Virtual Curator’s Tour with Lisa Baldissera

Drawing from private collections in Western Canada as well as a selection of previous projects and new works from the Kentridge Studio, South Africa produced during 2020’s global pandemic, William Kentridge: The Colander explores the critique of political structures in Kentridge’s printmaking and filmmaking—looking at the layered, kinetic and collaged nature of his formal working processes, to investigate the porousness and vulnerability of artmaking and life—as well as the processes of the studio in his 2020-2021 series, Studio Life.  Planned with the research and curatorial assistance of Jillian Ross, of Jillian Ross Print, as well as Parts & Labour, VivianeArt, Calgary and David Krut Workshop in Johannesburg, South Africa.