca/exhibitions/alibaba-conundrum monthly 0.5 2025-08-02 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/4f3d1928-2e5b-45fc-89f5-e9fea6918eac/DSCF8938.jpg Exhibitions - Alibaba Conundrum - 2023 Alibaba Conundrum, 10 + (-5) Commandments, 2021-2022, Single-channel video, Varied dimensions, Courtesy of the artists. Photo by Byron Dauncey. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e7e50551-7c01-4067-af35-327a0fee1b3c/DSCF8942.jpg Exhibitions - Alibaba Conundrum - 2023 Alibaba Conundrum, Two Gazes of Alibaba (Conundrum), 2022, Inkjet on photo paper, 54” x 20”, Courtesy of the artists. Photo by Byron Dauncey. Alibaba Conundrum, 15 Commandments (The Origin of the Word), 2022, Inkjet on photo paper, 24” x 24”, Courtesy of the artists. Photo by Byron Dauncey. Alibaba Conundrum, English (Triggerrrrrrrrrrrrring), 2022, Inkjet on photo paper, 60” x 80”, Courtesy of the artists. Photo by Byron Dauncey. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e28aa242-2a58-42bc-a323-36df0fb27d0c/DSCF8950.jpg Exhibitions - Alibaba Conundrum - 2023 Alibaba Conundrum, Ave is to Have as Hail is to Hell, 2022, Urine on polished copper plate, copper oxide, 24” x 12”, Courtesy of the artists. Photo by Byron Dauncey. Alibaba Conundrum, Sign (Sentence to Come), 2022, Inkjet on photo paper, 60” x 60, Courtesy of the artists. Photo by Byron Dauncey. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/71ab6c7b-173b-43c6-8eb9-493061bd7297/DSCF8953.jpg Exhibitions - Alibaba Conundrum - 2023 Alibaba Conundrum, The Origin of the World, 2021, Inkjet on photo paper, 60” x 36”, Courtesy of the artists. Photo by Byron Dauncey. Alibaba Conundrum, Alibaba’s Perspective, 2022, Wood, fabric, tripod, LCD panel, security camera, Varied dimensions, Courtesy of the artists. Photo by Byron Dauncey. https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e7de2ee0-3feb-4c37-a35f-176837b5669e/DSCF8967.jpg Exhibitions - Alibaba Conundrum - 2023 Alibaba Conundrum, 'ɑːveI / AH-vay, 2022, Digital print on vinyl, 94” x 84”, Courtesy of the artists. Photo by Byron Dauncey. https://www.griffinartprojects.ca/exhibitions/embodied-conversations-the-lillian-and-billy-mauer-collection monthly 0.5 2025-12-14 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/abdbc3b2-dd5d-4938-b314-9e5d8d1b82d9/SB_SideView_FP3830_2_3_Charles_Benton+%281%29.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/2719b0d4-8b2c-4f09-8b46-10f18e578004/nvrc-horizontal-rgb.png https://www.griffinartprojects.ca/youth-exhibitions daily 0.75 2026-02-26 https://www.griffinartprojects.ca/youth-exhibitions/imprinting-story monthly 0.5 2025-02-08 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/f5c7cb65-ab60-4606-8e14-5764d1e94b3c/IMG_0703+3.jpg Youth Exhibitions - Imprinting Story https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/d6a34cf3-578c-4856-aa5f-894fa36f5acd/IMG_0661.jpg Youth Exhibitions - Imprinting Story https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e465b12f-8841-4add-a445-cb3061ccd16a/IMG_0704+3.jpg Youth Exhibitions - 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Imprinting Story https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b39c528b-c13d-4348-93ca-e40b68438b5c/IMG_0670.jpg Youth Exhibitions - Imprinting Story https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/e10ad548-4786-4fe8-a753-095c2dee80ba/IMG_0671.jpg Youth Exhibitions - Imprinting Story https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/8cc1fed5-28ab-4ce3-baa5-9457c8878a96/IMG_0685.jpg Youth Exhibitions - Imprinting Story https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/42d64609-2dd0-4ed1-83be-d230564ab04c/IMG_0661.jpg https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/96c44570-fe72-4f94-8b90-efa97f58114e/110601_Faria+Firoz.jpg https://www.griffinartprojects.ca/youth-exhibitions/known-to-us monthly 0.5 2024-05-03 https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/c1720b6c-d724-4300-8b97-06927846f102/IMG_0689.JPG Youth Exhibitions - Known To Us https://images.squarespace-cdn.com/content/v1/5e5b30dc031e1c7a03fcdf2b/b0eb3774-c2e4-42c0-8b02-97fe822ba7b5/IMG_0699.JPG Youth Exhibitions - 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